| | Ray Noble In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday CD Ray Noble Discography of CDs
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Here are 24 more recordings singer Al Bowlly made in London with Ray Noble and His New Mayfair Dance Orchestra in the early 1930s, just a small fraction of the many songs the pair made during that period. This is Volume Three of a proposed ten CD series.
Contains 24 tracks.
This is part of Rathbone's Ray Noble/Al Bowlly series.
Personnel: Eve Becke, Al Bowlly, The Three Ginx (vocals).
Recording information: London, England (04/11/1930-07/11/1934).
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday Music In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday Review
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Purchase In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday CD To buy, Click on price to add to cart | Peisha McPhee Out Of The Blue CD (1997)
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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Ms.McPhee is an extra ordinary talent. She brings passion to many of the songs, especially Harold Arlen's Ill Wind - and I most enjoyed her a cappella rendition of Rodgers and Hart's Isn't It Romantic.We discover a lonely woman remembering her lost childhood as she sings the Rodgers and Hart standard Little Girl Blue.She hopelessly tries to face her demons with the Arlen/Koehler lament Ill Wind.Sunlight and hope slowly enter her heart as she lifts her spirit with the ...
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In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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| | Art Blakey - Live In 1959 DVD (2007) Spain
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| | Nightnoise Shadow Of Time CD (1993)
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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| | Trojan Box Set: Instrumentals CD (1999)
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
$30.29
All tracks have been digitally remastered.
Contains 50 tracks.
Another Trojan box set, and one can hardly decide between applauding and ripping out their hair. In keeping with the rest of the series, there are three discs, which were obviously sequenced by a roomful of chimps who never heard the songs. It's bad enough when mood and chronology were totally ignored on the single-genre compilations, but this set careens around the years like a pinball -- tempos suddenly shift from frenetic to snail-paced and moods shift faster than a manic depressive. Does anyone at Trojan actually sit down and listen to these sets as sequenced? Apparently not. As with the other boxes, the ...
| | Joe Augustine Cool Today, Jazz Tonight CD (2001)
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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Personnel: Joe Augustine (piano); Denny Jiosa (guitar); Steve Nivosel (acoustic bass); Chester Thompson (drums); Glen Caruba (percussion).
Recorded at Quad Recording Studios, Nashville, Tennessee. Includes liner notes by John Nielsen.
Joe Augustine isn't a huge name in the jazz world, but those who are aware of ...
| | Norah Jones Feels Like Home CD (2004) Enhanced CD
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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'Feels Like Home' features 13 tracks & a host of special guests including Dolly Parton, Levon Helm, Garth Hudson of the Band, Jesse Harris, Robert Burger and Tony Scherr. Blue Note. 2004.
This is an Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.
This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.
Personnel: Norah Jones (vocals, piano, Wurlitzer piano); Dolly Parton (vocals); Kevin Breit (guitar, acoustic guitar, banjo); Jesse Harris (acoustic guitar); Tony Scherr (electric guitar); Lee Alexander (lap steel guitar, double bass, bass guitar); David Gold (viola); Jane Scarpantoni (cello); Daru Oda (flute, background vocals); Garth Hudson (accordion, Hammond b-3 organ); Rob Burger (field organ); Levon Helm, Andrew Borger, Brian Blade (drums).
It may be far too obvious to even mention that Norah Jones' follow-up to her 18-million-unit-selling, eight-Grammy-winning, genre-bending, super-smash album Come Away With Me has perhaps a bit too much to live up to. But that's probably the biggest conundrum for Jones: having to follow up the phenomenal success of an album that was never designed to be so hugely popular in the first place. Come Away With Me was a little album by an unknown pianist/vocalist who attempted to mix jazz, country, and folk in an acoustic setting -- who knew? Feels Like Home could be seen as "Come Away With Me Again" if not for that fact that it's actually better. Smartly following the template forged by Jones and producer Arif Mardin, there is the intimate single "Sunrise," some reworked cover tunes, some interesting originals, ...
| | Benny Lackner Not The Same CD (2004) (Import) Germany
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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| | Carl Weingarten Local Journeys CD (2005)
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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by Glenn Astarita, JazzReview.com"West Coast guitarist Carl Weingarten is a colorist who blends an enviable technique with gobs of emotive sentiment and subtly designed electronic effects. On this endeavor he employs a strings section on selected works, to complement electric bass hero Michael Manring's softly lyrical accompaniment. ...
| | La Sombra Original Recordings, Vol. 2 CD (2005) Import
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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| | Solo Art Sampler, Vol. 1 CD (2006)
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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| | Ian Martin Way CD (2006) (Import) United Kingdom
In London 1930-1934, Vol. 3: You Ought To See Sally On A Sunday
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