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Audio CD book on a full color picture CD. Contains a biography, complete with commentary & interview excerpts. Comes in a full color slipcase with an eight page photo booklet & one-sided, 10 inch x 10 inch full color poster. Chrome Dreams. 2003. Maximum Aaliyah Songs | 1. | Intro/A Flame Still Burns |
| 2. | Born to Sing |
| 3. | High School Hop |
| 4. | Plucked Like a Rose |
| 5. | Different Beat, A |
| 6. | Broken In |
| 7. | Movie Queen |
| 8. | Work If Out |
| 9. | Dark Side, The |
| 10. | Eclipse of the Sun, An |
| 11. | Never Forgotten |
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Maximum Aaliyah Review
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Purchase Maximum Aaliyah CD To buy, Click on price to add to cart | Mary J Blige Reflections (A Retrospective) CD (2006)
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| | Paul Butterfield Blues Band CD (1965)
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Live Recording
Personnel: Paul Butterfield (vocals, harmonica); Sam Lay (vocals, drums); Elvin Bishop (guitar); Mike Bloomfield (slide guitar); Jerome Arnold (bass); Mark Naftalin (organ).
Includes liner notes by Pete Welding.
The ...
| | It's Christmas Time Again CD (1990)
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Unknown Contributor Roles: Isaac Hayes; Albert King; Little Johnny Taylor; Rance Allen; Rufus Thomas; ...
| | R E M Fables Of The Reconstruction CD (1985)
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R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass, vocals); Bill Berry (drums).
Additional personnel: Camilla Brunt, Phillipa Ibbotson (violin); David Newby (cello); Pete Thomas (tenor saxophone); David Bitelli (tenor & baritone saxophones); Jim Dvorak (trumpet).
Engineers: Jerry Boys, Tony Harris, Barry Clempson.
Recorded at Livingston Studios, London, England in March 1985.
Personnel: Michael Stipe (vocals); Peter Buck (guitar); Camilla Brunt, Philippa Ibbotson (violin); David Newby (cello); David Bitelli (saxophone, tenor saxophone, baritone saxophone); Pete Thomas (tenor saxophone); Jim Dvorak (trumpet); Bill Berry (drums).
Recording information: Livingston Studios, London, England.
For their third album, R.E.M. made a conscious effort to break from the traditions Murmur and Reckoning established, electing to record in England with legendary folk-rock producer Joe Boyd. For a variety of reasons, the sessions were difficult, and that tension is ...
| | XTC Fossil Fuel: Singles 1977-1992 CD (1996) England
Maximum Aaliyah
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Absolutely brilliant two CD compilation featuring all 31 of XTC's UK A-sides! Spanning the years 1977-1992, this compilation is, by far, the best collection for the uninitiated yet features enough single versions and edits to attract the long-time collector/fan. From the bristling Punk/New Wave energy of their earliest sides ("Science Friction", "Statue Of Liberty, "This Is Pop",), to mid-period streamlined yet quirky powerhouses ("Generals And Majors", "Towers Of London", "Senses Working Overtime") to stunning, mature confidence ("Grass", "All You Pretty Girls", "The Disappointed",), it's all here in glorious stereo!. XTC's major strength was their originality. Although Andy Partridge and Colin Moulding were two distinct and different songwriters, the band's musical approach to each song helped to create a unique and sometimes indefinable sound. Experience them again...or for the first time with Fossil Fuel. EMI.
Fossil Fuel: The XTC Singles 1977-1992 is a splendid double-disc set that runs through every one of the group's 31 A-sides, from the nervy "Science Friction" to the lush, sighing "Wrapped in Grey." Between those two songs, XTC's craftsmanship grows remarkably fast -- based on the edgy pop of their new wave singles "Statue of Liberty," "This Is Pop," "Are You Receiving Me?," and "Life Begins at the Hop," it's hard to believe that they would later write the subtle, near-pastoral Beatles, Kinks, and Beach Boys pastiches of "Love on a Farmboy's Wages," "Great Fire," and "Grass." And those songs just scratch the surface of the terrific pop singles available on Fossil Fuel: "Making ...
| | Gene Libetine CD (2002)
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Studio album produced by Hugh Jones & Stephen Street. 11 tracks total. Standard jewelcase in a slipcase. 2001.
Contains a hidden track "Who Said This Was The End" which is included in the last track, "Somewhere In The World."
Gene: Martin Rossiter (vocals, keyboards); Steve Mason (guitar); Kevin Miles (bass); Matt James (drums, percussion).
Additional personnel: The Tippet Quartet (strings).
Producers: Hugh Jones, Stephen Street, Gene.
Recorded in England.
Though not quite back to the high plane of their first two monumental albums, Libertine is an improvement over 1999's Revelations. Producer Hugh Jones (who really should ...
| | Waifs Shelter Me CD (1998)
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| | Jimmy Eat World Futures CDs (2004) Import
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Limited edition with extra disc featuring demo tracks of the entire album. Interscope/Polydor. 2005.
This UK tour edition includes two bonus tracks, and a bonus CD of demos.
Audio Mixer: Rich Costey.
Photographer: Kevin Scanlon.
The massive success of Jimmy Eat World's 2001 Bleed American propelled the band into the mass-culture spotlight, with the hit single "The Middle" seemingly popping up in every third movie released and the group turning in an energized performance on Saturday Night Live. Many, many groups followed in their wake, crafting a similar blend of melodic, anguished punk-pop and leaving Jimmy Eat World in the position of crafting a follow-up that set them apart from their acolytes. Futures gets around this dilemma in two ways. First, with the help of producer Gil Norton, the band polishes its sound until it shines like a slick '70s arena rock record. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Secondly, the lyrics are much darker and more mature, including themes that revolve around politics, drugs, and despair. The piano-and-feedback ballad "Drugs or Me" and the bittersweet love song "Night Drive" are the products of age and experience the band lacked until now. The best song on the record, the very Disintegration-era Cure-sounding "23," seems like it was recorded by a different group entirely. Some things have remained the same, however. Jim Adkins' vocals are as intense and heart-tugging as ever, and the band still writes hooks that will have you singing along before the song is half over. "Just Tonight," "Futures," and the AC/DC-sampling "Pain" are all trademark Jimmy Eat World punky pop/rockers with anthemic choruses, while "The World You Love" and "Work" display the sweetly melodic side of the band. There are a couple of stumbles (the decision to replace Petra Haden's charming vocals with Liz Phair's, the generic "Nothingwrong"), but they don't detract from the overall power of the record. Futures will most likely not ...
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