| | Jewel Intuition CD Single Jewel Discography of CDs
 (1 Customer Review)
Debut single from Jewel's 2003 album, '0304'. 'Intuition' finds the singer-songwriter experimenting with new & exciting styles, clearly influenced by modern dance beats & rhythms, while managing to eloquently balance the reflective 'roots' style that has separated her from others throughout her career. This maxi single features eight non-LP mixes, 'Intuition' (Todd Terry In-House Mix, Gabriel & Dresden Hi-Tek Digital Mix, Markus Schulz Coldharbor Mix, Ford's Extended Mix, Tee's Freeze Mix, Gabriel & Dresden Rhythm Club Mix, Tee's Kat Mix, & Gabriel & Dresden Lo-Tek Analog Dub), plus enhanced material with the making of the video. Atlantic Records.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Purchase Intuition CD To buy, Click on price to add to cart | Sonny & Cher Wondrous World Of Sonny & Cher CD (1966)
Intuition album
 $11.95  
For their second album, Sonny and Cher largely dropped both the overt Spectorisms and derivative folk-rock of their debut, 1965's LOOK AT US, instead refining the two into an utterly unique blend. There were few protest songs as dazzlingly-arranged as "Laugh At Me," originally released as a Sonny solo single. The follow-up "The Revolution Kind," included as a bonus track, shows the political leanings which would eventually get Sonny elected as a Republican congressman.
Much of the album consists of covers--"Summertime" a la the Zombies' breathy version, "Tell Him," "I'm Leaving It Up To You," etc.--all given the inimitable Sonny and Cher treatment. Even this early in her career, Cher seems certain that attitude counts for more than innate talent. And for a guy who publicly played the fool, Sonny's orchestral jangle sounds surprisingly influential at several decades' remove.
CD debut of the couple's second album, first released in 1966 on Atco. Features the original artwork, new liner notes & three bonus tracks: Sonny's solo hit 'The Revolution Kind', plus the top 50 'Have I Stayed Too Long' & the previously unreleased 'Crying Time'. 15 tracks total, also featuring the top 10 'Laugh At Me' & the top 20 'But You're Mine'. 1998 Sundazed release. The full title is 'The Wondrous World Of Sonny And Cher'.
Liner Note Authors: Jud Cost; Sonny & Cher.
Arranger: Sonny Bono.
Personnel: Sonny Bono, Cher (vocals).
Audio Mixer: Bob Irwin.
| | Deep Six CD (1966) (Import) United Kingdom
Intuition CD music
$16.15
Imagine the Mamas & the Papas without the arranging prowess of John Phillips or the powerful voice of Cass Elliot and you get a pretty good idea of what the Deep Six sounded like. During their brief existence, they released one self-titled LP in 1966 on Liberty. Over three decades later, the U.K.-based Rev Ola label not only reissued that rare collector's item, but also included five non-LP cuts, rare photos, and excellent liner notes. The light, if somewhat generic, folk-rock arrangements and close harmonizing are pleasant enough on the majority of tracks; versions of "A Groovy Kind of Love," "Where Were You When I Needed You," and "Solitary Man" fit the band's smoothness to a tee. A few missteps are also included, especially the overtly far-out hippie vibe on "C'mon Baby (Blow Your Mind)," or even worse, "Paint It Black," which sounds as goofy as if the Serendipity Singers were performing it after taking a few tokes for the first time. All in all, this is fun sunshine pop that fans of the genre will enjoy. ~ Al Campbell
First time on CD for sole album, originally issued in 1966, from Southern California based folk-rock group. Includes the entire World Pacific album & five rare bonus tracks, 'Strollin' Blues', 'Things We Say', 'I Wanna Shout', 'Image Of A Girl', & 'C'mon Baby'. 17 tracks & a foldout sleeve with liner notes, many photos & other memorabilia. Rev-Ola. 2003.
