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The Routers followed up the 1963's Great Instrumental Hits (1964) long-player with Charge! This spirited release features a dozen modernized rocking instrumental interpretations of college fight songs as well a few equally peppy originals. Although the band initially consisted of an actual group of non-professional musicians, by the time the Routers were signed and had issued their clap-happy hit "Let's Go!," those performers were replaced by an all-star confab of West Coast session heavies -- many of whom were members of the inimitable Wrecking Crew. These included Hal Blaine (percussion), Carol Kaye (bass), Tommy Tedesco (guitar), and Leon Russell (keyboards), and prominently featured is the rousing and yakety Plas Johnson (sax). Their hard-drivin' pop music helped producers and artists -- such as Phil Spector and Brian Wilson -- define the uniquely American pre-British Invasion West Coast sound. Under the direction of Warner Bros. staff producer Joe Saraceno, the Routers became the perfect outlet for the uptempo pop reworkings of concurrent chart-toppers. They even corralled a few originals that followed the same somewhat formulaic yet tried and true, rhythm-intensive, and ultimately danceable performance style. Charge! commences where Let's Go! With the Routers (1963) left off. With an ear toward the teen consumer, these adaptations of well-known athletic anthems are akin to a rock & roll pep rally. Anyone who has ever attended a team sporting event will inevitably recall the old standbys "On Wisconsin" -- enhanced here with a stirring chant of "Fight! Fight! Fight!" -- "Anchors Aweigh," or "On Brave Old Army Team." These new souped-up readings are the antithesis of the old staid Sousa-influenced marching band arrangements and feature wailing guitar solos and hot-steppin' bongo beats in place of the traditional tuba, piccolo, and bombastic bass drum. Some sides -- most notably "The Washington and Lee Swing" as well as the original composition "Pep Rally" -- adapt familiar musical themes with a bent for the Watusi and Frug generation. Interestingly, many of these mod interpretations continue to show up in TV adverts and as musical beds for sports announcers. In 2003, Collectors' Choice Music released Charge! on CD as a part of their Routers' reissue campaign ~ Lindsay Planer
Break out the bullhorn and the letter sweaters for this one-a complete album of swingin' and surfin' pep rally cheers. 12 tracks. Collectors' Choice. 2003. Charge! Review
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Purchase Charge! CD To buy, Click on price to add to cart | Sonny & Cher Wondrous World Of Sonny & Cher CD (1966)
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$13.59 This 75-minute album, originally a double-LP (recorded live at the University of Utah in Salt Lake City on April 3, 1970) is a valiant attempt at capturing the Association's concert sound on record. Unfortunately, it fails for several reasons, beginning with the fact that the instrumental mix is very bass-heavy -- even with adjustments to compensate, this overwhelms much of the rest of the band on several key numbers. Additionally, the group's singing, though more than adequate, lacks the presence needed to give their harmonies the necessary radiance to make the music fully attractive, coming off instead as anemic. ...
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| | Grand Funk Railroad Classic Masters CD (2002) Import
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Capitol Records launched a midline-priced series called Classic Masters and the 2002 entry for Grand Funk Railroad is meant to appeal to the casual fan. It is intended to replace 1991's Capitol Collectors Series title -- an earlier budget line from the label -- although track-wise it's identical except for one song. Both have 15 cuts, but Classic Masters includes "Take Me" whereas Capitol Collectors Series has "Inside Looking Out." Looking back, it's amazing to realize just how enormously popular these Michigan hard-rockers were in the late '60s and early '70s. For Grand Funk Railroad, popular meant populist blue-collar appeal, and vocalist/guitarist Mark Farner, bass guitarist Mel Schacher, and drummer/vocalist Don Brewer (and, later on, keyboardist Craig Frost) were despised by critics, of course. The merits of anthems like "We're an American Band," "I'm Your Captain/Closer to Home," and the cover "The Loco-Motion" are obvious, but ...
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$7.09 | | Violent Femmes Viva Wisconsin CD (1999) Bonus Track; Remastered
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$10.49 Recorded live before an adoring and extremely vocal crowd (guess where), VIVA WISCONSIN is the Violent Femmes' return to basics album. With "no overdubbing, no electronics, no crap," the Femmes tear into their impressive back catalogue of tracks with a fervor that has been somewhat subdued on more than one of the more recent studio albums. The performances here go a long way to suggesting that the best way to hear these songs is live. Nearly every track is at least as good as its studio counterpart, but there are some standouts.
"Life Is an Adventure," from ROCK!!!, was always a nice song, but here is looser and it seems even more heartfelt. Though "American Music" is a song that is good enough to withstand even the most uninspired performance, the version here truly shines, far outstripping the album version that appeared on WHY DO BIRDS SING? To give you an idea of how good these versions are, even an elongated drum solo on "Black Girls" somehow manages to sound as though it ought to have been in the original version (from HALLOWED GROUND). And how can ...
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| | Flying Canyon CD (2006)
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