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Purchase Live CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
Live album
 $10.39   
Of the "big four" original thrash bands (the other three being Metallica, Anthrax, and Megadeth), Slayer was the least compromising and most consistent. As such, 2009's WORLD PAINTED BLOOD recalled more than the title ...
| | Katatonia Night Is The New Day CD (2009)
Live CD music
$14.38  
The latest album from Swedish doom rockers Katatonia, their first studio effort since 2006, is as moody and beautiful as their other latter-day work. The group's career can be marked in two stages based on the condition of singer Jonas Renske's vocal cords -- basically, after the band's first two albums, he developed health problems that prevented him from performing harsh death growls, and ever since the band has moved in an increasingly melodic direction, ...
| | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
Live music CDs
$8.99 
The finest example of perfect disco pop, and a record that should be prescribed to musical snobs ...
| | Van Der Graaf Generator: Live At The Paradiso DVD (2009)
Live songs
 $14.02 
| | Frank Zappa Joe's Garage Acts I, II & III CDs (1979) Remastered
Live album
$15.85
The superlative repackaging and remastering undertaken by Ryko has put the original three-part, two-record set of this magnificent nonsense tale together for the first time. This is back to the madness of Freak Out, with more pop and doo-wop bursting through all the complicated stuff, letting you know that Zappa could write a hit single, if he could be bothered to do so. Joe's Garage is a hoot and harmlessly pornographic. ...
| | N Sync Home For Christmas CD (1998) Enhanced CD
Live CD music
$6.09
Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, drums); Peter Ries (keyboards, programming); Troy Antunes, Joey Argero (bass); Rob Dorsey, Frank Delour, Lou Appell (drums, percussion); Billy Ashbaugh (drums); Voices Of Praise (background vocals).
The P.M. All Star Choir includes: Nicki Richards, Stephanie James, Andricka Hall, Deborah Cole, Misa S. Rebel, Keith Fluitt, John James, Andrew Smith, Lawrence Hamilton (background vocals).
It's always a sign that a group is hot if they release a holiday album mere months after their debut. That's the case with *NSYNC. Their debut was released in America ...
| | Lilac Time Lilac 6 CD (1987) (Import) Japan; + Bonus CD
Live music CDs
$42.05
Japanese edition includes an extra CD featuring recordings from a live show.
The Lilac Time's self-titled debut is the start of a perfect career. Right off the bat, Stephen Duffy and company mix poetry, pop melodies, and folk instrumentation to create songs of endless charm, mesmerizing passion, and tantalizing atmosphere. Accordions, acoustic guitars, woodwinds, exotic percussion, and Duffy's pensive voice all work toward an uplifting sadness rarely heard this side of Nick Drake. That's not to say that The Lilac Time is a depressing album; how could it be with Duffy's impeccable grasp on a pop chorus and the band's dedication to rolling folk revelries? While much of the album leans toward nature imagery, expressed mostly through metaphor, there's an equal dose of traveling songs to boot. One imagines a vintage 1800s steam train roaring through green pastures and lush vineyards during "Return to Yesterday," an upbeat song that reminisces about England's past and wonders about its future. There's ample bounce as well in "You've Got to Love," "Together," and "Too Sooner Late Than Better." The album makes clear that Duffy had a plan from day one as to the band's distinctive sound. Dark and moody songs like "And the Ship Sails On" and "Love Becomes a Savage" are as fully formed and evocative as similar songs that would appear on the band's late-era masterpiece Looking for a Day in the Night. Drawing favorable and justified comparisons to both the Smiths and Drake is quite an achievement in itself. That the Lilac Time would continue to reach such lofty heights is a testament to the songwriting prowess and subtle musical mastery of Duffy and his band of folk popsters. This fascinating debut is certainly a minimasterpiece, and it's the first step in a remarkable career that would bear additional masterpieces over multiple decades to follow. ~ Tim DiGravina
The Lilac Time's sixth record, with its unimaginative title but perfectly descriptive subtitle ("Beautiful Despair and Other Folktales"), runs no risk of disappointing fans. It houses no less than six songs that rate favorably with the group's best material. The remainder isn't anything to thumb your nose at, either. What it lacks in surprises and growth is more than made up for in consistency and craft. And while a quick ...
