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Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Jazz Collections, Oldies Collections, Enhanced CD
Label Savoy Jazz
Orig Year 2003
All Time Sales Rank   170784  
CD Universe Part number 6080601
Catalog number 17262
Discs 2
Release Date Apr 07, 2005
Studio/Live Studio
Mono/Stereo Stereo
Jazz For An Elegant Rendezvous Songs


Jazz For An Elegant Rendezvous Album Track Listing



Jazz For An Elegant Rendezvous CD DISC 1:
1.My Romance - Houston Person$0.99
2.Please Send Me Someone to Love - Darrell Grant$0.99
3.Visit, The - Pat Martino$0.99
4.Secret Love - Eddie "Lockjaw" Davis$0.99
5.Lazy Afternoon - Mark Murphy$0.99
6.Alone Together - Wallace Roney$0.99
7.It Might as Well Be Spring - Sonny Stitt$0.99
8.You Go to My Hand - Morgana King$0.99
9.All the Things You Are - Sonny Criss$0.99
10.You Are Too Beautiful - Jimmy Ponder$0.99
Jazz For An Elegant Rendezvous Songs DISC 2:
1.Quiet Nights - Houston Person/Ron Carter/Houston Person & Ron Carter$0.99
2.You and the Night and the Music - Kenny Burrell$0.99
3.'Round Midnight - Hank Jones$0.99
4.Yesterdays - Larry Coryell$0.99
5.Body and Soul - Al Cohn/Zoot Sims/Al Cohn & Zoot Sims$0.99
6.It's All Right With Me - Red Garland$0.99
7.You Better Go Now - Red Garland$0.99
8.Do Nothin' Til You Hear from Me - Richard "Groove" Holmes$0.99
Jazz For An Elegant Rendezvous Review


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CD $6.75  4.4 stars Top 100 Audio Samples Definitive Album
A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another ...
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CD $16.05  4.9 stars Top 500 Audio Samples
COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical). "Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance. Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical). This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer. One thing that separates her from the pack is Ms. Jones' own piano stylings--not flashy, but deftly doubling or echoing her voice--that discreetly act as the glue holding together these airy, delicate, and beautiful arrangements. But the centerpiece is certainly ...
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Guitarist John Scofield has excelled in assorted jazz contexts, from straight-ahead jazz (Charles Mingus) ...
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Following LOST & FOUND, an album that earned Ledisi a pair of Grammy nominations, TURN ME LOOSE partially roots itself in the singer's past work and otherwise branches out from it. The album's title, as well as its cover, indicates a new, brash direction--one that makes up only a portion of the set. Throughout the opening "Runnin," "Knockin'," and stretches of a couple other songs--not to mention a charging, howling cover of Buddy Miles' "Them Changes"--Ledisi and her band deliver rocking funk that cooks as hot as Labelle's "Messin' ...
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Well regarded in the Boston area for years, vocalist Rebecca Parris, like some of the great singers, is 90 percent style, which she exudes gracefully. This is her first recorded collection of ballads, and she demonstrates an ability to capture the essence of well-known tunes such as "The Shadow of Your Smile," "My Foolish Heart," and "Never Let Me Go." Parris has a deep, mature voice that speaks with years of experience. She has the ability to make the lyrics her own, mouthing them as though she personally experienced the pain or other emotion. Her voice may not appeal to everyone; it has a bit of the aura of the upscale nightclub. Nevertheless, there is no denying that Parris is able to get to the heart of the lyrics in a way that not too many others ...
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Sarah Mclachlan's breakthrough album, this classic inclides the beloved "Ice Cream." The Asian version includes her cover of Joni Mitchell's "Blue." Heavily atmospheric, building around intertwined harmonies and lush arrangements, FUMBLING TOWARDS ECSTASY might remind some of early Sinead O'Connor. McLachlan's ethereal vocal style pulls from the same sources as O'Connor, but add a calm that's more akin to contemporary jazz or new age than the pop charts McLachlan has climbed. The lifeblood of her songs are her physical and emotional relationships with ...
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