| | Foundland Everybody's Neighbour CD - Import Foundland Discography of CDs
Principally recorded at Stolph Studios, Stockholm, Sweden.
Personnel: Arne Johansson, Kristoffer Wallman (guitar, synthesizer); Fredrik Ljungberg (flugelhorn); Stefan Brisland-Ferner (Jew's harp); Mats Johansson (percussion, percussion programming); Stellan Colt (percussion); Annel Nieiddat, Angelin Tytöt (sampler).
Audio Mixers: Arne Johansson; Kristoffer Wallman; Simon Nordberg.
Recording information: Break My Heart Studio, Stockhol; Matchtown Studio, Jonkoping; Stolph Mobile, Malung, Sweden; Stolph Studio, Gtockholm, Germany; Stolph Studio, Stockholm, Swede Heaven; Studio Same Radion, Kiruna, Swe.
Photographer: Sven Hörnell.
Unknown Contributor Role: Stefan Brisland-Ferner.
Foundland: Arne Johansson (guitar, keyboards, programming); Kristoffer Wallman (keyboards, programming).
Producers: Kristoffer Wallman, Arne Johansson.
Everybody's Neighbour Music Foundland Everybody's Neighbour Songs | 1. | Still |
| 2. | Everybody's Neighbour |
| 3. | Great Day, A |
| 4. | Few More Survivors, A |
| 5. | Cloud Pattern |
| 6. | Strange Event-Northern Sky |
| 7. | Born Basic |
| 8. | Slope (Viiddis Duottar) |
| 9. | Av-8....Landing on Water |
| 10. | Concentrate |
| 11. | Rock & Roll |
|
Everybody's Neighbour Review
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This low-priced disc is far and away the best single-CD compilation ever issued of the Grass Roots' work, 16 chart singles covering every phase of their history, from 1966's "Where Were You When I Needed You" (in its actual hit version) thru "Let's Live for Today" and "Midnight Confessions" to their last hit, 1972's "The Runway." Listening to this 44-minute compilation, one not only encounters a superb array of catchy songs (and even some of the lesser hits, like the number 61-charting "Come On and Say It" and the number 34-charting "Glory Bound," are compelling pieces of soul-based pop/rock) but also virtuoso production and playing. The material has been remastered in state-of-the-art sound, giving one a chance to appreciate the production and engineering as well as the playing, which (regardless of whether it was provided by L.A.'s best session musicians or members of the actual band) is extraordinarily polished and quite powerful -- the piano, drums, and bass on "Sooner or Later" sound like they're in the same room with the listener, and the singing seems ...
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