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Our Price: $14.39  CDFor Sale Usually ships in 1-2 days
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Here are 24 more recordings singer Al Bowlly made in London with Ray Noble and His New Mayfair Dance Orchestra in the early 1930s, just a small fraction of the many songs the pair made during that period. This is Volume Five of a proposed ten CD series.
Contains 24 tracks.
This is part of Rathbone's Ray Noble/Al Bowlly series.
Personnel: Ray Noble (vocals); Jack Plant, Ace Roland, Eve Becke, Al Bowlly (vocals).
Liner Note Author: Mel Tormé.
Recording information: Hayes (10/07/1929-02/21/1934); London, England (10/07/1929-02/21/1934); Middlesex, England (10/07/1929-02/21/1934).
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Tower Of Power: Lenny Williams (vocals); Bruce Conte (guitar, background vocals); Lenny Pickett (alto flute, clarinet, bass clarinet, soprano, alto & tenor saxophones); Emilio Castillo (tenor saxophone, background vocals); Stephen Kupka (baritone saxophone); Greg Adams (trumpet, flugelhorn); Mic Gillette (trumpet, trombone, background vocals); Chester Thompson (piano, Clavinet, organ, ARP synthesizer, background vocals); Francis Rocco Prestia (bass); David Bartlett (drums, background vocals).
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Drummer/percussionist Babatunde Lea leads an all-star cast of musicians through a fiery combination of groove oriented jazz with strong Latin and African influences. He's joined by guest artists Jana Herzen (vocals) and Raul Midon (guitar, mouth trumpet)
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Audio Mixer: Todd Barkan.
Liner Note Author: Will Friedwald.
Recording information: Avatar Studios, New York, NY (04/13/2004/04/14/2004).
Photographer: John Abbott .
Arranger: John Di Martino.
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Paul Revere & the Raiders didn't have an especially high perceived hipness quotient by the time their run as hitmakers came to a close in the mid-'70s, thanks to their revolutionary war costumes, their near-constant presence on television, and their goofy sense of humor. Then again, it might have been hipper to like Kansas or Emerson, Lake & Palmer by that point, but how many folks listen to them of their own volition today? Slap Kicks! The Anthology 1963-1972 into your CD player and you'll get 77 minutes of high quality proof that the Raiders and their music have truly stood the test of time -- this is prime quality American rock & roll, replete with killer hooks, tough guitars, and high attitude vocals. While garage rock enthusiasts have come around to the virtues of the Raiders in recent years, Peter Shillito's track sequence dares to venture beyond the band's glorious fuzztone period into the final post-"Indian Reservation" years of the original lineup, and he's cherry-picked enough worthy tracks to support the argument that they managed to quit before they began to flat-out suck. While fans of "Louie Louie" won't have much use for "Country Wine," ...
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