| | Wumpscut Pre-Ferential Legacy/Music For A German Tribe CD Wumpscut Discography of CDs
 (1 Customer Review)
None of Preferential Legacy is meant for the :wumpscut: novice. In fact, none of Rudy Ratzinger's material ever has been. Whether he's pummeling the listener with Teutonic proto-techno, inducing angular dance-offs with industrialized EBM, or winding through the scary back roads of experimental electronica, Ratzinger's music has always appealed to a niche market. That said, it's :wumpscut:'s niche that will no doubt be very excited about Preferential Legacy. It's full of strong material, and will complete some back catalog gaps while waiting for the new :wumpscut: LP. The two-disc set is a hodgepodge, with the only new material arriving right away. "All Cried Out" is the first-ever :wumpscut: cover version -- in this case, a take on Alison Moyet's "All Cried Out." Anyone familiar with the synth-heavy, 1984 original will find :wumpscut:'s to be a surprisingly faithful rendition, albeit with a mechanistic, doomsday vibe. By comparison, the second new piece, "Overkill," is somewhat tedious, clocking in at over seven minutes. The remainder of the first disc includes a few decent remixes, including one of "Marta Arnau Marti," an ancient Ratzinger number unearthed from an old DAT recording. Closing out the disc are eight songs from the Music for a Slaughtering Tribe LP. Disc Two features the entire vinyl LP that accompanied :wumpscut:'s Bunkertor Seven box set, as well as seven tracks of odds and ends/housecleaning. "Crang March" and "C.B.T." are previously unreleased, while "Hang Him Higher" is an instrumental. The album ends with an extended "Dried Blood of Gomorrha" that is sure to scare away any non-believers with its churning drum loops. ~ Johnny Loftus
Subtitled - Music For A German Tribe. This double CD is filled with rarities, old tracks, remixes, & two new (2003) songs. It includes all the tracks from Music For A German Tribe as well as the entire LP that was part of the Bunkertor 7 inch box set. Also included are the hard to find original versions of such classic Wumpscut tracks as 'Hang Him Higher', 'Dried Blood Of Gommorrha', & 'God'. Metropolis.
2 LPs on 2 CDs: Preferential Legacy/Music For A German Tribe. Pre-Ferential Legacy/Music For A German Tribe Music Wumpscut Pre-Ferential Legacy/Music For A German Tribe Songs | | Pre-Ferential Legacy/Music For A German Tribe CD DISC 1: |
| 1. | All Cried Out - (1st :W: Cover)  | |
| 2. | Overkill - (Death For The Masses) | |
| 3. | Achtung - (:W: Rmx 4 Der Blutharsch remix) | |
| 4. | Voice, The - (:W: Rmx 4 Cleen remix) | |
| 5. | Staub - (:W: Rmx 4 Das Ich remix) | |
| 6. | Marta Arnau Marti - (Slaughter) | |
| 7. | Sonlent Green | |
| 8. | Black Death | |
| 9. | Tell Me Why | |
| 10. | Crucified Division | |
| 11. | In the Night | |
| 12. | War | |
| 13. | Die in Winter | |
| 14. | Turns Off Pain | |
| | Pre-Ferential Legacy/Music For A German Tribe Songs DISC 2: |
| 1. | Hellion, The | |
| 2. | Phase Shifter | |
| 3. | Throbberstalk | |
| 4. | Pornography | |
| 5. | Wound | |
| 6. | Batavion | |
| 7. | Capitolo Finale | |
| 8. | Total War | |
| 9. | Crucified | |
| 10. | Stomp | |
| 11. | Irak2 | |
| 12. | Lamandier | |
| 13. | God - (Artefact Pearls: A Tribute To Dive) | |
| 14. | Red Water - (Artefact Pearls: In Loving Memory Of Jojo) | |
| 15. | Crang March - (previously unreleased) | |
| 16. | Hang Him Higher - (First instrumental) | |
| 17. | C. B. T. - (previously unreleased) | |
| 18. | Against Decay - (No Better Safe Guard) | |
| 19. | Dried Blood of Gomorrha - (Extended) | |
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Pre-Ferential Legacy/Music For A German Tribe Music Review Purchase Pre-Ferential Legacy/Music For A German Tribe CD To buy, Click on price to add to cart | Wumpscut Embryodead CD (1997)
Pre-Ferential Legacy/Music For A German Tribe album
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| | Bebe Winans Love & Freedom CD (2000)
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LOVE & FREEDOM was nominated for the 2001 Grammy Award for Best Contemporary Soul Gospel Album and "Coming Back Home" was nominated for Best R&B Performance by a Duo or Group with Vocal.
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Boldly hacking his way through the muck-infested swamplands of post-Nirvana alternative rock, Ben Folds comes to save the day with an album of pure pop delights that provide a welcome alternative to "alternative." Despite the name, the Ben Folds Five is a trio consisting of Folds on piano and vocals, a bassist and a drummer. There are echoes of everything from vintage Todd Rundgren and Joe Jackson to Hoboken-based popsters like the dB's and Freedy Johnston in the band's frothy compositions. And there are no guitars.
Bassist Robert Sledge is on a one-man mission to bring back the fuzz-bass, utilizing the '60s bass technique to fill out the sound of the trio, and sometimes sounding more like a guitarist or keyboardist. Folds is an accomplished pianist, and has no qualms about giving the instrument the rock and roll spotlight that it's often denied. Ignore the knee-jerk Elton John comparisons. Folds may be equally influenced by show tunes and the Beatles, but WHATEVER rocks more convincingly than a gaggle of guitar-worshipping grunge puppies.
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Bernadett (Belinda) York, born in Chicago on Halloween 1983, has always carried a deep and serious passion for music and all levels of the arts. She recalls, “ As a little girl there would be times when I’d just sit and listen to the radio and think of ways I could be part of that world…it just never left my veins.” Daylight Savings Time is Ms. York’s first full-length album but has written over forty original songs- in which nineteen of them have been recorded. “I’ve been singing since I was two but the writing came around the age of ten. They started out as poems for a while, then little melodies, and when I learned guitar some years later in the ...
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