| | Brooks & Dunn Red Dirt Road CD Brooks & Dunn Discography of CDs
(7 Customer Reviews)
"Red Dirt Road" was nominated for the 2004 Grammy Award for Best Country Performance By A Duo Or Group With Vocal.
That Kix Brooks and Ronnie Dunn have rediscovered their roots is obvious from the first chords of RED DIRT ROAD's opening track "You Can't Take the Honky Tonk Out of the Girl." It's down-home country with a little bit of rock & roll, a refreshing lack of Nashville gloss, and an exuberant chorus (one of the background vocalists is Bekka Bramlett, daughter of Delanie & Bonnie, and the album resurrects some of that duo's Southern spirit).
The title track is a classic; all the timeless country elements are here--a bit of religion, a bit of mayhem, and a hearty dose of unapologetic sentimentality, blended together with the duo's trademark harmonies and an impeccable country-rock beat. The regretful, gospel-tinged "I Used to Know This Song By Heart" tugs at the heartstrings, while "When We Were Kings" borrows from Bruce Springsteen in its conjuring of greasy, rebellious, gloriously misspent youth. A healthy lack of studio trickery and back-to-basics instrumentation highlights Brooks & Dunn's ready way with a lyric and provides an intimate backdrop to RED DIRT ROAD's classy country.
Additional personnel includes: Kenny Greenbery (acoustic & electric guitars); Bryan Sutton (acoustic guitar, National slide guitar, banjo, mandolin); Dan Dugmore (acoustic guitar, dobro); Nick Casstevens, B. James Lowry (acoustic guitar); Pat Buchanon, J.T. Corenflas, John Jorgenson, Brent Mason, Lou Toomey (electric guitar); Jerry Douglas (dobro); Bill Kenner (mandola); Aubrey Haynie (fiddle); Jim Hoke (harmonica, accordion); Jeff Coffin, Jim Horn, Samuel Levine, Steve Patrick (horns); Steve Nathan (piano, Wurlitzer piano, keyboards, Hammond B-3 organ, organ, mellotron); Clayton Ivey (piano); Michael Rhodes, Glenn Worf (bass); Shannon Forrest (drums); Mark Wright (tambourine); Erick Darken (percussion); Robert Bailey, Bekka Bramlett, Perry Coleman, Vicki Hampton, Dan Tyminski(background vocals).
Producers: Kix Brooks, Ronnie Dunn, Mark Wright.
Brooks & Dunn: Ronnie Dunn (vocals, guitar, tambourine); Kix Brooks (vocals, guitar).
Rolling Stone (9/4/03, p.138) - 3 stars out of 5 - "...Nobody in Nashville has a truer, fuller tenor than Dunn; he excels here, amid vivid arrangements that emphasize the band's roots..." Entertainment Weekly (07/18/03, pp.73-4) - "...For RED DIRT ROAD, [Brooks & Dunn dig] deeper, using autobiography, the musical influences of their teens, and energized roots-rock production..." - Rating: A- Red Dirt Road Music | List Price | $7.99 (You save $0.30) | | Category | Rock/Pop Albums, Country Rock CDs, Contemporary Country, Country | | Label | Arista Nashville | | Orig Year | 2003 | | All Time Sales Rank | 6680  | | CD Universe Part number | 5986839 | | Catalog number | 67070 | | Discs | 1 | | Release Date | Jul 15, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Greg Droman | | Personnel | Ronnie Dunn - vocals, guitar, tambourine Kix Brooks - vocals, guitar
Also: Eric Darken, Glenn Worf, Brent Mason, Jim Horn, Kenny Greenberg, Dan Dugmore, Steve Nathan, Aubrey Haynie, Bryan Sutton, Shannon Forrest, Jerry Douglas, Michael Rhodes, Perry Coleman, B. James Lowry, Jim Hoke, Vicki Hampton, Pat Buchanan, Steve Patrick, Bekka Bramlett, Clayton Ivey, John Jorgenson, Robert Bailey, Robert Bailey, Dan Tyminski, Jeff Coffin, Bill Kenner, Lou Toomey, Mark Wright, Mark Wright, Nick Casstevens, Samuel Levine |
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$10.39 Most know Jolie Holland as a member of Vancouver's the Be Good Tanyas. Catalpa is her first album, but it wasn't recorded as such. It had been a demo recording passed around to fans until Neume reviewed it on the internet. The venerable upstart label Anti has given it the proper release it deserves. Holland is a native Texan, and it shows in her songwriting. Her images are rich, though stark and Gothic; they sound transposed. While her worldview is mostly modern, its articulation is rooted in a mythical, metonymic America that ceased to exist long before Greil Marcus ever thought about writing Invisible Republic. Catalpa is a place of scribbles and ciphers. Holland's songs are etched out of encounters and experiences that are mercurial, fleeting. As evidenced by "Alley Flowers," a love song, the present and the past intermingle, where street corners and figures like Jesus and Zora Neale Hurston are evoked as relational archetypes, effortlessly. An acoustic guitar played repetitively is colored by bells in the same way Mickey Newbury used rain, as a device to remember and to intimately tell the object that this story is whole, complete, and utterly true in this moment. A pulsing tom tom hangs the tune in the hallmark of memory, haunted, hunted, rooted in the moment, though that moment may have come and gone decades ago. On "I Wanna Die," the spirit of the Carter Family is invoked with a beautifully sung two-part harmony, and a muted banjo played by Enzo Garcia. The song is dark, end of the road Appalachian country, and in the grain ...
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