| | Bernard Allison Kentucky Fried Blues Live CD Bernard Allison Discography of CDs
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More than a few musicologists have noted the parallels between hip-hop and the blues -- both involve first-rate storytelling, both can be sexually candid, and both have been known to use dark humor. But there is one major difference between hip-hop and the blues: while hip-hop is extremely youth-driven, the blues world is a lot more receptive to people who are 30 and over. Blues fans realize that someone might have more to say at 35 than he/she did at 20; consequently, blues artists are encouraged to grow and develop, which is a good thing for someone like Bernard Allison. The singer/guitarist showed promise all along, but Kentucky Fried Blues finds a thirtysomething Allison continuing to grow as an artist. This CD isn't called Kentucky Fried Blues because Allison is from Kentucky -- Allison gets most of his electric blues inspiration from Chicago and Texas. Rather, the name Kentucky Fried Blues stems from the fact that this CD was recorded live at the WC Handy Blues Festival in June 1999 in Henderson, KY, where a 33-year-old Allison is sounding more and more confident -- not only as a bluesman, but also as a soul singer. The blues are the album's main focus, and a blues-oriented approach serves him well on the instrumental "Buzz Me," Buddy Guy's "Leave My Girl Alone," and father Luther Allison's "Life Is a Bitch." But he has no problem getting into soul-singer mode on "Midnight Creeper," which is also by the late Luther Allison. For Bernard Allison, being blues-oriented doesn't mean excluding soul, funk, and rock influences -- and it doesn't mean that he can't have some fun with a '60s-like soul tune. All things considered, Kentucky Fried Blues paints an appealing picture of Allison at 33. ~ Alex Henderson
Recording information: W.C. Handy Festival, Henderson, KY (06/1999).
Director: H. Russel Farmer.
Personnel: Benard Allison (vocals, guitar); Trevor Newman (trumpet); Richard Martinez (trombone); Mike Vlahakis (keyboards); Jeff Hayes (bass): Craig Panosh (drums).
Personnel: Bernard Allison (vocals, guitar); Bernard Allison; Trevor Newman, Trevor Newman (trumpet); Richard Martinez, Richard Martinez (trombone); Jeff Hayes (bass guitar); Mike Vlahakis (keyboards); Craig Panosh (drums).
Living Blues (11/03, pp.85-6) - "...While Allison is a virtuoso on his instrument, he forsakes technical prowess for a more organic delivery, which makes for more interesting listening than a by-the-book rendition..." Kentucky Fried Blues Live Music Bernard Allison Kentucky Fried Blues Live Songs | 1. | Introduction |
| 2. | Buzz Me (Introduction)  |
| 3. | Going Down |
| 4. | Bad Love |
| 5. | Life Is a Bitch |
| 6. | Midnight Creeper |
| 7. | Leave My Girl Alone  |
| 8. | Good Time Woman |
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$20.09 Revealing Michael Martin Murphey's philosophical tendencies as well as his preference to drift into deep, thoughtful songs, Cosmic Cowboy Souvenir addresses the type of artist that Murphey truly is. The material on Cosmic Cowboy Souvenir is borderline romantic, but the album doesn't get too convoluted, too intricate, or too commercial sounding, and it manages to keep its simplicity and rustic charm intact. Tracks like "Cosmic Cowboy, Pt. 1," "Alleys of Austin," and the beautiful "South Canadian River Song" blend a certain amount of guilelessness with Murphey's own brand of urban poignancy, laying claim to Murphey's trademark as a "non-traditional" country music artist. The songs emerge as wholesome and wonderfully unceremonious, cashing in on Murphey's unconfined image and using it to give his material its wandering, nomadic quality in both the lyrics and the wide variety of string work. Even cuts like "Prometheus Busted" and "Drunken Lady of the Morning" keep the album's unbounded feel from sounding conventional or overindulgent without much effort. Although it spawned no hits, Cosmic Cowboy Souvenir is the album that quietly proclaimed Murphey as a progressive country artist, even though the material that was to follow would extend this style to even greater lengths. ~ Mike DeGagne
Michael Martin Murphey's enigmatic second album for A&M, Cosmic Cowboy Souvenir, in many ways began an enigmatic period in Texas music during the early 1970s. Like its predecessor, Geronimo's Cadillac, Cosmic Cowboy Souvenir was produced by the legendary Bob Johnston. Unlike Geronimo, this set is more introspective, with starker, more elegant textures and more surreal lyrical landscapes. The title track which opens the album is a free flowing country-ish tune carried by unplugged six strings, pedal steel, and muted trap drums. Murphey was deep into the mythological archetypes ...
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