| | Quilapayun Canta A P. Neruda & V. Huidobro CD Quilapayun Discography of CDs
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To Chilean pop music what Salvador Allende was to Chilean politics, Quilapayun combined catchy melodies with socially conscious lyrics. This release includes many of their most important works, recorded before most of them were exiled to foreign lands in the 1970s.
The Chilean group formed in 1965 writing lyrics inspired by social issues related to its country and combining them with autochthonous musical arrangements. In 1966, the band came in first place at the Festival de Festivales, releasing its first album that same year. Folk singer and songwriter Victor Jara helped the band by promoting Quilapayun's music and making the record Canciones Folkloricas de America together. As Chilean New Song's ambassador, Quilapayun went on its first European tour in 1968. Due to Chilean political and social changes in the early '70s, the group settled in foreign countries for more than a decade. Canta A P. Neruda & V. Huidobro Music Quilapayun Canta A P. Neruda & V. Huidobro Songs | 1. | Muralla |
| 2. | Mi Patria |
| 3. | Cueca de Joaquin Murieta |
| 4. | Premonicion a la Muerte de Joaquin Murieta |
| 5. | Un Son Para Cuba |
| 6. | Continuara Nuestra Lucha |
| 7. | Pido Castigo |
| 8. | Canto Negro |
| 9. | Ronda de Ausente |
| 10. | El Arbol de los Libres |
| 11. | El Nino Mudo |
| 12. | Dos Sonetos |
| 13. | Palma Sola |
| 14. | Ded O Ded O |
| 15. | Fuerzas Naturales |
| 16. | Canto VII (Dialecto de los Pajaros) |
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Purchase Canta A P. Neruda & V. Huidobro CD To buy, Click on price to add to cart | Sandra Long Play CD Import
Canta A P. Neruda & V. Huidobro album
 $13.95 
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Digitally remastered by Kirk Felton (2000, Fantasy Studios, Berkeley, California).
Still considered an expatriate as he resided in Europe, Dexter Gordon (tenor sax) returned stateside in mid-1972 long enough to lay down two sessions' worth of material that would primarily be split between Tangerine (1972), Generation (1973), and Ca'Purange (1973). The opening update of the Johnny Mercer staple "Tangerine" gets things underway with a mid-tempo treatment allowing Gordon, Thad Jones (trumpet), Hank Jones (piano), and Stanley Clarke (bass) plenty of room to groove on their own as well as in the quintet with Louis Hayes' (drums) rock-solid downbeat. Oddly, the performance is not presented in its entirety, fading out nearly nine minutes in. Hank Jones shines on the easygoing "August Blues" -- the first of three Gordon originals featured on the platter. Gordon is more methodical as his interesting ideas develop organically and inspire the same from Thad Jones, who kicks things up with his dizzying double-time before handing things back to pianist Hank Jones. Clarke steps up and gives the tune a final shot of soul as the rest of the ensemble join back in. The funky "What It Was" is the most modern-sounding side on the album, with Clarke's undulating and propulsive bass giving the number a contemporary kick. Although pianist ...
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Simultaneously roots-reverent ...
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