| | Big Mountain Reggae Remakes: Covers In Paradise CD - Import Big Mountain Discography of CDs
Japanese version featuring a bonus track: "La La Means I Love You (feat. Red Foxx)".
This Japanese edition includes one bonus track.
REGGAE REMAKES: COVERS IN PARADISE finds Big Mountain exploring an island sound. Reggae Remakes: Covers In Paradise Music Big Mountain Reggae Remakes: Covers In Paradise Songs | 1. | Imagine |
| 2. | What You Won't Do for Love |
| 3. | LA-LA Means I Love You |
| 4. | Who's Holding Donna Now |
| 5. | You've Got a Friend |
| 6. | Make It Last Forever |
| 7. | Place in the Sun |
| 8. | Reason |
| 9. | For the Love of You |
| 10. | Girl I've Got a Date |
| 11. | Broken Wings |
| 12. | LA-LA Means I Love You 9REMIX Featuring Red Fox) |
|
Reggae Remakes: Covers In Paradise Review
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Purchase Reggae Remakes: Covers In Paradise CD To buy, Click on price to add to cart | Jimmy Cliff Follow My Mind CD (1976)
Reggae Remakes: Covers In Paradise album
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Perhaps more than any other Jamaican singer, Jimmy Cliff always had his sights set on the international market, and while he obviously works from a reggae base, his sound -- featuring full productions often cushioned with strings -- completely defines what has come to be known as reggae-pop. Ironically, given that it was his contemporary Bob Marley who broke through to become reggae's icon, Cliff may not have sounded, in the end, Jamaican enough. Follow My Mind originally came out in 1975 on the heels of the U.S. release of the Harder They Come soundtrack (which featured a quartet of Cliff's finest songs, including the magnificent "Many Rivers to Cross"), and rode Harder's wake onto the lower reaches of the pop charts. But Follow My Mind was a smooth, polished album, with few of the charming rough edges that characterized Cliff's previous work with producer Leslie Kong (who died in 1971, shortly after the Harder soundtrack was completed), and while it definitely had a Jamaican lilt, it sounded as much like Marvin Gaye as it did Marley, and ultimately it was the ragged, ...
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America's second best reggae band (second only, that is, to John Brown's Body, with which it shares several members) is back with its fourth album, yet another celebration of deep, dark, '70s-style roots reggae. As usual, the personnel ...
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One of the masterpieces of the roots era, no album better defines its time and place than Two Sevens Clash, which encompasses both the religious fervor of its day and the rich sounds of contemporary Jamaica. Avowed Rastafarians, Culture had formed in 1976, and cut two singles before beginning work on their debut album with producers the Mighty Two (aka Joe Gibbs and Errol Thompson). Their second single, "Two Sevens Clash," would title the album and provide its focal point. The song swept across the island like a wildfire, its power fed by the apocalyptic fever that held the island in its clutches throughout late 1976 and into 1977. (Rastafarians believed the apocalypse would begin when the two sevens clashed, with July 7, 1977, when the four sevens clashed, the most fearsome date of concern.) However, the song itself was fearless, celebrating the impending apocalypse, while simultaneously reminding listeners of a series of prophesies by Marcus Garvey and twinning them to the ...
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Recorded between July 2000 and February 2001. Includes liner notes by Lee Ritenour.
Lee Ritenour unveils a new chapter in the legacy of Bob Marley with the release of A Twist of Marley, a collection of that artist's songs that are sung and played by some of contemporary jazz' hottest stars. Ritenour expands on Marley's essence gleaned from the experiences of such international stars as Jonathan Butler, guitarist Marc Antoine, Gerald Albright, Patti Austin, Richard Bona, Rick Braun, Michael Brecker, Will Downing, Lisa Fischer, Dave Grusin, Phil Perry, and Maxi Priest. They cover such great songs as "Exodus," with Lisa Fischer wailing the lead vocals over samples from Bob Marley & the Wailers. This song is so emotional, ...
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COLONEL JEFFREY PUMPERNICKEL features songs based on chapters of a story written by Chris Slusarenko.
Colonel Jeffrey Pumpernickel, the indie rock opera by Portland, Oregon's Chris Slusarenko, probably won't gain recognition for its storyline, but rather for the big-name talents that have created songs specifically for the project. "I always thought it would be interesting to listen to an album where different bands tell parts of a larger story, a concept album, in reverse," says Slusarenko, who is perhaps better known for his own musical endeavors, Svelt and Sprinkler. The resulting ...
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Principally recorded at CI Studios, New York, New York in September 1975. Originally released on A&M Records. Includes liner notes by Paul Desmond.
Although Dave Brubeck and Paul Desmond made many rewarding recordings together, this was their only duo album; it was inspired by several duo performances on board a cruise ship. Their magical ESP is evident from start to finish. Brubeck's lyricism throughout these sessions will surprise critics who label him as "bombastic," while Desmond, known for his pure dry-toned alto sax, throws a few curves to his longtime fans. The loping waltz treatment of "Alice in Wonderland" and a delicate interpretation of the Mexican folk song "The Blue Dove" contrast with their abstract approach to "Stardust." The especially adventurous introduction to Brubeck's oriental blues "Koto Song" opens with Desmond providing percussion by tapping on his instrument's keys without blowing; the piece then slowly evolves ...
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