| | East-West Ensemble Zurna CD East-West Ensemble Discography of CDs
Photographer: Avi Valdman.
Arranger: Yisrael Borochov.
Personnel: Yisrael Borochov (dulcimer, double bass, timbales, timpani); Yuval Mesner (cello); Daphna Sadeh (double bass, bass guitar); Avi Agababa (drums).
Recording information: 1992.
Zurna Music | List Price | $18.98 (You save $3.09) | | Category | Rock/Pop Albums, Jazz CDs, International, Middle East, Live Performances, World | | Label | Magda | | Orig Year | 1995 | | CD Universe Part number | 5992599 | | Discs | 1 | | Release Date | Jul 11, 2006 | | Studio/Live | Live | | Producer | Yisrael Borochov | | Engineer | Uri Barak | | Recording Time | 62 minutes | | Personnel | Daphna Sadeh - double bass, bass guitar
Avi Agababa - drums
Yisrael Borochov - dulcimer, double bass, timbales, timpani
Yuval Mesner - cello
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East-West Ensemble Zurna Songs | 1. | Raton |
| 2. | Gilgamesh |
| 3. | Zurna |
| 4. | Jumbush |
| 5. | Nerora |
| 6. | Tangier |
| 7. | Petit Prince, Le |
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Zurna Review
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Originally released on Atlantic (1499). Includes liner notes by Sonny Buxton.
When Yusef Lateef left Impulse! for Atlantic in 1967, he was transitioning his musical impulses once again. Lateef has, from the beginning, been an artist for whom a holistic approach to the musical aesthetic has been paramount. The title of this album is misleading in that it may suggest to the casual viewer a retrospective. It is anything but. Lateef is referring here to the complete in the sense that it contains the completeness of his musical vision at a given time. Lateef's Atlantic period has been unjustly undervalued, and this recording is a case in point. With a lineup consisting of Lateef on oboe, flute, saxophones, and even vocalizing, Detroit's venerable Roy Brooks on drums, bassist Cecil McBee, and pianist Hugh Lawson, the surface would point to a straight-up though adventurous "jazz" date. It's not. Lateef engages deeply in spiritual music here on the modal, Eastern-flavored opening track, "Rosalie," and shifts immediately to playing the blues on "In the Evening." (How many cats can you say play the blues on the oboe?) In 12 bars, Lateef phrases against the backbeat and holds McBee in a corner long enough to stride out of a series of minor-seventh changes. On "Kongsberg," the band moves into a second-line New Orleans R&B groove, with Lateef blowing a big, fat, dirty yowl. It would be perfect for bar walking except that in some places it's too quick and in others it's too tender. "Stay With Me" is a beautiful ballad driven by McBee's droning pizzicato lushly followed by Lateef's flute playing melody. Lawson comps in between notes for a more exotic feel, and Brooks plays a series of subtle but shifting rhythms in counterpoint to the changes. "Brother" is along the R&B trail once again, but it's ...
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Yo, the word is out everybody knows that the sweet sensational Candy is out with her new hot single title It's Your Move taken from her new album CRYSTALLIZED means sugar, preserve with sugar become encrusted with sugar. How sweet she is her new single is the knock and guys she is 5 foot 4 and stings like a bee and guys she will knock you out before you can count to three. Jab shuffle hook and turn shack-a-Lac shack-a-Lac burn baby burn. This Florida Native is now living in California and is taking the world by storm with her new hot single it's off the hook. Candy will knock out any female singer with her unique vocal style. Candy definitely takes us on a ride through womanhood with a sultry mix of R&B and a bittersweet telling a guy it's your move. An extraordinary singer and songwriter, Candy inherits her strong musical background from her family. Candy's mother, brother, sister, aunts, uncle, grandmother ...
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www.gundei.comGunDeiBorn Garner Remy, Gundei grew up in Port au Prince, Haiti during the Baby Doc era in the 80’s. Despite the clichés about Haiti, Gundei was nurtured by church going parents, one an accountant and the other a psychologist. Gundei learned his English by devouring the encyclopedias his mother brought back from her professional foreign trips. Though education set the Remys apart, the family lived in the poor areas where unrest was the order of the day. Gundei remembers when leaving elementary school in the afternoon meant dodging the spray of random gunfire. When integrity put the Remys at risk the family fled Haiti in search of something better.Life in North America was a culture -shock for Gundei. For all the violence of life back home it was in the US that Gundei first flirted with crime. The Miami Beach High school he was enrolled in did little to hold his attention; Gundei was soon lured by the easy money of the streets. Gundei was lured by something else; the eighties’ hip hop music that permeated life in the hood. The beats and clever word play awakened the poet in him. The one-time innocent youngster spent endless school days playing hookie, freestyling with friends. A school teacher confronted the hard-head one day saying, “if you can rap what you learned, I will pass you!’ Finally challenged, Gundei delivered a complete synopsis of his Heath class in freestyle form. Gundei had graduated into a class of his own.With a new refugee card in hand, Gundei’s father pressed his family north, believing Canada to be beyond the reach of the gang life. Montreal, with its subzero winters delivered a culture shock of its own. Gundei remembers himself as an outsider, wearing his tropical flip flops in the Montreal subways. Needless to say the Montreal girls kept their distance. ...
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