Forstella Ford Retrospective CD

Retrospective Music

List Price	$12.98 (You save $3.19)
Category	Rock/Pop Albums, Rock CDs, World, Punk
Label	Level Plane
Orig Year	2003
All Time Sales Rank	512206
CD Universe Part number	5828817
Catalog number	43
Discs	1
Release Date	May 13, 2003
Studio/Live	Studio
Mono/Stereo	Stereo
Engineer	Chris Djuricic; Bill Stace

Forstella Ford Retrospective Songs

	1.	Uncommon Ground
	2.	Order Is Everything
	3.	Dying on Our Own Terms
	4.	Beauty Is in the Eye of the Bestower
	5.	At Moments
	6.	Hindsight Is 20/20
	7.	Belmont & Sacramento
	8.	Recognized Letter
	9.	Cosimo Comma a
	10.	Asterix Legionaires
	11.	Locmariaquer
	12.	Emitter Follower
	13.	Hearsay
	14.	6. Am.
	15.	Land Defined by the Sea, A
	16.	Novel Idea, A
	17.	Brilliant Show at Low Tide - (previously unreleased)

Retrospective Review

Guidelines
Remember to focus your comments on Forstella Ford Retrospective CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Trans-Siberian Orchestra Night Castle CDs (2009)

Retrospective

$11.35

NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here -- and the coda of seasonal covers, including the first ...

Also Bought

W A S P Babylon CD (2009) (Import) United Kingdom

Retrospective

$15.45

Also Bought

Michael Buble Crazy Love CD (2009)

Retrospective

$14.49

Buoyed by the popularity of the hit contemporary pop ballad "Home," singer Michael Bublé's 2005 album, IT'S TIME, clearly positioned the vocalist as the preeminent neo-crooner of his generation. Easily the singer's most stylistically wide-ranging album so far, 2009's CRAZY LOVE is also one of his brightest, poppiest, and most fun. Bublé kicks things off with the theatrical, epic ballad "Cry Me a River" and proceeds to milk the tune with burnished breath, eking out the drama line by line. It's over the top for sure, but Bublé takes you to the edge of the cliff, prepares to jump, and then gives you a knowing wink that says, not quite yet -- there's more fun to be had. And what fun it is with Bublé swinging through "All of Me," and killin' Van Morrison's classic "Crazy Love" with a light and yearning touch. And just as "Home" worked to showcase Bublé's own writing abilities, here we get the sunshine pop of "Haven't Met You Yet" -- a skippy, jaunty little song that brings to mind a mix of the Carpenters and Chicago. Throw in a rollicking and soulful duet with Sharon Jones & the Dap Kings on "Baby (You've Got What It Takes)," and a fabulously old-school ...

Also Bought

Bob Dylan Christmas In The Heart CD (2009)

Retrospective

$12.85

After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have been written. These are the songs Dylan chooses to sing on CHRISTMAS IN THE HEART, a cheerfully old-fashioned holiday album from its Norman Rockwell-esque cover to its joyous backing vocals. Apart from the breakneck "Must Be Santa," which barrelhouses like a barroom, Dylan doesn't really reinterpret these songs as much as simply play them with his crackerjack road band, dropping in a little flair -- restoring "we'll have to muddle through somehow" to "Have Yourself a Merry Little Christmas," singing the opening of "O Come All Ye Faithful" in its original Latin -- but never pushing tunes in unexpected directions. Many would argue having Dylan croon these carols is unexpected enough and, true, there are times his gravelly rumble ...

Also Bought

Pink Martini Splendor In The Grass CD (2009) Digipak

Retrospective

$13.39

Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's first few tracks are among its most playful, including the slinky yet winking "Ohayoo Ohio" and the French confection "Ou Est Ma Tete?" While Pink Martini gets almost too cute for their own good with "And Then You're Gone" and "But Now I'm ...

Also Bought

Bad Lieutenant Never Cry Another Tear CD (2009)

Retrospective

$8.79

With Peter Hook's departure in 2007, prospects for new material from New Order were looking increasingly dim, so the surprisingly workmanlike Bernard Sumner formed Bad Lieutenant to record his new songs. Sumner looked for help to various sources: latter-day New Order keyboardist Phil Cunningham; bassist Tom Chapman; a young Manchester head named Jake Evans for ...