| | Goldfrapp Strict Machine CD Single Goldfrapp Discography of CDs
Audio Mixers: Will Gregory; Tom Elmhirst; Dave Bascombe.
Illustrator: Big Active.
Photographer: Polly Borland.
Goldfrapp: Allison Goldfrapp (vocals, synthesizer); Will Gregory (synthesizer).
Personnel: Andy Davis (keyboards); Nick Batt (synthesizer); Rowen Oliver, Damon Reece (drums).
Additional personnel: Davide Rossi (violin); Georg O. Luksch, Rainer Pototschnig (keyboards); Nick Batt (synthesizer, programming); Charlie Jones (bass guitar); Rowan Oliver (drums); Yoad Nevo (programming); Andy Davis , The Midwich Children Choir, Damon Reece.
Strict Machine Music | Category | Rock/Pop Albums, Dance CDs, Electronica, CD singles, Drum & Bass, Rock | | Label | Mute | | Orig Year | 2003 | | All Time Sales Rank |  69402  | | CD Universe Part number | 6032145 | | Catalog number | 9215 | | Discs | 1 | | Release Date | May 18, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jeremy Wheatley; Victor Calderone; Benny Benassi; Goldfrapp; Jeremy Wheatley; Rowan Oliver; Ewan Pearson; Astrid Suryanto; Peter Rauhofer; Victor Calderone | | Recording Time | 62 minutes | | Personnel | Allison Goldfrapp - vocals, synthesizer
Will Gregory - synthesizer
Also: Davide Rossi, Charlie Jones, Andy Davis, Yoad Nevo, Yoad Nevo, Damon Reece, Nick Batt, Georg O. Luksch, Midwich Children Choir, Rainer Pototschnig |
Goldfrapp Strict Machine Songs Strict Machine Review
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Purchase Strict Machine CD To buy, Click on price to add to cart | D.O.A: The Third And Final Report Of Throbbing Gristle CD (1978)
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 $9.55   
Though it wasn't until 1981 that they finally got around to splitting, 1979's D.O.A. was subtitled "The Third and Final Annual Report," and in many ways, it does sound like a summation of everything Throbbing Gristle accomplished in their years together. It's got humor (their 1978 underground hit "United" is included, albeit in fast-forward, so that the four-minute song lasts 16 seconds), ...
| | Static-X Machine CD (2001)
Strict Machine CD music
$9.99 
The follow-up to Static-X's 1999 debut WISCONSIN DEATH TRIP finds the hard-hitting quartet continuing down the same industrial-flavored path of jackhammer tempi, leaden guitar crunch and crashing rhythms. Despite the amicable departure of guitarist Koichi Fukuda, former Dope axe- wielder Tripp Eisen does a fine job fitting in alongside founding members Wayne Static, Keny Jay, and Tony Campos. Working on the gloom and doom side of the tracks, Static-X keep things interesting with the kind of controlled chaos that makes for an interesting exercise in manipulating dynamics.
This studio experimentation encompasses everything from an unholy alliance of ambient textures and choppy industrial-strength riffs ("Permanence") ...
| | Goldfrapp Utopia CD (2000) Extended Play
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$7.09
Goldfrapp's "genetically enriched" Utopia EP combines all the tracks from both of the U.K. singles and features a whopping five versions of the title track, including the album version as well as several remixes. Jori Hulkkonen, Tom Middleton, and Tim Wright take the song in various dance-oriented directions, all of which are pleasant enough but not especially distinctive, especially when compared to the sweeping, icy grandeur of the original. Likewise, the live version of "Human" is notable more for how well Goldfrapp re-creates the atmosphere of Felt Mountain in a concert setting than for any variations or improvements on it. However, the whispery, exotica-tinged "Utopia (Sunroof Mix)" adds a subtle, fresh twist to the song, while Calexico's Spanish cover of "Human" expands on that song's filmic feel and takes it in a very different direction. Last but not least, the witty, electro-inspired rendition of Olivia Newton-John's "Physical" -- known here as "U.K. Girls (Physical)" proves that for all of Goldfrapp's haughty drama, the duo's tongues are placed firmly in their sculpted cheeks. Fans of the group who haven't already bought the U.K. singles from which this EP is derived ...
| | Goldfrapp Black Cherry CD (2003)
Strict Machine songs
$9.95
A striking departure from Goldfrapp's well-received, cinematically atmospheric debut, FELT MOUNTAIN, 2003's BLACK CHERRY finds the British electronica duo cutting loose with a more energetic and dynamic set. The approach allows vocalist Alison Goldfrapp to indulge her inner Debbie Harry, while multi-instrumentalist Will Gregory playfully nods to 1980s synth-pop on saucy, percolating tunes such as "Crystalline Green" and "Train." Though many of BLACK CHERRY's tracks ...
| | Goldfrapp Twist (2003) 3 versions; Enhanced CD
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$6.65
| | 2001: A Space Odyssey Blu-ray (1968) Widescreen; Remastered; Special Edition; Dubbed; Subtitled
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 $22.75 
A four-million-year-old black monolith is discovered on the moon, and the government (while hiding the situation from the public) sends a team of scientists on a fact-finding mission. Eighteen months later, another team is sent to Jupiter in a ship controlled by the perfect HAL 9000 computer to further investigate the giant object--but on this trip something goes terribly wrong.
