| | Ashley Macisaac CD Ashley Macisaac Discography of CDs
(2 Customer Reviews)
Principally recorded at Signal To Noise, Toronto, Canada; Shabby Road, Avatar, New York, New York; The Disc Limited, Detroit, Michigan.
Cape Breton fiddler Ashley MacIsaac is as schizophrenic as ever on his self-titled first release for Decca. With his uniquely punk rock approach to Celtic reels and jigs, MacIsaac has plenty of room to toy with drum loops, reversed passages, and bizarro studio effects, and there are certainly moments where that experimentation pays off. The layered and loping "To America We Will Go" and the brittle "This Is My Father" both benefit from this multi-tiered approach, but it can also seem cluttered and unnecessary ("Grapes" may be the worst of these offenders). MacIsaac's strength has always been in his forceful fiddle playing, and this translates best in his updates of the traditional "Chorus Jig" and "Bog an Login," but the songs he has decided to test his own singing voice on fare less well. While his voice is forceful and in key, it is not necessarily interesting, and although this bluesy bar-belting could do justice to a pub-swaying drinking song or an impassioned battle ballad, on the majority of these tunes it just falls a little flat. Overall, as MacIsaac continues to push the boundaries of Celtic fusion he continues to hit and miss, and on this album the interesting textures and adept playing don't always make up for what the songwriting and singing lack. ~ Zac Johnson
Ori Release '03 Majoe debut album from the controversial fiddler who blends Celtic music Punk rock & other contemporary elements with guest Dallas Smith from the group Default .
Personnel: Ashley MacIsaac (vocals, fiddle, piano, organ); Lisa MacIsaac, Mary Jane Lamond, Dallas Smith, Lara Gray, Terry Radigan (vocals); Roger Greenawalt (acoustic & electric guitars, banjo, mandolin, ukulele, harmonium, chamberlain, synthesizer, programming); Gerry Leonard, John Maher (electric guitar); Joan Wasser (strings, harmonium, chamberlain, synthesizer); Maxim Moston (strings); Paul Bryan, Rex Gibson (harmonium, chamberlain, synthesizer); Paul Bryant, Matt Gruenberg (bass); Shaun Pelton (drums, tambourine); Rex Gibson, Scott Hollingsworth (programming); Jamie Babbit, Lara Gray, Terry Radigan (background vocals).
Producers: Roger Greenawalt, Kevin Killen, Rory Johnston.
Ashley Macisaac Music | List Price | $17.99 (You save $2.84) | | Category | Rock/Pop Albums, Classical CDs, World, International, Pop, Celtic, Rock, Enhanced CD | | Label | Decca | | Orig Year | 2003 | | All Time Sales Rank | 5586  | | CD Universe Part number | 5814786 | | Catalog number | 224021 | | Discs | 1 | | Release Date | May 06, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Gerry Leonard Maxim Moston - strings Joan Wasser - strings, harmonium, chamberlain, synthesizer Paul Bryan Ashley Macisaac - vocals, fiddle, piano, organ Dallas Smith John Maher - electric guitar Mary Jane Lamond Scott Hollingsworth - programming Jamie Babbit
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Ashley Macisaac Music Review Average Rating: (4.5 out of 5 stars)   Perfect, I Suppose A lot of people have negative thoughts on Ashley MacIsaac, but I don't care. His music is something I love, no matter how he twists it around. I'm typically big on Trance, Dance, and heavy Techno music, but MacIsaac reminds me of my love for the Celtic music, and fiddle. His twisty music is smack in between, and that's why I love it. Submitted by want_your_spirit (Dallas, TX) Was This Review Helpful? Yes No
Nice pop, consistent, just not incredible I'll start by saying that "Hi, How Are You Today?" is really one of my all time favorite CDs. That's where the incredible reference comes from. Helter's Celtic, the next non-traditional recording, was all over the map - some of it was good and quite a bit was lackluster or forced. I put Ashley's traditional releases in a different category - I've just got a couple and they are right nice, y'know.
This one puts Ashley more in the pop singer who plays a fiddle mode, not as bad as I would have thought. Some of the lyrics are slightly ridiculous, but the production and overall feel is consistent and really sounds like he wants to be taken seriously as a pop musician/singer.
It does steer clear of the speed-metal, hip-hop and techno I thought was so brilliant on HHAYT? Submitted by Gary (San Jose, CA, USA) Was This Review Helpful? Yes No
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