Recording information: Ironwood Studios (08/1985-09/1985).
Personnel: Nick Robbins, Joe Foster (synthesizer).
Liner Note Authors: Danny House; Steve Stanley.
| | Madonna Nothing Fails/Nobody Knows Me (2003) 5 versions
Intuition music CDs
$7.49  
Jam packed CD single from the diva's "American Life" album. All mixes available on the USA single. For the collector only.
| | Association Live CD (1970)
Intuition songs
$13.59 
This 75-minute album, originally a double-LP (recorded live at the University of Utah in Salt Lake City on April 3, 1970) is a valiant attempt at capturing the Association's concert sound on record. Unfortunately, it fails for several reasons, beginning with the fact that the instrumental mix is very bass-heavy -- even with adjustments to compensate, this overwhelms much of the rest of the band on several key numbers. Additionally, the group's singing, though more than adequate, lacks the presence needed to give their harmonies the necessary radiance to make the music fully attractive, coming off instead as anemic. The real problem is that cutting a live album was a thankless task for this group -- so much of their sound was dependent on a studio-driven perfection -- that live recording was an exercise in futility (let's put it this way -- the Beach Boys pulled this off more than once, but they had a resident genius around part of the time doing their arrangements; the Association: no genius in the ranks). "Goodbye Columbus" is a case in point, it's a breezy, cheerful number that gets a spirited performance, but it still sounds thin and emaciated because the single is the way that song is supposed to sound, period. By contrast, their rendition of "Get Together," complete with lyrical and soaring harmonies, is a masterpiece of a kind -- or it would be if it were a prelude to a studio recording where the balances could be refined and perfected. As it is, the band often sound clunky on their instruments, even as they sing their hearts out. "Seven Man Band" features some ferocious fuzz guitar that gets buried in mix. Some songs do work -- "Cherish" is a bit emaciated but ultimately makes for interesting listening, while "Requiem for the Masses" and "Enter the Young" come off well on any terms. It's hardly worth the inflated price of the Japanese imported CD, except for the most hardcore completists. ~ Bruce Eder
Recorded live at the University Of Utah, Salt Lake City,
| | Strangeloves In The Night Time CD (2003)
Intuition album
$6.45
This mid-line disc consists of half the material available on the definitive Strangeloves compilation, 1995's I Want Candy: The Best of the Strangeloves. However, parties looking for a concise package should note 2003's In the Night Time, which offers the Top 40 entries "Cara-Lin," "I Want Candy," and "Night Time" in addition to sides from their sole 1965 long-player and several single-only tracks from 1966 and 1967. In a practically Spinal Tap-ian mythology, they were promoted as (get this) wealthy Australian sheepherders whose infatuation with rock & roll had driven them to abandon their flocks and set out to create the sounds they loved. In typical American-made hype and true to form, the public decided to scream now and ask questions later. The reality of the Strangeloves is nowhere near as alluring. Bob Feldman, Jerry Goldstein, and Richard Gottehrer were actually writers/producers and Brill Building associates responsible for -- among other things -- a majority of the Angels' hits, "My Boyfriend's Back" among them. Feldman and Goldstein's relationship dated to their days as Brooklyn teens. After cutting the theme to Alan Freed's daily TV program The Big Beat, they began submitting demos under the moniker of "Bob & Jerry." They hooked up with Gottehrer in 1960 and, impressed with his writing style, asked him to join forces. The FG&G insignia was found on platters from Dion, Freddy Cannon, Chubby Checker, and Little Eva. However, in 1964 when Beatlemania blossomed into the British Invasion, the horizon of pop music rapidly changed. Domestic artists were by and large left in the wake of U.K. imports, including Herman's Hermits, the Dave Clark Five, the Rolling Stones, and the like. They then struck upon the idea of reinventing themselves in the alter egos of three brothers named Miles (Feldman), Niles (Gottehrer), and Giles (Goldstein) Strange, aka the Strangeloves. Their records reflected the concurrently mod ethos, resulting in the aforementioned classic oldies