2001: A SPACE ODYSSEY is a masterpiece of filmmaking. Director and (with Arthur C. Clarke) co-screenwriter Stanley Kubrick has created a visual and aural spectacle that stands as one of the greatest achievements ever put on celluloid. ...
| | Christine Albert Burnin' Moonlight CD (2001)
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$17.09
In Austin, Texas-a town overrun with talented singer/songwriters and guitar heroes - Christine Albert & Chris Gage have a six-year track record of making beautiful music together. Over the course of three duet albums (soon to number four), the duo have demonstrated that disparate backgrounds do not preclude musical soulmates from finding one another.Their latest album, Burning Moonlight, led an Austin Chronicle reviewer to exclaim, "(The songs are) beautifully framed by the duo's intertwined, yearning vocals, leaving a glow as luminous and bright as moonlight itself." And the Houston Press noted, "From George Jones and Tammy Wynette to Richard and Linda Thompson, male-female duets are one of popular music's most delightful permutations. And the Austin-based duo of Christine Albert and Chris Gage easily slot right in with the best."Says Christine of her partner, "Musically, I like to go in lots of different directions"-from country songs to French chansons-"and Chris goes right along with me. It's not just that he plays bluegrass or folk or blues, but that he plays it all with so much integrity.""After being a sideman for several years I was ready to start my own band again", recalls Gage. "I wasn't sure exactly how that would manifest, and then I met Christine. What we brought out in each other was magical."Onstage, Albert's slender, dark beauty contrasts strikingly with Gage's craggy good looks. How gracefully they complement each other is easily apparent. Although they have functioned as a duo for just six years, both musicians' individual pedigrees are far more extensive. Gage is a journeyman musician and South Dakota native who literally began touring in a station wagon at age 15. In the mid-Seventies and early Eighties he led the popular midwestern country-swing Red Willow Band, and from there graduated to an eight-year tenure on piano with guitar virtuoso and country star Roy Clark. After moving to Austin in 1991, Gage began commuting to San Antonio to take the reins as musical director for the Fiesta Texas theme park. But it was during (and following) his next incarnation, as bandleader for West Texas alt. -country singer/songwriter Jimmie Dale Gilmore, that he began to carve out his own place in the Austin scene as an in-demand session player and accompanist. It was with Gilmore that Christine first heard Chris play and in 1997 Albert & Gage was formed. The duo later toured as an opening act for Gilmore and as members of his ensemble. Christine Albert's French grandmother lived in Paris and her mother was born in Switzerland, so perhaps it's inevitable that the occasional Edith Piaf song migrates into her sets of original material and carefully chosen covers. Indeed, she recorded an entire album of lovely (albeit improbable) Franco-Lone Star fusion entitled Texafrance in 1992; and a 2003 sequel-Texafrance-Encore!-was released, appropriately enough, on Valentine's Day. Christine herself cut her musical teeth in northern New Mexico, in the chic environs of Santa Fe and in the rough-and-tumble biker bars out along the Turquoise Trail. Along with fellow New Mexico chanteuse Eliza Gilkyson, Albert re-located to Austin ...
| | Sounds Of The '60S CD (1995)
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$13.09
| | Robert Palmer Rhythm & Blues CD (1999) (Import) Argentina
Strict Machine album
$13.15
When Robert Palmer released 1999's RHYTHM & BLUES, with the exception of a collection of pop standards in 1992 he hadn't released new material since the late '80s. In the interim the pop landscape had changed immeasurably. A return to his roots seemed called for. R&B had always defined Palmer's singing, and the music here combines the eclectic spirit of his early Island releases with certain elements of smooth adult ...
| | Meyou Hana/I'm Your Sea (2004) (Import) Japan
$15.75 | | Annual 2005 CD (2004) (Import) Import
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$39.39
| | Le Mans CD (2005) (Import) Import; Remastered; Reissued; Digipak
Strict Machine music CDs
$16.95
| | Lower Class Brats New Seditionaries CD (2006)
Strict Machine songs
$10.95
OK, the Lower Class Brats aren't even trying to be original anymore. Always the most derivative of modern-day punk bands, with few ideas not directly stolen from the first and second waves of British punk, as well as Stanley Kubrick's A Clockwork Orange (both in terms of look and lyrics), the members of this Austin-based group are now officially presenting themselves as the Rutles to the Sex Pistols' Beatles. Taking its name from Seditionaries, the proto-punk boutique that Malcolm McLaren and Vivienne Westwood ran in the mid-'70s, and its graphic design from Jamie Reid's safety-pin-and-ransom-note aesthetic on the Sex Pistols' original records, ...
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