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Purchase Country Music Hall Of Fame 1992 CD To buy, Click on price to add to cart | Jamey Johnson That Lonesome Song CD (2008)
Country Music Hall Of Fame 1992
 $12.65   
| | Lyle Lovett Natural Forces CD (2009)
Country Music Hall Of Fame 1992
$12.39 
| | Levon Helm Electric Dirt CD (2009)
Country Music Hall Of Fame 1992
$15.65 
| | Billy Gilman Classic Christmas CD (2000)
Country Music Hall Of Fame 1992
$5.95 
| | Have Yourself A Tractors Christmas CD (1995)
Country Music Hall Of Fame 1992
$5.95
| | George Strait 50 Number Ones CDs (2004)
Country Music Hall Of Fame 1992
$16.69 
From the early 1980s onward, there's been no greater champion of traditional country-music values in the mainstream (and none more successful) than George Strait. Like a virtual Ramones of country, he's remained unshakeable in his devotion to a straightforward, no-frills aesthetic of which he's become the ...
| | Poco Legend CD (1978)
Country Music Hall Of Fame 1992
$6.59
Poco's biggest-selling album of all time also presented the biggest personnel change at one time for the then-decade-old group, whose lineup had hardly been a model of stability up to that time. Co-founding drummer/singer George Grantham and longtime bassist/singer Timothy B. Schmit were both gone, the latter off to the Eagles. Listening to parts of this album, one gets the sense that, with the arrival of Charlie Harrison (bass, harmony vocals) and Steve Chapman (drums) in the group, Poco was deliberately adopting a change in sound similar to what the Eagles went through when Joe Walsh joined, into much harder rocking territory, at least part of the time. Longtime fans were probably disheartened to hear Rusty Young and Paul Cotton give up any semblance of their country roots on the opening track, "Boomerang," a bracing, heavy rock number (for this band) that didn't sound a great deal like the Poco of previous years. Most of the rest of the album, however, was closer to what one wanted and expected from this band -- "Spellbound" a beautifully lyrical ballad that benefited from Young's instrumental range and his and Cotton's harmonizing, and Cotton's "Barbados" offering similarly alluring musical textures with more of a beat. Cotton's "Heart of the Night," however, ...
| | Kitty Wells Country Music Hall Of Fame CD (1991)
Country Music Hall Of Fame 1992
$5.55 
Recorded in Nashville, Tennessee between May 1952 and May 1965. Includes liner notes by Ronnie Pugh.
At only 16 songs this is a necessarily incomplete best-of collection (Wells has had more than 80 country chart hits), and it neglects the many smash duet records she made with Red Foley, Roy Acuff, and honky-tonk king Webb Pierce. Still, most everything here, recorded in her heyday between 1952 and 1965, is hard country heaven, from the original country woman's song "It Wasn't God Who Made Honky-Tonk Angels" to the divorce song to end all divorce songs "Will Your Lawyer Talk to God." Purists may prefer the '50s stuff (the first eight cuts), where the instrumentation is as sparse as if it was recorded on some back porch in Appalachia. But even when the production gets slicker, Wells' vocals here are the very essence of that high lonesome sound.
This is part of MCA's Country Music Hall Of ...
| | Big Jack Johnson Roots Stew CD (2000)
Country Music Hall Of Fame 1992
$13.09
Big Jack Johnson & The Oilers: Big Jack Johnson (vocals, guitar, mandolin); Chris Dean (acoustic & electric guitars); Maury "Hooter" Saslaff (bass); Dale Wise (drums).
Johnson's third album for M.C. is his strongest outing to date, with more than its share of interesting little ...
| | Pete Anderson Daredevil CD (2004)
Country Music Hall Of Fame 1992
$10.55
Pete Anderson's third solo outing has been a long time coming, and one gets the distinct impression that it's the album he's been itching to make all along. Given that Daredevil is completely instrumental, the guitar geeks already have something to salivate about. But there's much more to it than that. Anderson played the vast majority of instruments, with help in a few places from multi-instrumentalist Skip Edwards and minimal assistance from trumpeter Lee Thornberg and fiddler Donny Reed as well. There's also some string work performed by some mysterious entity know as "the Skipper." If the Latin Playboys were an instrumental country band, they would almost certainly sound something like this. While it's true that Anderson's guitaristry is signature to all he does, he understands dynamic, rhythm, and atmosphere and texture as well. Check the beautifully warm and silvery "My Little Angel," with Thornberg's English horn wafting under Anderson's slippery Telecaster, playing romantically over a shimmering B-3 that creates a sound that would make great serial music for a romantic interlude in a David Lynch film. The gutbucket swamp blues in "Baby Done Something Wrong" and "Sweet Delta Sunrise" are quirky, angular, slightly spooky, and tough as nails. ...
| | J B Hutto Stompin' At Mother Blues CD (2004)
Country Music Hall Of Fame 1992
$12.89
With his take-no-prisoners slide guitar style derived from Elmore James and a primal, driving approach to the blues, J.B. Hutto was a fixture in the Chicago clubs in the 1950s and 1960s, where he was often paired with the similar-sounding Hound Dog Taylor. This set, which was recorded at Mother Blues on Wells Street in Chicago's Old Town section on December 17, 1966 (the final seven tracks come from a second session held on December 19 and 20, 1972, at Sound Studios), is typical ...
| | Red Eyes Up All Night CD (2006)
Country Music Hall Of Fame 1992
$15.19
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