| | Maximum Aaliyah CD Aaliyah Discography of CDs
Audio CD book on a full color picture CD. Contains a biography, complete with commentary & interview excerpts. Comes in a full color slipcase with an eight page photo booklet & one-sided, 10 inch x 10 inch full color poster. Chrome Dreams. 2003. Maximum Aaliyah Songs | 1. | Intro/A Flame Still Burns |
| 2. | Born to Sing |
| 3. | High School Hop |
| 4. | Plucked Like a Rose |
| 5. | Different Beat, A |
| 6. | Broken In |
| 7. | Movie Queen |
| 8. | Work If Out |
| 9. | Dark Side, The |
| 10. | Eclipse of the Sun, An |
| 11. | Never Forgotten |
|
Maximum Aaliyah Review
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Purchase Maximum Aaliyah CD To buy, Click on price to add to cart | Mary J Blige Reflections (A Retrospective) CD (2006)
Maximum Aaliyah album
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Mary J. Blige began her reign as the queen of hip-hop soul in 1992 with her debut, WHAT'S THE 411?, and continued it over the ...
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"Russian Roulette," released weeks prior to Rated R, just hinted at Rihanna's sudden desire to provoke. Even with the realization that it is metaphorical, the song startles with its hesitant gasps, spinning cylinders, and verses that are glacially paced, where a cold piano line and the slight inflections in Rihanna's voice are front ...
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At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new ...
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OFF THE WALL remaster contains previously unreleased demos ...
| | Shakira She Wolf CD (2009)
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Shakira's brand new English album She Wolf is an uptempo pop album. It is all about synthesizers and electronic concepts, all mixed with the world sounds that we are used to from Shakira.. sounds from countries like India, the Middle East and her home country of Colombia. She Wolf features ...
| | Boyz II Men Christmas Collection: 20th Century Masters CD (1993) Remastered
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This is part of "20th Century Masters: The Millenium Collection" series.
Indeed, it is the most wonderful time of the year, and this reissue of 1993's ...
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| | Fossil Fuel: The XTC Singles 1977-1992 CDs (1996) Import
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This two-disc set delivers exactly what is promised in its parenthetical subtitle. ...
| | Gene Libetine CD (2002)
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Contains a hidden track "Who Said This Was The End" which is included in the last track, "Somewhere In The World."
Though not quite back to the high plane of their first two monumental albums, Libertine is an improvement over 1999's Revelations. Producer Hugh Jones (who really should be knighted by now) has corrected the rare small botch he made of Revelations, restoring the dollops of shiny radiance and vigor. If the band ...
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| | Jimmy Eat World Futures CDs (2004) Import
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This UK tour edition includes two bonus tracks, and a bonus CD of demos.
After firmly establishing itself in the hearts and minds of rock fans through numerous EPs and two albums of angst-fueled power-pop, Jimmy Eat World scored a big hit single with "The Middle," from the excellent BLEED AMERICAN (re-christened JIMMY EAT WORLD in the wake of 9/11). The mainstream had finally caught up with Jimmy Eat World.
FUTURES, the ensemble's first album following its breakthrough, doesn't stray from the formula that has worked so well for the Arizona band. Jim Adkins's vocals are quietly insistent, and at times fiery, conveying reflective, intelligent lyrics that complement intricate melodies. Like its immediate predecessor, FUTURES opens with a politically minded title track ("I hope for better in November"), but, in general, the songs mostly revolve around love and longing. "Work" and "Pain" are filled with heart-on-the-sleeve emotions, and Jimmy Eat World makes these tunes work with undeniable sincerity. With many sharp, catchy songs on display, FUTURES is another outstanding record from Jimmy Eat World.
The massive success of Jimmy Eat World's 2001 Bleed American propelled the band into the mass-culture spotlight, with the hit single "The Middle" seemingly popping up in every third movie released and the group turning in an energized performance on Saturday Night Live. Many, many groups followed in their wake, crafting a similar blend of melodic, anguished punk-pop and leaving Jimmy Eat World in the position of crafting a follow-up that set them apart from their acolytes. Futures gets around this dilemma in two ways. First, with the help of producer Gil Norton, the band polishes its sound until it shines like a slick '70s arena rock record. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from ...
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