| | Essential Charlie Daniels Band CD Charlie Daniels Discography of CDs
 (4 Customer Reviews)
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Our Price: $7.59  CDFor Sale Usually ships in 1-2 days
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Recorded between 1973 & 1989. Includes liner notes by Deborah Evans Price.
The Essential Charlie Daniels Band contains 16 well-chosen tracks taken from the band's mid-'70s to late-'80s recordings on Epic. All the basics are here, including the country crossover smash "The Devil Went Down to Georgia." Luckily for all but the most rabid fan, this set contains the original versions of Daniels' outlaw/Southern rock hits, including "Wichita Jail," "Boogie Woogie Fiddle Country Blues," "Texas," "Drinkin' My Baby Goodbye," "Long Haired Country Boy," and "Uneasy Rider." When Daniels went through a reformation of his religious beliefs, he re-recorded several songs from his back catalog to reflect his religious convictions and omitted references to marijuana or alcohol use. ~ Al Campbell
This is part of the "Essential Collection" series.
Compilation producer: Al Quaglieri.
Personnel: Charlie Daniels (vocals, guitar, acoustic guitar, electric guitar, slide guitar, banjo, mandolin, violin, fiddle); Tom Crain, Bruce Ray Brown (vocals, guitar); Barry Barnes (vocals, acoustic guitar, electric guitar); Joel "Taz" DiGregorio (vocals, keyboards); James Stroud (vocals, percussion); Richard Betts (dobro); Julian King (trumpet); Don Murray , Fred Edwards, Gary Allen , Jack Gavin, James Marshall (drums, percussion).
Photographers: David Michael Kennedy; Mike Rutherford.
Personnel: Charlie Daniels (vocals, acoustic & electric guitars, banjo, mandolin, fiddle); Barry Barnes (acoustic & electric guitars, background vocals); Bruce Ray Brown, Tom Crain (guitar, background vocals); Richard Betts (dobro); Julian King (trumpet); Taz DiGregorio (keyboards, background vocals); Charlie Hayward, Mark Fitzgerald, Charlie Hayward (bass); Fred Edwards, James Marshall, Gary Allen (drums, percussion); Jack Gavin (percussion).
Producers: John Boylan, Paul Hornsby, Charlie Daniels, James Stroud.
Essential Charlie Daniels Band Music | List Price | $7.99 (You save $0.40) | | Category | Rock/Pop Albums, Rock CDs, Country Rock, Outlaw Country, Country | | Label | Legacy | | Orig Year | 2003 | | All Time Sales Rank |  27379  | | CD Universe Part number | 5941227 | | Catalog number | 89074 | | Discs | 1 | | Release Date | Jun 10, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Charlie Daniels - vocals, acoustic & electric guitars, banjo, mandolin, fiddle
Richard Betts - dobro
Charlie Hayward - bass
Joel "Taz" DiGregorio - keyboards, background vocals
Fred Edwards
Julian King - trumpet
Tom Crain - guitar, background vocals
Gary Allen - drums, percussion
Jack Gavin - percussion
Bruce Ray Brown
James Marshall
Barry Barnes - acoustic & electric guitars, background vocals
Mark Fitz-Gerald
| | Additional Info | Remastered |
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THE VERY BEST OF includes a 46-page booklet with pictures and track information.
"Hole In The World" was nominated for the 2004 Grammy Award ...
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WTF IS A SPARK1DUH?..........GOOD QUESTION. Jason Karr a.k.a. "Spark1duh?" was born in 1979, to two young parents, some might refer to as hippies, who had no actual music instrument playing abilities. The love of music was still in the household with my mother singing songs with me as a child, a radio always on the 70's rock station somewhere in the house, and my grandmother playing country music on the acoustic guitar. I later moved into a house next door to my life-long friend Gene Louis, of (Bullets & Octane), whose father was a well known jazz drummer, and older brother was a teenager at the time, and listening to all of the early 80's rock, pop, and rap. My first cassette tape was almost "Guns 'n' Roses- Appetite for Destruction, but my grandmother advised my mom against it, and instead by a stroke of luck I snuck "Beastie Boys"- License to Ill, under their radars. Although my love for hip-hop and rock music steadily grew, I quickly found myself immersed in skateboarding and the punk-rock music that dominated the scene at that time. Punk was raw and angry and anti-everything almost, and that's how I felt. Like I had no connection to the world, and I was going to change the rest of the world, to my liking. I've seen so many punk shows, I don't remember half of them. Fugazi, Circle Jerks, Sick of it All, Face to Face.... etc. This is when the mosh pits were war, and sometimes full of skinheads, trying to catch any random person unaware of their surroundings with a stray elbow or fist. Before I get all punk-righteous, I need to humble myself by telling you this, if you were wondering, my first concert ever was "Poison" for the "Open Up & Say Ahh" Tour. Before you laugh, remember, I was only 9 years old, so think about what you liked when you were nine, then you can judge me. I also was at the infamous G'N'R/ Skid Row riot concert in St. Louis, when I was in the 7th grade. From there I listened to everything from Ice Cube to Megadeth, from 2pac to Primus, Cypress Hill to Nine Inch Nails...etc. Anyways, eventually around 92' or 93', skateboarding was overtaken by the revival of East Coast style hip-hop, that was bringing more of a conscious vibe, with a jazz influence, and was totally speaking to me on a wave-length that the West Coast Rap, and Grunge Rock were not catering to any longer. I bought "A Tribe Called Quest"- the Low End Theory, and "Wu-Tang Clan"- Enter the 36 Chambers, and from there, it was Nas, Biggie, Digable Planets, Jay-Z...... etc. The list goes on forever. I don't know what it was that drew me to it. I think it's the truthfulness. "That's the way it is, and it's like that." It took a while and a few lame attempts at rock/punk bands, before I realized that I was a horrible singer, and couldn't really do that cool Heavy Metal scream either, but I could really rap along to the songs I liked & even spit accapella verses of other rappers songs, rather well. So well, that I started to write some lame poems and raps of my own, and tried to spit them over instrumental beats from some record I had. I think it was "Capone & Noreaga"- ...
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