Best of Bonnie Raitt on Capitol 1989-2003 CD

Best of Bonnie Raitt on Capitol 1989-2003 album for sale A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) & 'Fat Grey Cloud' Previously Unreleased Live Track). Features 12-page booklet with unpublished photos from the recording session, new liner notes by Al Kooper & the Rolling Stone Hall Of Fame review by David Fricke. 60 scintillating minutes! 13 tracks. Colunbia/Legacy. 2003. Includes liner notes by Al Kooper, Michael Thomas. Includes liner notes by Michael Thomas. Full performer name: Mike Bloomfield/Al Kooper/Steve Stills. Personnel: Mike Bloomfield (electric guitar); Al Kooper (vocals, 12-string & electric guitars, piano, organ, ondioline); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Personnel: Mike Bloomfield (electric guitar); Al Kooper (piano, organ, ondioline, vocals, 12-string & electric guitars); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Reissue producer: Bob Irwin.

Best of Bonnie Raitt on Capitol 1989-2003 songs COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical). "Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance. Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical). A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer. One thing that separates her from the pack is Ms. Jones' own piano stylings--not flashy, but deftly doubling or echoing her voice--that discreetly act as the glue holding together these airy, delicate, and beautiful arrangements. But the centerpiece is certainly the 22-year-old's confident-beyond-her-years vocal delivery in addition to a precise diction and velvety tone. Shades of Nina Simone, vintage Phoebe Snow, and a less beatnik Rickie Lee Jones are evident throughout as the young siren coolly sashays through mostly new material by guitarist-songwriter Jesse Harris (formerly of Once Blue) and a few choice covers. Veteran producer Arif Mardin frames a most notable debut with a translucent touch, and appearances by jazz heroes Bill Frisell and Brian Blade gild the lily. Norah Jones won the 2003 Grammy Award for Best New Artist. Recorded at Sorcerer Sound, New York, New York and Allaire Studios, Shokan, New York. Personnel: Norah Jones (vocals, piano, electric piano, Wurlitzer organ); Kevin Breit (guitar, acoustic guitar, electric guitar, National guitar); Adam Rogers (guitar); Adam Levy , Jesse Harris , Jesse Harris & the Ferdinandos (acoustic guitar, electric guitar); Tony Scherr (acoustic guitar, slide guitar); Bill Frisell (electric guitar); Jenny Scheinman (violin); Rob Burger (accordion, pump organ); Brian Blade (drums, percussion); Dan Rieser, Kenny Wollesen (drums). Audio Mixers: Jay Newland; Arif Mardin. Audio Remixer: Jay Newland. Recording information: Allaire Studios, Shokan, NY (2001); Sorcerer SOund, New York, NY (2001). Photographer: Joanne Savio. Personnel: Norah Jones (vocals, piano, Wurlitzer piano); Jesse Harris, Kevin Breit (acoustic & electric guitars); Tony Scherr (acoustic guitar, slide guitar); Adam Levy, Bill Frisell (electric guitar); Adam Rogers (guitar); Jenny Scheinman (violin); Sam Yahel (Hammond B-3 organ); Rob Burger (organ); Lee Alexander (bass); Brian Blade (drums, percussion); Dan Reiser, Kenny Wollesen (drums). Producers: Arif Mardin, Norah Jones, Jay Newland, Craig Street.

Best of Bonnie Raitt on Capitol 1989-2003 CD music Initial pressings of THE ULTIMATE COLLECTION included a limited edition bonus disc featuring four previously unreleased tracks. Recorded between November 1964 and June 1982. Includes liner notes by Matt Kent and Andy Neill. When it comes to a ground-breaking, iconic band like the Who, dubbing an anthology THE ULTIMATE COLLECTION is no small claim. The kicker here is that it happens to be the truth. Without venturing into the realm of the box set, there's never been such a definitive batch of Who tunes all under one roof before. Virtually all the bases are covered here, from such attitude-laden mid-'60s mod anthems as "My Generation" and "Anyway, Anyhow, Anywhere" to the conceptual expansiveness of TOMMY-era tunes ("I'm Free," "See Me Feel Me"). We get the full-on long-haired, bare-chested glory of the early '70s ("Won't Get Fooled Again") as well as the tapered, synth-flecked smartness of the early '80s ("Eminence Front," "You Better You Bet." For someone looking for an entry point into the work of this larger-than-life group, or just somebody who wants a great all-purpose who disc, THE ULTIMATE COLLECTION is truly a case of truth in advertising. Get one. Keith Moon, Kenney Jones (drums). Additional Tracks The Who: Roger Daltrey (vocals, harmonica); Pete Townsend (guitar, keyboards, background vocals); John Entwistle (bass, background vocals); Producers include: Shel Talmy, The Who, Kit Lambert, Glyn Johns, Jon Astley. Compilation producers: Andy McKaie, Bill Levenson.

