| | Zentriert Ins Antlitz Genozid CD Zentriert Ins Antlitz Discography of CDs
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Our Price: $14.29  CDFor Sale Usually ships in 1-2 days
Our Price: $10.89
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Audio Mixer: Zentriert Ins Antlitz.
Recording information: Antlitz Studio Remscheid (2001-2003).
Photographer: Silke Jochum.
Zentriert Ins Antlitz: M. Freidrich (sythesizer, samples, percussion); H. Meuler (synthesizer, samples); J. Warentin.
Personnel: Michael Friedrich (strings, synthesizer, percussion, loops, sampler, sound effects); H. Meuler (synthesizer, loops, sampler); J. Warkentin (programming, sampler).
Genozid Music | List Price | $17.98 (You save $3.69) | | Category | Rock/Pop Albums, Dance CDs, Electronica, Ambient, Industrial, Rock | | Label | Cop International | | Orig Year | 2003 | | All Time Sales Rank |  294685  | | CD Universe Part number | 6017835 | | Discs | 1 | | Release Date | Jul 01, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Schlitzer; Hutzel; Schlitzer; Hutzel | | Engineer | Zentriert Ins Antlitz | | Personnel | H. Meuler - synthesizer, samples
J. Warkentin - programming, sampler
M. Freidrich - sythesizer, samples, percussion
Michael Friedrich - strings, synthesizer, percussion, loops, sampler, sound effects
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Zentriert Ins Antlitz Genozid Songs Purchase Genozid CD To buy, Click on price to add to cart | Orianthi Believe CD (2009)
Genozid album
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With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and, her own idol, Carlos Santana. On her 2009 sophomore album, BELIEVE, her style hews closer to the finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai. Throw in her ability to sell a lyric and carry a strong melodic vocal phrase while also throwing down some devastating slabs of heavy metal riffage, and she starts to look a lot like the fantasy love child of Prince and Lita Ford. What's even more delicious is how, at face value, BELIEVE fits nicely next to studio-crafted--albeit stylistically successful--albums by ...
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| | Gov't Mule By A Thread CD (2009)
Genozid songs
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material on this set is tight; there is less jamming but Gordie Johnson's production and mixing equalize everything at ten, making it feel like the disc is recorded live.
The ...
| | Creed Full Circle CD (2009) Digipak
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Getting right back to where they started from, Creed reunites for Full Circle, putting all tensions to rest and cutting their first album in eight years. FULL CIRCLE is a none-too-subtle allusion to how they're getting back ...
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| | Black Nasa CD (2002)
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Possibly the most restless member of the Jersey stoner rock community, bassist/singer Chris Kosnik had barely laid his prior band, the Atomic Bitchwax, to rest before returning to action in mid-2002 with new power trio, Black NASA. Yet, despite such historical proximity, the two groups are almost polar opposites when it comes to the ever-broadening stoner rock umbrella. This is because, while the Atomic Bitchwax seemed to serve primarily as a vehicle for guitarist Ed Mundell's incredible technical acrobatics, Black NASA is a much more groove-based, band-oriented project. Listeners expecting the former group's explosive brand of inspired showmanship will be terribly disappointed by what they hear here, but those more interested in the no-less-important art of band interplay will greatly enjoy this song-oriented set. Sounding rather like an East Coast ...
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| | Liverpool:Number Ones Album CD (2008) (Import) Import
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Celebrating Liverpool's musical heritage having had a ...
| | Sharleen Spiteri Melody CD (2008)
Genozid album
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2008 solo album from the singer/songwriter and leader of Scottish Pop rockers Texas. Not only did Sharleen write the whole album, she also produced it, taking complete artistic control of its every sonic nuance. Steeped in the sound and textures of '60s Soul, '50s Rock 'N' Roll and Doo-Wop, it's an album that's vintage in flavor yet utterly contemporary in spirit. Beside the new generation of retro-obsessed UK songbirds such as Amy Winehouse, Duffy and Adele, it's a timely reminder that Sharleen was already dabbling in similar influences over a decade ago, be it Tamla Motown ('Black Eyed Boy'), Marvin Gaye ('Say What You Want') or Elvis Presley (cross-dressing up as The King for 2001's 'Inner Smile' video). Going solo has allowed her the freedom to indulge in such consuming passions even further, creating an album that proudly wears its influences on its sleeve. 11 tracks including the first single 'All The Times I Cried'.
It's hard not to see Sharleen Spiteri's first solo album Melody as some kind of reaction to the success of British retro-soul divas Amy Winehouse and Duffy, singers who expanded upon the blend of Motown and Dusty Sharleen sketched out with Texas in the '90s, turning it into something a little bit sexier, something a little bit more modern. Spiteri's response is to scale back the creeping upscale digital sheen of latter-day ...
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