True Stories CD

 Jimmy's Best in Years
I've been in Jimmy Thackery fan for years, going back to his days with the Nighthawks in Washington, DC. He's a great guitar player and on this recording his playing and song writing really shine through, although his singing voice remains unremarkable. His last couple of recordings, both solo and with Tab Benoit were disappointing to me, especially if you ever get to see Jimmy and Tab play live (awesome). The recordings lacked something, this one does not! If you haven't heard Jimmy Thackery before this would be a good recording to begin the journey, you won't be disappointed.
Submitted by a reviewer (Reston, VA) 
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 A Great Blues Record!
When I reviewed Jimmy Thackery and the Drivers’ We Got It, last year I called it their best work to date. I am going to have to retract that statement because, with the release of True Stories (Telarc), it is completely false. The latest from one of the hardest working quartets in the blues started out as a simple album of blues ditties but evolved through both music’s natural progression and it’s players into a selection of tunes that both collectively and individually took on a life of their own, according to Thackery. Jimmy leaves no doubt that he has arrived as a songwriter writing nine of the album’s eleven tracks,three of which were co written with his lovely wife Sally, with all having an anchor in true events and life experiences.This is the first time Thackery has purposefully made an effort to do so through his writing and the results are superlative. The album’s opening gritty number “Got it Going On,” finds the whole band kicking things out in high gear with Thackery tearing things up with some blazing riffs and saxman Jimmy Carpenter blasting out a most impressive solo. The cool bop of “Bluesman on Saturday Night,” may very well become the anthem for all blues musicians with it’s tale of the working gentleman who lets it all hang out once Saturday night rolls around, and let it hang out he does with a few invigorating crisp solos. The mellow “Baby’s Got The Blues,” and “ I Think I Hear The Rain,” are the album’s two most poignant numbers on which we hear a gentler dimension to Thackery’s playing leaning more to the melodic side of things. Jimmy is joined on both numbers by the gorgeous voice of Reba Russell on background vocals for the third consecutive album (Oh just put her in the band already Jimmy it’ll work perfectly!). “Snakes In My Mailbox,” is a rarity because of its acoustic nature and is highlighted by some fine picking and slick lyrics along with a honky tonk flavoring. The first time I heard “Dancing With The Dawg,” it became an instant favorite, as it is one of those numbers that quietly sneaks into your senses and overwhelms you with it’s subdued but intricate guitar riffs and silky percussive rhythms. If anyone has ever been fed up with anything then “Too Tired,” is sure to strike a nerve with it’s “enough already!” attitude and works hand in hand with the following track “Being Alone.” It wouldn’t be a Thackery and The Drivers album without a tune featuring the vocals of one of the hardest hitting drummers known to blueskind in the form of Mark Stutso punching out his usual high energy, passionate vocals on “Putting Out Fires,” a slightly pessimistic story of a man looking for the blues when there are none to be found but is nonetheless a catchy fun tune. Two covers wrap up this tastey biscuit very nicely. Buddy Johnson’s jiving“Crazy ‘Bout A Saxophone,” is a showcase for Jimmy Carpenter who rises to the occassion splendidly blowing the roof off (pun intended) with his soulful phrasings and the entire band falling into an intensely hot groove. The lone instrumental “The Messiah Will Come,”closes things out as a tribute to friend Roy Buchanan (who we lost entirely too soon) and might be familiar to Buchanan fans as “The Messiah Will Come Again.” Thackery’s treatment of this number is beautifully stunning as he wrings every emotion know to man from his guitar along with bassist Ken Faltinson pulling double duty on the B3. True Stories is a dazzlingly captivating album in both content and execution as there is not one bad or “filler” tune to be had here in its close to an hour running time. I’ve had the pleasure of watching the evolution of Thackery and The Drivers since 1992’s Empty Arms Motel and it seems that switching labels completely agrees with Thackery as his playing, which has always been fabulous, and writing have taken on a more creative edge with each endeavor. I won’t be quite so hasty this time and call this their best work to date because I have a sneaking suspicion that I will only have to retract it again with the next release. One thing for sure is that True Stories is one great blues record.
Submitted by a reviewer (Los Angeles, CA)
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