| | Modern Bellydance From Lebanon CD
This album is a mixture of the traditional and the modern, the Middle Eastern and the Western. As such, it almost defines contemporary belly dance, a form which has become a creature of the media, rather than the folk music it was originally danced to. Still, the results are OK. The track "Ma'zoufat al Moulouk" is heavy on the synths, but also heavy on the drama. The percussion, by Mohammed Gouda, is never cheesy. The instruments, such as the accordion and sax from the West, and the kanoun and santour from the Middle East, add to the atmosphere. One wishes they were used more. Emad Sayyah sings on about half the tracks; he has a good and pleasant voice. Sometimes the proceedings descend into the ridiculous, as on "Khasr'l Harir," which has goofy timbres and strange sound affects reminiscent of the theme from the original Addams Family. As today's belly dance music goes, this disc is definitely above average -- which isn't saying all that much. ~ Kurt Keefner Modern Bellydance From Lebanon Music Modern Bellydance From Lebanon Songs Modern Bellydance From Lebanon Review
GuidelinesRemember to focus your comments on Modern Bellydance From Lebanon CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Modern Bellydance From Lebanon CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
Modern Bellydance From Lebanon songs
$12.95 (MP3 Available for Download)
| | Lady Gaga Fame Monster CDs (2009) Deluxe Edition
Modern Bellydance From Lebanon album
$16.24 Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the ...
| | Neil Young Harvest Moon Live CD (2009)
Modern Bellydance From Lebanon CD music
$14.44
| | Mariah Carey Merry Christmas CD (1994)
Modern Bellydance From Lebanon MP3 Album
$8.75 (MP3 Available for Download)
| | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
Modern Bellydance From Lebanon music CDs
$22.69
| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
Modern Bellydance From Lebanon songs
$17.59
| | Dave Matthews Live At Luther College CDs (1999)
Modern Bellydance From Lebanon album
$18.65 (MP3 Available for Download)
| | Phil Thornton Shaman CD (1996)
Modern Bellydance From Lebanon CD music
$12.69
| | Paul-Emile Victor Le Grande Faim CDs (2004) Boxed Set
Modern Bellydance From Lebanon MP3 Album
$31.29
| | Dead C Vain, Erudite And Stupid: Selected Works 1987-2005 CDs (2006)
Modern Bellydance From Lebanon music CDs
$8.89
| | Hotell National 5 Ar CD (Import)
Modern Bellydance From Lebanon songs
$28.89
| | Born Of A Jackal To Pronto CD (2007) (Import) Australia
Modern Bellydance From Lebanon album
$28.99
| | Instant Karma: Campaign to Save Darfur CDs (2007)
Modern Bellydance From Lebanon CD music
$16.89
| | Mariah Carey E=Mc2 CD (2008) Deluxe Edition
Modern Bellydance From Lebanon MP3 Album
$15.89 The arrival of E=MC2 in 2008 indicated that Mariah Carey's reign as the queen of pop, and her status as one of the most popular and best-selling artists of all time, wasn't likely to end soon. The follow-up to the 2005 multi-platinum, chart-topping, Grammy-sweeping THE EMANCIPATION OF MIMI, E=MC2 reveals no slackening of focus or ambition, thanks in part to an all-star line-up of production help that includes The Dream, C. "Tricky" Stewart, Jermaine Dupri, will.i.am, Stargate, DJ Troomp, and Antonio "LA" Reid (who co-produced the album with Carey).
As usual, Carey's concentration isn't on club-oriented dance tracks but on smooth, mid-tempo R&B that pulses with sexy glamour. The lead-off single, "Touch My Body," is a case in point, a breathy invocation that induces both romantic feelings and swaying hips, and is classic Carey. Other album highlights include opener "Migrate," a moody, slinky jam; the disco-flavored "I'm That Chick"; and the ballads "I Stay in Love" and "Love Story." Nothing here is a radical departure, but Carey just seems to get better at what she does best: making sexy, listenable, flawlessly crafted R&B.
Two weeks prior to the April 2008 release of E=MC2 -- Mariah Carey's tenth album and the sequel to her big 2005 comeback, The Emancipation of Mimi -- the diva broke Elvis Presley's record of being the solo artist with the most number one singles on the Billboard charts. Lots of publicity surrounded "Touch My Body" reaching number one, as well it should: busting an Elvis record is always news, but this particular record served team Mariah well, as it paints Carey as being a diva who's bigger and better than the rest. An unintentional side effect of this very record is that it also tacitly pointed out that Mariah has been around a long, long time: 18 years, to be exact, roughly two years shy of the two decades that it took Elvis to establish his record. Unlike Elvis -- or any other major artist who's been around for two decades, for that matter -- Carey seems determined not to look back, to exist in some kind of eternal now, never acknowledging that she has a past, unless she's wielding her divorce from her ex-husband/ex-record label chief Tommy Mottola for some kind of sympathy, something she does once again here via vague allusions to naïveté and "violent times" on "Side Effects." Mariah refers to that separation so often that it's hard not to think of it as something recent but it happened a long, long time ago -- well over a decade prior to the release of E=MC2, to be precise -- but as the separation was the pivot point for Carey's career, it's easy to see why she keeps returning to it, even if the emotional heft of her singing about the pain has long since diminished.
After that separation, Carey restyled herself as a relentlessly modern R&B diva, chasing every passing trend in a given ...
|
|
|