| | Limp Bizkit Results May Vary CD - Import Limp Bizkit Discography of CDs
From the infamous open-call auditions to the eleventh hour recruitment of former Snot axeman Mike Smith, finding a suitable guitarist to replace Wes Borland proved to be a daunting task for Limp Bizkit. Pushing off somewhat from their trademark rap-metal model, the songs that comprise RESULTS MAY VARY display a band reaching musically.
"Gimme the Mic" carries on the spirit the band found success with on SIGNIFICANT OTHER, but the majority of this latest effort finds frontman Fred Durst and company leaning towards a more melodic and musical stance, both instrumentally and vocally. Nods to contemporaries sneak in on "Eat You Alive" and "Down Another Day," (with a clear Tool influence prevailing), and uber-producer Brendan O'Brien mixes in a crisp, biting production. The lyrics to the classic Who track "Behind Blue Eyes" struck enough of a responsive chord with Durst that he was inspired to cover it, going so far as to add an additional verse. Rap metal may be going the way of the dinosaur, but Limp Bizkit seems to have the staying power to carry on.
Fourth studio album from Limp Bizkit & the follow-up to their 2000 release 'Chocolate Starfish & The Hot Dog Flavored Water'. Produced by Rick Rubin, 'Results May Vary' is the first album to feature ex-Snot guitarist Mike Smith who has replaced Wes Borland. Testosterone overloaded rap metal with influences of Korn, Red Hot Chili Peppers & Faith No More. The Japanese edition features 18 tracks including 2 bonus tracks, 'Let It Go' & 'Armpit'. Interscope. 2003.
Japanese edition with two extra songs.
Limp Bizkit: Fred Durst (vocals, guitar); Sam Rivers (guitar, bass); Mike Smith (guitar); Jon Otto (beats); DJ Lethal.
Producers: Fred Durst, Rick Rubin, Terry Date, DJ Lethal.
Q (12/03, p.132) - 4 stars out of 5 - "...'Gimme The Mic' and 'Head For The Barricade' are the most thrilling rap/metal car crashes in recent memory..." Results May Vary Review
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Purchase Results May Vary CD To buy, Click on price to add to cart | Maximum Slipknot CD (Import)
Results May Vary album
 $12.99  
| | Producers CD (2001)
Results May Vary CD music
$9.55 
THE PRODUCERS won the 2002 Grammy Award for Best Musical Show Album.
Music and lyrics composed by Mel Brooks.
Mel Brooks,Musical
Recorded at Edison Studios, New York, New York on March 11, 2001.
Principal cast includes: Nathan Lane (Max Bialystock); Matthew Broderick (Leo Bloom); Gary Beach (Roger De Bris); Roger Bart (Carmen Ghia); Cady Huffman (Ulla); Brad Oscar (Franz Liebkind).
Personnel: Grace Paradise (harp); Rick Dolan, Helen Kim, Dale Stuckenbruck, Naomi Katz, Ashley Horne (violin); Frank Santagata (woodwinds); Tony Kadleck, Frank Greene (trumpet); Dan Levine , Tim Sessions (trombone); Benjamin Herman (percussion).
Audio Mixer: Cynthia Daniels.
Recording information: Edison Studios, New York, NY (03/11/2001).
Arranger: ...
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| | Slipknot X-Posed: The Interview CD (2001)
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| | Slipknot 9.0: Live CDs (2005) Digipak; Parental Advisory
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| | Metallica S & M CDs (1999) Edited
Results May Vary music CDs
$18.39
Recorded live at the Berkeley Community Theater, Berkeley, California on April 21 and 22, 1999. Includes liner notes by Michael Kamen.
"The Call Of Ktulu" won the 2001 Grammy Award for Best Rock Instrumental Performance.
As the strains of Ennio Morricone's "The Ecstacy of Gold" filled the Berkeley Community Theater, metal heads and classical music enthusiasts were both in for a special evening--where many previous rock/classical collaborations had failed, Metallica and the San Francisco Symphony delivered the goods.
"The Call of Ktulu," a track that had never before been performed live, was fated for a debut such as this. The epic instrumental, given added depth by the charts of Michael Kamen (who succeeds in putting a new spin on the band's material as he did on Metallica's self-titled 1991 release), is nothing short of bombastic. The same applies to the speed-metal classic "Master of Puppets." "Hero of the Day" works very well, with its melodic tone enhanced by the symphony. Two new songs are debuted on S&M, "No Leaf Clover" and "Human," tracks that will make for an interesting comparison to their studio versions. The anti-war anthem "One" seems as if it had been made for the classical treatment it receives here. The balance among guitar, drums, strings, and brass makes for a winning sound. Chalk up one more for the band that continues to go against the grain.
After 1988's ...And Justice for All, Metallica pared down its progressive, heavy metal sound. During the '90s, the band's studio releases grew slicker and more produced, resulting in mostly radio-friendly, good ol' boy metal. By the end of the decade, Metallica was established as the pioneer of modern metal, but the band hadn't done anything innovative, arguably, in ten years. In April 1999, the group performed two concerts with the San Francisco Symphony, and the result was S&M, a two-disc collection of the concerts. Overall, the album successfully pairs violin strings with guitar strings, but it's no surprise that the best tracks here are the older songs, because these have a multilayered, compositional style that works well with symphonic instruments. "Master of Puppets," "Call of the Kt
/San Francisco Symphony.
Metallica: James Hetfield (vocals, guitar); Kirk Hammett (guitar); Jason Newsted (bass); Lars Ulrich (drums).
Engineers: Bob Rock, Randy Staub, Stephen P. McLaughlin.
Personnel: James Hetfield (vocals, guitar); Kirk Hammett (guitar); Douglas Rioth (harp); Daniel Kobialka, Kum Mo Kim, Kelly Leon-Pearce, Yasuko Hattori, Connie Gantsweg, Diane Nicholeris, ...
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| | Vulcan's Hammer True Hearts And Sound Bottoms CD (2006) (Import) United Kingdom
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Privately pressed on the Brown label in 1973 in a limited edition of 250 copies, this English folk album was incredibly scarce before its 2006 CD reissue. Though that CD reissue appeared on a label, Radioactive, that usually targets rock collectors, this isn't a folk-rock record, though it has some of the elements of the more traditional wing of early-'70s British folk-rock. Instead, it's kind of like hearing a band such as Steeleye Span, but without any rock influences. The stern yet moving vocal harmonies are there, often in the male-female vocal blend typical of both folk-rock and traditional groups indebted to the U.K. folk tradition. The instrumentation is based around acoustic guitar and fiddle, the singing is sometimes a cappella, and the material is very traditional in nature. Unfortunately, the packaging on both the original LP and the CD reissue (assuming the CD reissue simply reproduces the original artwork) makes it not only impossible to ascertain if all the songs are traditional in origin, but doesn't even list the titles of the individual tracks. If you're willing to put up a certain level of mystery, however, it's a nicely done traditional folk album, though with the slightly ragged feel (in both performance and fidelity) typical of private releases. It's most effective when venturing into slightly downcast minor-keyed tunes, though the group doesn't have the sort of individual interpretive spark that would put them on ...
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