Best of Bonnie Raitt on Capitol 1989-2003 buy CD music Chicago commemorates 35 years of playing together with the career-spanning 2-CD anthology ONLY THE BEGINNING. This Windy City septet started out as one of the few '60s groups aside from Blood, Sweat & Tears and The Electric Flag to fuse a full horn section with a rock band. Chicago's early hits included more aggressive fare like "25 Or 6 To 4," "Beginnings," and a scorching cover of The Spencer Davis Group's "I'm A Man," but they became known as a ballads band as the '70s progressed. AM hits like "Saturday In The Park," "Just You 'N' Me," and "Baby, What A Big Surprise" helped solidify this reputation. Despite stumbling in the late '70s and getting dropped by Columbia Records, Chicago neatly landed on its feet at Warner Brothers. Their chart assault in the '80s continued with ballads like "Hard To Say I'm Sorry/Look Away," "Hard Habit To Break," and the quintessential prom theme/wedding song "You're The Inspiration." Hits sans Peter Cetera (who left in 1985), include "Chasin' The Wind." Wrapping up this 40-song set is "Sing, Sing, Sing," a new collaboration with The Gipsy Kings. Out-of-print in the US. Subtitled - Only The Beginning. Double disc with 39 hit singles spanning Chicago's complete 35-year history. Including the #1 singles 'If You Leave Me Now,' 'Hard To Say I'm Sorry' and 'Look Away'. Booklet features detailed liner notes by Bill DeYoung. Rhino Records Includes liner notes by Bill DeYoung. All tracks have been digitally remastered. Producers include: James William Buercio, Phil Ramone, David Foster, Bruce Fairbairn, Ron Nevison. Compilation producers: Chicago, David McLees.

Best of Bonnie Raitt on Capitol 1989-2003 songs Disc 1 is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Although the title is a misnomer, considering that material from Fleetwood Mac line-ups featuring earlier members including founder Peter Green, Jeremy Spencer, Bob Welch, and Danny Kirwan is noticeably absent, THE VERY BEST OF serves up the cream of the Buckingham/Nicks years. Rounded out by Mick Fleetwood and former paramours John and Christine McVie, this "classic" Mac line-up lasted for seven albums and created timeless material often fueled by romantic turmoil within its ranks. With Lindsey Buckingham, Stevie Nicks, and Christine McVie all serving as singer-songwriters, there were plenty of hits to go around. Ably displacing 1998's GREATEST HITS package, this two-CD set features plenty of well-known radio hits starting with cuts from the Mac's 1975 self-titled smash ("Monday Morning," "Rhiannon," and "Say You Love Me") on through the live 1997 reunion album THE DANCE ("I'm So Afraid," "Big Love"). In between, the wealth of solid material boggles the mind and includes classics found on 1977's classic RUMOURS ("Go Your Own Way," "Don't Stop"), 1979's TUSK (title track, "Sara"), and 1982's MIRAGE ("Gypsy," "Hold Me"). Equally engaging are slightly more obscure cuts like "Paper Doll" and "Silver Springs" (originally found on the out-of-print box set 25 YEARS: THE CHAIN). The Very Best Of Fleetwood Mac packs 2 CDs with 36 hit singles and popular album tracks spanning 1975-1997. Features the #1 'Dreams' plus the classic hits 'Over My Head,' 'Rhiannon,' 'Go Your Own Way,' 'Don't Stop,' 'You Make Loving Fun,' 'Tusk,' 'Sara,' 'Hold Me,' 'Little Lies,' the live 'Go Insane' from The Dance and 'Silver Springs' currently out of print, and much more. The CD is also enhanced with exclusive footage of Fleetwood Mac making their new 2003 album - their first studio album in 15 years! Plus the vaults - rare live performances, interviews, music videos and more. Only available on this CD. Slipcase. Reprise. 2002. Recorded between 1975 & 1992. Includes liner notes by David Wild. Fleetwood Mac: Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks. Producers include: Fleetwood Mac, Lindsey Buckingham, Keith Olsen, Richard Dashut, Ken Caillat. Compilation producers: Fleetwood Mac, David McLees. Audio Remasterers: Dan Hersch; Bill Inglot. Liner Note Author: David Wild. Author: Sheryl Crow. Photographers: Mark Seliger; Norman Seeff; Herbert Worthington III; Sam Emerson; Neil Zlozower; Ron Slenzak. Unknown Contributor Roles: Christine McVie; Mick Fleetwood; Stevie Nicks; John McVie.

