| | Saunders King 1942-1948 CD Saunders King Discography of CDs
Sort of a bridge between Charlie Christian and T-Bone Walker as a guitarist, Saunders King hasn't gotten nearly as much attention, probably because his playing on these cuts is ensemble in nature, and he only stretches out in a couple places. The single most alluring track here is his vocal on Mary Lou Williams' "What's Your Story Morning Glory," which has a soothing, timeless quality. The key selections on this collection are also on the Ace release, Cool Blues, Jumps & Shuffles, which gets the nod as the compilation to get. ~ Steve Leggett
Though deeply influenced by the swing and jazz of the day, King's forte was in the smoky, jazzy, Bay Area blues and jumps epitomised by his "SK Blues" and the following tracks released here: Big Fat Butterfly, Ambling with Herb, Summertime, Swinging Door 1942-1948 Review
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| | Rory Gallagher Live At Montreux CD (2006)
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$10.95 A much adored figure in the U.K. and his native Ireland, the late Rory Gallagher made his name as a fearsome guitar player specializing in high-octane, no-frills blues and rock & roll. While his albums are certainly worth investigating, it's in the live setting that Gallagher really cut loose. LIVE AT MONTREUX nicely captures the singer-guitarist in full-tilt boogie, showcasing his deft fingerpicking abilities ("Out on the Western Plain"), his mastery of the blues ("Tore Down"), and the fiery enthusiasm that made him such ...
| | Jim Brickman Escape CD (2006)
1942-1948
$14.39 Personnel: Jim Brickman (piano); Jim Brickman; Gerald LeVert, Sara Evans (vocals); Marc Antoine (acoustic guitar); Tracy Silverman (violin, viola, keyboards, percussion, programming); David Klinkenberg (violin); Geoff Byrd. Audio Mixers: Dan Shea; Paul Rayner Brown; Russ Long; Steve Sundholm; Tracy Silverman. Liner Note Author: Jim Brickman. Recording information: Brickhouse Studios, N. Hollywood, CA; ...
| | Stephen Stills Just Roll Tape CD (2008) Bonus Track
1942-1948
$10.05 Personnel: Stephen Stills (dobro). Over the years since Neil Young's godlike status has grown, it is easy to forget about the jaw-dropping breadth of talent that was Crosby, Stills & Nash, his sometimes former bandmates. Crosby had the silken voice and Nash the impossibly high harmony, but, as the remarkable official bootleg JUST ROLL TAPE: April 26th 1968 proves, Stephen Stills was a complete talent as a singer, writer, and guitarist. Reportedly recorded in one long take after he bribed the engineer of a Judy Collins session on the title date to continue recording long into the night, JUST ROLL TAPE is what its title suggests: a roll of inspired performances of songs from Still's embryonic catalog just before Crosby and Nash's angelic voices stormed the pop charts with him. In fact, the whole night seems designed by the infamously raw producer David Briggs: tracks are brisk, mistakes are kept, the sound is rough, and every song sounds like a first take. And what a string of first takes: "So Begins the Task"--later released on MANASSAS--anticipates the finger-picked bleakness of DEJA VU's "4 & 20"; "Suite: Judy Blue Eyes" finds particular starkness as a solo song despite the jubilant open chords; and "The Doctor Will See You Now" holds its own against anything in Young's catalog. While his songwriting and guitar playing are stellar, Stills's voice is equally stunning, with its tender, affecting rasp making an AM weeper like "Helplessly Hoping" sound tough. A rough gem of a listen, but a must-have for any fans of Stills or of Crosby, Stills & Nash. When listening to this rather remarkable document, it becomes alarmingly clear what the post-Buffalo Springfield Stephen Stills brought to the partnership of Crosby, Stills & Nash. This 13-song set was recorded solo with an acoustic in a recording studio in 1968, preceding by a few months the first CS&N recording (he bribed a recording engineer after a Judy Collins session). According to Stills' brief liner notes, the tape had been lost for nearly 40 years, until the release of this edition. Meaning, of course, that these versions of these songs haven't been widely available on the bootleg circuit, either. The tracks contain early versions of cuts recorded in the trio such as "Suite: Judy Blues Eyes," "Helplessly Hoping," and "Wooden Ships." But these are near the very end of the collection. There are also a number of cuts here that Stills recorded on his solo records such as "Black Queen" from his self-titled debut, "Change Partners" and "Know You Got to Run" from Two Originals, "So Begins the Task" from Manassas, and even a very earlier and much longer version of "Treetop Flyer" with Stills ...
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