| | T A T U 200 KM/H In The Wrong Lane CD - Import T A T U Discography of CDs
(1 Customer Review)
Includes the bonus track '30 Minutes (Remix)' and the video 'All The Things She Said' featuring behind the scenes footage with Julia and Lena.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Producers include: Trevor Horn, Martin Kierszenbaum, Robert Orton. German release featuring one extra song, the music video for "All the Things She Said," and video footage of the band. CD contains 1 bonus track. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. It makes no sense to discuss 200 km/h in the Wrong Lane, the first album by Russian dance-pop duo t.A.T.u., without focusing on the gimmick, since that gimmick is the band. Of course, gimmicks have always been central to pop music, including much of the greatest pop music, but few have felt as tawdry as t.A.T.u.. Which is, of course, that the girls are teenage lesbians. Or to shoddily paraphrase Charlie Sheen in Being John Malkovich, "they're hot teenage lesbians, and how can you not be into that?" Well, it's easy not to be into it when Julia and Lena appear to have been run through a marketing processor so they could become two Sapphic tarts who sing songs with suggestive titles like "Not Gonna Get Us," "Show Me Love," and "All the Things She Said" (it's likely a coincidence that the latter two share titles with songs by Robyn and Simple Minds, respectively, but perhaps not), while covering that perennial anthem of tortured unrequited love and lust, the Smiths' "How Soon Is Now?" (it was strong enough to withstand Love Spit Love's cover; it's strong enough to weather this). Perhaps this would have been fun if the music were fizzy, trashy, and disposable, the way Brit-pop novelty Shampoo was on its lark We Are Shampoo. Instead, it's heavy, portentous Europop, often helmed by Trevor Horn, and badly sung by two cute girls with annoying squawks for voices. With those relentless, gloomy beats and those voices that cut against the grain, it's easy to concentrate on nothing but the gimmick, because it's more fun to talk about Russian teenage lesbians than listen to this noisy, oppressive murk. Even then, you'll feel unclean, given the shamelessness of the exploitation in this whole crass, commercial enterprise. ~ Stephen Thomas Erlewine It makes no sense to discuss 200 KM/H in the Wrong Lane, the first album by Russian dance-pop duo Tatu, without focusing on the gimmick, since that gimmick is the band. And the gimmick, of course, is that the girls are teenage lesbians who sing songs with suggestive titles like "Not Gonna Get Us," "Show Me Love," and "All the Things She Said," while covering that perennial anthem of tortured unrequited love and lust, the Smiths' "How Soon Is Now?". It's heavy Europop, often helmed by Trevor Horn, and sung by two cute girls. ~ Stephen Thomas Erlewine There's been a lot of hubbub about the marketing tactics of this album by a teenage lesbian female duo, who are pictured in the booklet as frolicking schoolgirls locking all available limbs around each other in their underwear. Still, that doesn't mean that said duo's debut album 200 KM/H IN THE WRONG LANE is lacking in pop hooks or spot-on production. With ace producers like the estimable Trevor Horn on hand, one would scarcely expect otherwise. With most of the album split between straight-ahead dance-pop and a kind of post-Alanis aggro rock tempered by the pair's wispy, Bjork-like voices. It's something of a surprise to be confronted mid-album with a quite faithful cover of the Smiths' beloved paean to misery "How Soon is Now," and no less of a surprise to find how seamlessly it's brought across. Adding an exotic, one-big-world touch to the whole affair, the ladies in question (Lena Katina and Juia Volkova) hail from Russia, where their teen lipstick-lesbian image first brought them fame. 200 KM/H In The Wrong Lane Music 200 KM/H In The Wrong Lane Music 200 KM/H In The Wrong Lane Music Review Purchase 200 KM/H In The Wrong Lane CD To buy, Click on price to add to cart | My Chemical Romance I Brought You My Bullets, You Brought Me Your Love CD (2002)
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$21.49 Built to Spill came from unusual parents: Doug Martsch used to be the chief songwriter for the Treepeople. He left the band because his desire to tour had waned to near nonexistent, but more importantly because Doug desired a new creative situation. Martsch enlisted the services of guitar friend Brett Netson from Boise's misunderstood psychedelic warriors Caustic Resin (whose debut Body Love Body Hate is available from C/Z) and a mysterious percussion fella named Ralf from Eugene, Oregon. Built to Spill (BTS), much like Blue Oyster Cult (BOC), Bachman Turner Overdrive (BOC) or a bacon/lettuce/tomato sandwich (BLT) are a very savory delight indeed. Mr. Martsch's motivation for recording this record was initially unknown, but considering that Doug has become one of the most lauded creative forces in the Northwest, C/Z is proud to have been the launching pad for such a prestigious career...plus, we believe this is one of the best records C/Z has ever released. Initially, Ultimate Alternative Wavers was a hard sell, but after the inevitable passing of time, the momentum began to grow and Doug made a leap to Seattle's UP! records and released the classic Aint nothing wrong with love followed by the BTS/Caustic Resin group effort…go figure. For those of you still-uninitiated, Built to Spill is now a full time Warner Brothers recording artist. Supreme songs on this record are, though for Chrissakes not limited to: Nowhere Nothin' Fuckup which is a nice send up of the Velvet Underground's Oh Sweet Nothin, Shameful Dread, Three Years Ago Today, Revolution and the explanatory The First Song. Enjoy - this is genius in it's purest form. * * * * FROM AllMusic.com:Built to Spill were one of the most popular indie rock acts of the '90s, finding the middle ground between postmodern, Pavement-style pop and the loose, spacious jamming of Neil Young. From the outset, the band was a vehicle for singer/songwriter/guitarist Doug Martsch, who revived the concept of the indie guitar hero ...
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