Best of Bonnie Raitt on Capitol 1989-2003 album for sale "Time Of Our Lives" was nominated for the 2004 Grammy Award for Best Female Rock Vocal Performance. SILVER LINING may be Bonnie Raitt's 16th album, but this scarlet-haired troubadour shows no signs of a creative downturn. Still possessing a rich singing style, an exemplary guitar style, and a passion that imbues every note she sings, Raitt returns to work with the production team of Mitchell Froom and Tchad Blake. Always known to have a keen ear for budding lyricists, Raitt does a fine job in presenting a wide range of songwriters, from the ethereal title track penned by David Gray to the bouncy, GRACELAND-flavored "Hear Me Lord" by Zimbabwean Oliver Mtukudzi, and the esoteric blues of "Back Around," a collaboration with Mali guitarist Habib Koite. Bonnie kicks back and has fun trading slide guitar licks with fellow slide master Roy Rogers on the barrelhouse raunch of "Gnawin' On It," wallowing in the funky grit of "Monkey Business," and pouring some soulful singing into the Memphis-flavored snap, crackle, and pop that defines "Time Of Our Lives." Equally noteworthy is "Valley Of Pain" with its yearning vibe, and the nudge-and-wink-infused sass of "Fool's Game." For new and old Bonnie Raitt fans alike, there's no tarnish on this SILVER LINING. Recorded at The Sound Factory, Hollywood, California. Personnel: Bonnie Raitt (vocals, slide guitar, background vocals); Jon Cleary (vocals, piano, Clavinet, Wurlitzer organ, keyboards, Moog synthesizer, background vocals); George Marinelli (guitar, acoustic guitar, electric guitar, mandolin, background vocals); Mike Dean (guitar, keyboards); Andy Abad (guitar); Tommy Sims (electric guitar, background vocals); Roy Rogers (slide guitar); Habib Koité (gut-string guitar); Steve Berlin (baritone saxophone); Freebo (tuba); Mitchell Froom (piano, Clavinet, organ, reed organ, Wurlitzer organ, synthesizer, Moog synthesizer); Benmont Tench (piano); Steve Nider (keyboards); Kélétigui Diabaté (balafon); James "Hutch" Hutchinson (acoustic bass); Ricky Fataar (drums, percussion, background vocals); John Cregar (drums); Alex Acuña (congas, talking drum); Pete Thomas (percussion); Steve Raitt, Fred White , Arnold McCuller, Bernard Fowler (background vocals). Audio Mixers: Paul Middleton ; Tchad Blake. Recording information: The Sound Factory, Los Angeles, CA. Photographers: Ann Cutting; Henry Diltz; Pat Johnson ; Tchad Blake. Personnel includes: Bonnie Raitt (vocals, electric & National slide guitar); Jon Cleary (vocals, piano, keyboards, synthesizer); George Marinelli (acoustic & electric guitars, mandolin, background vocals); Tommy Simms (electric guitar, background vocals); Roy Rogers (slide guitar); Habib Koite (gut string guitar); Steve Berlin (baritone saxophone); Mitchell Froom (organ, keyboards, synthesizer); James "Hutch" Hutchinson (acoustic & electric bass); Ricky Fataar (drums, percussion, background vocals); Nahaamadou Kone (talking drum); Pete Thomas (percussion); Steve Raitt (background vocals). Producers: Bonnie Raitt, Mitchell Froom, Tchad Blake.