| | Nathan James This Road Is Mine CD Nathan James Discography of CDs
Recorded at Peace In The Valley Studio, Arleta, California on August 6-8, 2002.
Personnel: Nathan James (vocals, guitar, harmonica); Ben Hernández (vocals, harmonica, kazoo); James Harman (vocals, harmonica, shaker).
Recording information: Peace In The Valley, Arleta, CA (08/06/2002-08/08/2002).
Photographers: Abana James; James Harman.
Personnel includes: Nathan James (guitar); Ben Hernandez (vocals, jazz horn, washtub bass); James Harmen (vocals, harmonica).
Nathan James This Road Is Mine Songs This Road Is Mine Review
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Purchase This Road Is Mine CD To buy, Click on price to add to cart | Larry Taylor Blues and Soul Ban They Were In This House CD (2004)
This Road Is Mine album
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If you're going to have a career in music, it's important to know what your strengths and weaknesses are. Being great at one thing doesn't automatically mean a person is great (or even competent) at another; the history of music is full of excellent guitarists, bassists, drummers, and horn players who turned out to be mediocre or lousy vocalists when -- for whatever reason -- they decided to take up singing. But Larry Taylor has no problem making the transition from drummer to singer on They Were in This House, the Chicago blues/soul veteran's first album as a leader. Taylor, who was 48 when this release came out in 2004, is no newcomer; he has been around the Windy City blues scene a long time and has played the drums for a long list of blues heavyweights over the years. But as a recording artist/singer, he ...
| | Janiva Magness Bury Him At The Crossroads CD (2004)
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Magness, who won a 2004 W.C. Handy Award as Best Contemporary Blues Female Artist, seems cut from the same mold as singers like Lou Ann Barton -- there's a lovely rasp and conviction in her singing that brings sometimes mundane material alive. Working with a small band this time around, she can focus more on ...
| | Black Sabbath Mob Rules CD (1981) Import; Remastered
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Black Sabbath had put itself back on track both musically and commercially with the 1980 album HEAVEN AND HELL, as the addition of new vocalist Ronnie James Dio was the shot in the arm Sabbath needed. A follow-up was released one year later, MOB RULES, which follows in the same mega-decibel approach as its predecessor. While it is still a vast improvement over Sabbath's final two albums with Ozzy Osbourne (1976's ...
| | Li'l Ronnie & The Grand Dukes Do What Cha Do CD (2005)
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Li'l Ronnie & the Grand Dukes are, to quote one reviewer "the real deal...superb talents well versed in traditional blues"Following on the footsteps of their critically acclaimed CD, 'Young & Evil' Ronnie and the band have really hit their stride with their third release, 'do what 'cha do'. The new disc features 11 original songs written or co-written by Ronnie and band mate Michael Dutton. 'do what 'cha do' is produced by their old friend and blues master Anson Funderburgh. It's their best work to date and having Anson in the producer's chair was a wise decision. Anson brought with him a wealth of experience and an understanding of what the band is all about. He certainly helped capture the band as close to 'live' ...
| | David Bromberg Try Me One More Time CD (2007)
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| | Insomniacs Left Coast Blues CD (2006)
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| | John Lee Hooker That's Where It's At CD (1969)
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| | Nighthawks Jacks & Kings & Full House Vol. 1 & 2 CDs (1978)
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| | Keith Caputo Died Laughing CD (2001) Japan
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| | Muddy Waters Kings Of The Blues CD (2002) (Import) England
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| | Erasure Innocents CD (1988) With DVD; Limited Edition
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Erasure's third album, 1988's THE INNOCENTS, features the US breakthrough hits "A Little Respect," and "Chains of Love," and is a welcome departure for the duo. With this release, Vince Clarke and Andy Bell move away from the strictly-synthesized Hi-NRG dance-pop of their earlier albums, adding horns and gospel-tinged backing vocals for a more soulful, organic sound, while maintaining the disco vitality of earlier albums like WONDERLAND or THE CIRCUS.
Bell's lyrics are more overt in their social commentary, as on "Phantom Bride" and "A Little Respect," and he pointedly leaves the original gender references intact in the CD-only cover of Tina Turner's classic "River Deep, Mountain High." However, the duo is still capable of camp silliness like "Sixty-Five Thousand" and "Yahoo!" giving the album a balanced sensibility. THE INNOCENTS ranks with 1989's WILD! and 1994's I SAY I SAY I SAY as one of Erasure's best albums.
Having built up a strong fan base and back catalog in just a couple of years, Erasure turned into a full-blown pop phenomenon thanks to The Innocents, winning the British equivalent of the Grammy for album of the year and spawning a big American hit single, "Chains of Love." Stephen Hague took over as producer from Flood, perhaps smoothing out some points for a more general mainstream appeal, but otherwise letting the strengths of the songs speak for themselves. It begins with another single and stone-cold classic, "A Little Respect," with a charging beat/acoustic guitar/synth arrangement, and a flat-out fantastic performance from Bell, especially ...
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