| | Merrilee Rush Angel Of The Morning CD (2006)
Intuition CD music
$13.59
Although a classically trained pianist, Merrilee Rush's greatest exposure came in the form of 1968's Angel of the Morning. Previously, she had been in several American Northwest R&B combos in the early to mid-'60s -- including the Aztecs, Merrilee & Her Men, and a stint with Tiny Tony & the Statics. By 1965, Rush settled into her own band, Merrilee & the Turnabouts, which quickly became local teen dancehall favorites. Their success garnered them a spot supporting Paul Revere & the Raiders during their 1967 tour, resulting in head Raider Mark Lindsay introducing Rush to Memphis-based producer Chips Moman. While the Turnabouts are credited on the original album jacket, Moman replaced Rush's backing band with a handpicked coterie of seasoned studio veterans, ultimately yielding this dozen-song long-player. The effort consists mostly of lightweight pop with slight country & western and folk-rock nuances, although there are few tunes that stand as powerfully as the affective Chip Taylor-inked "Angel of the Morning." Rush's uniformly strong leads recall the effervescence of Melanie -- thankfully without the annoying warble -- and the honey-toned Jackie DeShannon. The laid-back opener, "It's Worth It All," sets the pace with an affable but insipid delivery. The moodier "Sandcastles" -- one of two cuts co-written by Moman with Spooner Oldham and Dan Penn -- is a step in the right direction, especially when the tempo picks up and Rush is given a chance to express herself. The optimistic "Billy Sunshine" and the cover of Joe South's "Hush" follow that edgier path. Conversely, the Mark Lindsay composition "Do Unto Others" and the subsequent Moman/Oldham/Penn side "Handy" are little more than ponderous filler. [The 2006 CD reissue from Rev-Ola supplements the contents with an additional nine non-LP selections, notably Rush's reading of "What the World Needs Now" from the film Bob & Carol & Ted & Alice (1969) as well as a trippy remake of the Motown staple "Reach Out" -- suppose
| | Sting I'm So Happy I Can't Stop Crying (1996)
Intuition music CDs
$6.49
Track Listing of songs: I'm So Happy I Can't Stop Crying; This Was Never Ment to Be; Giacomo's Blues; Beneath a Desert Moon;
| | Storys I Believe In Love (2006) (Import)
Intuition songs
$7.89
Track Listing of songs: I Believe in Love; It's Alright to Make Me Cry;
| | Nigel Clark 21ST Century Man (2006) (Import)
Intuition album
$7.89
Nigel Clark provided the soundtrack to summer `95 with his band Dodgy and their huge hits `Staying Out For The Summer' and `Good Enough'. Now back for 2007 as a solo artist.
| | Dizzee Rascal Sirens CD (2007) Extended Play
$12.05
CD pressing of the first single pulled from the British rapper's 2007 album Maths And English. Features two versions of 'Sirens' (Main Version and Chase And Status Instrumental Mix. plus 'Dean'. XL.
| | Momotarosu Uratarosu Kintarosu Ryu-Tarosu Denebu Double-Action Climax Form-C (2008) (Import)
$31.55 | | Thomas Godoj Love Is You/Premium (2008) (Import)
$15.75
Track Listing of songs: Love Is You [Radio Version]; Love Is You [Acoustic Version]; Love Is You [Eversion]; Love Is You [Instrumental];
| | Ian Carey Shot Caller (2009) (Import)
$7.95
Australian three track CD pressing of this 2009 single from the House DJ and producer. Ian's signature bass line sound and driving kick give this one huge dance floor potential and the vocal will have the girls going nuts. Features three versions of 'Shot Caller': Radio Edit, Original Mix and Vandalism Remix.
|
|
|
46978 
buttons below to play song samples
Adobe Flash
Email a Friend
