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Rodgers, Paul - Now & Live CD Cover Art
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Paul Rodgers Now & Live CD

 Paul Rodgers Discography of CDs
4 stars (1 Customer Review)

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Vocalist Paul Rodgers, best known for his work with the band's Free and Bad Company, is represented on this two-disc set. The LIVE album is the artist's 1997 solo venture, while LIVE has the singer performing songs from across his career.

In a career dating back to 1968, Now was only Paul Rodgers' second solo album of original material, following 1983's Cut Loose. Of course, in that time he fronted Free, Bad Company, the Firm and the Law, and in the early 1990s crafted tributes to Muddy Waters and Jimi Hendrix, so he wasn't exactly idle. Now was an album for Free and Bad Company fans, recreating those groups' guitar-bass-drums backing and bluesy hard rock sound. It has always been amazing that a singer as distinctive as Rodgers, whose gruff voice can be identified within seconds, has remained anonymous behind his group monikers. And it is doubly surprising since Rodgers has always performed the same kind of simple, driving rock. Now was more of the same: as a songwriter, Rodgers' lyrics rarely moved far from expressions of love and longing, and as a composer he never moved beyond a few basic chords. What mattered, of course, was that voice, and it was as powerful on Now as it had ever been. For good measure, the CD included a second bonus disc containing a 1995 live performance at which Rodgers performed Free and Bad Company favorites, an appropriate accompaniment to the essentially similar new material. ~ William Ruhlmann

Limited edition double CD featuring his 1997 solo album'Now' paired with 'Paul Rodgers Live - The Loreley Tapes',recorded in Germany on July 8th, 1995. Housed in a doubleslimline jewelcase with both original booklets, the releasefeatures a total of 24 tracks, including his Free hit 'AllRight Now' and his Bad Company hits 'Feel Like Making Love','Fire And Water' & 'Can't Get Enough'. 1997 SPV release.The full title is 'Now & Live (The Loreley Tapes...)'.

Recorded at Parkgate Studio, Sussex, England; Angel Studios, London, England; Pie Studio, Glen Cove, New York; Rockplast Open Air Festival, Lorely, Germany.

Engineers: Eddie Kramer, Doug Cook, Axel Speelmans.

Personnel: Pual Rodgers (vocals, guitar, 12-string guitar, piano); Geoff Whitehorn (guitar, background vocals); Jaz Lochrie (bass, background vocals); Jim Copley (drums); Dan Priest (tambourine); Clive Brown, The Shekinah Singers (background vocals); Jennifer Phillips, Paul Boldeau.

Producers: Paul Rodgers, Stephen Croxford, Eddie Kramer, Dan Priest.

Now & Live Music


Detailed Now & Live Music Information



List Price $17.99 (You save $2.84)
Category Rock/Pop Albums, Live Performances CDs, Hard Rock, Rock
Label SPV
Orig Year 1997
All Time Sales Rank   141332  
CD Universe Part number 5857023
Discs 2
Release Date Sep 04, 2006
Studio/Live Live
Mono/Stereo Stereo
Personnel Geoff Whitehorn - guitar, background vocals
Paul Boldeau
Jim Copley - drums
Jaz Lochrie - bass, background vocals
Jennifer Phillips
Clive Brown
Dan Priest - tambourine
Pual Rodgers - vocals, guitar, 12-string guitar, piano
Additional Info Import; Reissued; Limited Edition
Paul Rodgers Now & Live Songs


Paul Rodgers Now & Live Album Track Listing



1.All I Really Want Is You
2.Chasing Shadows
3.Love Is All I Need
4.Nights Like This
5.Shadows of the Sun
6.I Lost It All
7.Hlding Back the Storm
8.Little Bit of Love
9.Be My Friend$0.99
10.Feel Like Makin' Love$0.99
11.Lousiana Blues
12.Muddy Water Blues  $0.99
13.Rolling Stone
14.I'm Ready$0.99
15.Wishing Well$0.99
16.Soul of Love
17.Overloaded
18.Heart of Fire
19.Saving Grace
20.Mr Big
21.Fire and Water$0.99
22.Hunter, The
23.Can't Get Enough$0.99
24.All Right Now$0.99
Now & Live Music Review