| | Cocteau Twins Blue Bell Knoll CD (1988) Remastered
Live songs
$10.25
| | Back In Communist Ru Meanwhile My Elixir; My Poison CD (2003)
Live album
$13.25
| | Bob Dylan Oh Mercy CD (1989) SACD Hybrid
Live CD music
$8.29
The second half of the 1980s was a dark time for hardcore Dylan fans, as their hero released a string of overproduced, lackluster albums, but the trend was gloriously reversed in 1989 with OH MERCY. The record was produced by Eno acolyte Daniel Lanois, and would help make the Canadian studio wizard a first-call producer, in addition to righting Dylan's reputation. Accordingly for an album made in New Orleans, OH MERCY has a thick, swampy, organic feel that echoes the blues roots so fundamental to Dylan's aesthetic, while simultaneously re-imagining them in a fresh, contemporary setting.
The songs, too, were Dylan's strongest in years. The modal "Political World" and chugging "Everything Is Broken" accurately take the sociopolitical temperature of the times without resorting to pedantry. "Most of the Time" is as full of romantic regret as "What Was It You Wanted" (later covered by Willie Nelson) reeks of emotional aloofness, and "Man in the Long Black Coat" is a mortality meditation as foreboding as anything in Dylan's catalogue. Though Dylan would turn out one more sub-par album after this (UNDER THE RED SKY), OH MERCY nevertheless marked the master songwriter's powerful return and dramatic upswing.
Oh Mercy was hailed as a comeback, not just because it had songs noticeably more meaningful than anything Bob Dylan had recently released, but because Daniel Lanois' production gave it cohesion. There was cohesion on Empire Burlesque, of course, but that cohesion was a little too slick, a little too commercial, whereas this record was filled with atmospheric, hazy production -- a sound as arty as most assumed the songs to be. And Dylan followed suit, giving Lanois significant songs -- palpably social works, love songs, and poems -- that seemed to connect with his past. And, at the time, this production made it seem like the equivalent of his '60s records, meaning that its artiness was cutting edge, not portentous. Over the years, Oh Mercy hasn't aged particularly well, seeming as self-conscious as such other gauzy Lanois productions as So and The Joshua Tree, even though it makes more sense than the ersatz pizzazz of Burlesque. Still, the songs make Oh Mercy noteworthy; they find Dylan quietly raging against the materialism of President Reagan and accepting maturity, albeit with a slight reluctance. So, Oh Mercy is finally more interesting for what it tries to achieve than for what it actually does achieve. At its best, this is a collection of small, shining moments, with the best songs shining brighter than their production or the album's overall effect. [In 2003, Columbia/Legacy reissued 15 selected titles from Dylan's catalog as hybrid SACDs, playable in both regular CD players and Super Audio CD players. Each ...
| | Praful Pyramid In Your Backyard CD (2005)
Live music CDs
$10.95
To some electronica enthusiasts, it might seem like a contraction to describe Praful as a saxophonist who has some relevance to electronica. If electronica is all about synthesizers, drum machines, sequencers, samplers, and the like, how can a saxman possibly have any relevance to electronica? Isn't "saxophone electronica" sort of like kosher pork or vegetarian sausage? But electronica doesn't have to be 100 percent electronic -- it can involve a combination of electronic programming and real instruments (and often does). Besides, Praful never claimed to be an electronica purist -- actually, it is difficult to say exactly how Pyramid in Your Backyard should be categorized. It's probably best to describe this 2005 release as a hybrid mixture of electronic club/dance grooves (including ...
| | Twisted Sister Twisted Christmas CD (2006)
Live songs
$6.09
| | Marx CD (2009)
Live album
$10.55
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