| | Anti-Anti Horray For Everything CD Anti-Anti Discography of CDs
 (1 Customer Review)
Recorded at The Jam Room, Colombia, South Carolina on April 6-13, 2003.
Personnel: Tommy Shameless (vocals, guitar); Billy Anti (guitar, background vocals); Hollywood Tim (drums, tambourine, background vocals); Jay Matheson (Theremin); Johnny Wonder (background vocals).
Recording information: The Jam Room, Columbia, SC (04/06/2003-04/13/2003).
Unknown Contributor Roles: Billy Anti; Johnny Wonder.
Anti-Anti: Tommy Shameless (vocals, guitar); Billy Anti (guitar, background vocals); Johnny Wonder (bass, background vocals); Hollywood Tim (drums, tambourine, background vocals).
Horray For Everything Music Anti-Anti Horray For Everything Songs | 1. | Long Island Expressway |
| 2. | Good Old Days, The |
| 3. | Englewood Beach |
| 4. | I Want You Back |
| 5. | It's Gotta Suck to Be a Girl |
| 6. | I Live in Florida |
| 7. | Jarhead |
| 8. | Bubblegum Girl |
| 9. | Queen of the Scene |
| 10. | Don't You Know? |
| 11. | Last Laugh, The |
| 12. | Forbidden Planet |
| 13. | Slumber Party Massacre |
| 14. | Sweetest Dream |
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Horray For Everything Music Review Purchase Horray For Everything CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
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It isn't hard to find listeners who aren't huge fans of progressive rock on the whole but are passionate ...
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Five Finger Death Punch stormed rock radio in 2007 with "The Bleeding" (from debut album THE WAY OF THE FIST), a powerful, emotionally tense track that matched vintage, Metallica-style thrash with a throat-shredding chorus more typical of late aughts metalcore. The Los Angeles-based band's sophomore disc WAR IS THE ANSWER mines much of the same territory as ...
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To be cruel, this might have been more appropriately titled "The Inessential Pebbles." True, there are two discs and 55 songs' worth of rare '60s garage cuts here, none by anyone remotely famous even on a cult level (no, Neal Ford & the Fanatics do not count). Aside from a few reprises from the early Pebbles volumes on the first disc, though, it's pretty insubstantial stuff. It sounds worse than it would have in the late '70s, when this genre's existence was barely even acknowledged; by 1998, however, so much of it has been reissued that this collection really sounds second-rate next to, ironically, the original ten-volume Pebbles series. True, much of this has been previously unreissued, but as in any musical style, simple rarity and adherence to basic parameters of the idiom don't necessarily make for memorable music. Or, to put in language a rock fan can grasp, fuzz guitars, snotty vocals, put-down lyrics, and wild-and-craziness do not necessarily classics make. Garage/'60s collectors will already be familiar with the best cuts -- the Wig Wags' ominous "On My Way Down the Road," the Four Fifths' Byrds-like "If You Still Want Me," the Live Wires' bright and raw pop-psych-garage ...
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Digitally remastered by Eddie Shreyer & Brian Slagel (Future Disc).
Thin Lizzy's final studio release, Thunder and Lightning, was their most consistent album since 1979's Black Rose. Guitarist John Sykes replaced Snowy White, and the new blood must have inspired Lynott and company to write some of their best compositions in years. Although a pop-metal production hinders the tracks, there's more of a harder edge present than on their last release, Renegade. While the title track served as the ensuing tour's raging opener, half-baked lyrics detailing a fistfight and an unwarranted synth-solo weakens what should have been a straight-ahead ...
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Unknown Contributor Role: Aaron Clay.
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WHERE IRONCROSSES GROW is the 10-track release by Swedish death metallists Dismember, featuring "Where Iron Crosses Grow," "Forged With Hate," and "Sword Of Light."
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Also available in a 3-pack with ARIA and ARENA on Snapper Music (6101).
Asia hadn't released an album of new music since 1985, so changes were to be expected. But changes for the better -- well, that was a pleasant surprise. Aqua found the band infused with new energy, represented by a younger generation of arena rockers in bassist/vocalist John Payne and guitarist Al Pitrelli. Although Payne doesn't invite comparison to John Wetton or Greg Lake (his voice tends to get rougher as it gets louder), he gets the job done and turns out to be a pretty good songwriter in the bargain. Pitrelli, who had recently worked with Alice Cooper, knows his rock guitar; he's no replacement for Steve Howe, but he doesn't have to be -- Howe makes guest appearances throughout the disc. Aqua is an amalgam of arena rock and hair metal that avoids sounding sappy or self-pitying, two adjectives that would describe Alpha or Astra. Geoff Downes (who continues to write much of the material) keeps the music punchy and professional; gone are the dated synthesizers of the '80s, replaced by cutting-edge keyboards and savvy production. The opening and closing instrumentals, ...
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