Customer Now & Live Reviews 




Average Rating: (4 out of 5 stars) 4 stars

4 stars Rodgers delivers again
Paul Rodgers, once again, releases a very pleasing CD. The songs are great and well written and Rodger's voice is fantastic. This has become expected with Rodgers from his days in FREE and BAD COMPANY. I do not recognize any names of musicians on this recording but they sound like seasoned veterans. The live disc is also very powerful and precise with a good mix of Paul's past and present.
Submitted by Chris Kaiser (Billings, MT)
Was This Review Helpful? Yes No

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ARMs Concert, Rolling Stone no. 413, January 1984

10 x 12 inch
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Some qualifying dates for History: The Best of New Model Army are important, because before signing to the EMI label in 1985, New Model Army released three 45s on the indie Quiet and Abstract labels. You'll have to hunt the Internet for those, but all the A-sides of their major-label singles are present and accounted for here. The set kicks off with their debut for EMI, the ferocious "No Rest," whose B-side, "Heroin," incidentally, brought the band an immediate ban. However, that didn't stop the Army from storming into the Top 30 regardless. Not that the triumphant triumvirate cared -- the year may have been 1985, but these Army members were still training from the dog-eared pages of the punk manual, and the occasional ban could only cement their street cred. And the Army had plenty of that, delivered up in their blistering live performances, their sarcastic lyrics (as "Brave New World" evidenced), and their strong political stance -- "51st State" has even more bite today than it did back in 1986. At the time, it was Thatcher's kissing up to Reagan that set the Army frothing, but she proved unstoppable, and perhaps realizing their inevitable defeat, the band marched off the battlefield and joined the "Vagabonds" flooding from the cities into the valleys of "Green and Grey." Yet, New Model Army were occasionally roused to rail again, as on the incendiary "Get Me Out," before begging for their home to return to the "Purity" of old, or at least a "Space" they could call their own. The original vinyl release of this set included a bonus 12" single, comprised of four previously unreleased songs/versions. Unfortunately, the CD reissue dispenses with two of them, adding new impetus to the New Model Army collectors' market. One wishes that a second disc bundling up the B-sides had been added as well, but that wasn't to be, either. Fans will have to settle for this: all the hits from Britain's most legendary post-punk punks. ~ Jo-Ann Greene UK 'best of' for the long running punk act. 14 tracks including, 'No Rest', 'Better Than Them', 'Brave New World', 'Fifty First State' and 'Green And Grey'. Standard jewelcase. 2001 release. Recorded between 1985 and 1991. As History: The Singles 85-91's title makes ...
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Here's an ambitious album from a band called Sneeze, includes guest shots from the Bernie Hayes Quartet, as well as string and brass flourishes. Tom Morgan and Nic Dalton may be the mainstays of Sneeze, if for no other reason than that they do most of the songwriting. Still, there's such a cornucopia of players involved in this album, with the personnel switching around on virtually every track, that Sneeze seem like more of a collective pool than a proper band. Nothing wrong with that, but it does mean that there's such a breadth of styles and songs on this 18-track disc that it sometimes sounds like a various-artists compilation rather than the work of a specific artist. The genre that seems closest to their heart is early-'70s soul music, particularly the overly romantic and emotional kind. It's the early 2000s, though, so you get some postmodern twists, such as the gender-blurred "Too Much Man to Be My Woman" and the more explicit "I Want to Be a Woman" (sung from a man's point of view). That's not the whole picture, though. There are also some almost embarrassingly blatant, whether intentional or not, Elvis Costello-esque vocals; an apparently straight approximation of those 1970s songs when the woman would begin by talking no-nonsense heart-to-heart romantic confessions before breaking into song (on "(Don't Go) Distant)"; kinda Bowie/glam-era cops ("B.U."); fetching, dreamy pop on "I Believe in Marrickville (Parts 1 & 2)," sung by Lucy Lehmann, who unfortunately does not sing on any other track; and "Casual Cashew Daddy," which sounds like Bob Dylan's "Knockin' on Heaven's Door" wed to typically indie pop/rock wordplay. As emulators of early-'70s soul singing, Sneeze are kinda likable and kinda annoying, ...
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