| | Johnny Mack Gave Myself The Blues CD Johnny Mack Discography of CDs
Texan Johnny Mack won Ft. Worth's "Blues Man of 2002" in the performing category for his extraordinary vocals and washboard playing; this debut recording delivers the goods, running the gamut from Swamp Pop and Western Swing to Low Down Blues. From Wes R
Recording information: Hilltop Studios; Sounds Great Productions.
Photographer: Robert Laprell.
Personnel includes: Johnny Mack (vocals, washboard); James Hinkle (guitar); Ted Roddy (harmonica); Danny Ross (piano); Stoney Bass (bass); Gunzy Trevino (drums).
Personnel: Johnny Mack (vocals, rub-board); James Hinkle (vocals, guitar, hand claps, background vocals); Paul Byrd, Edd "E.C." Lively III (guitar); Ted Roddy (harmonica); Johnny Reno (saxophone, baritone saxophone); Rex Cadwallader, Dan Ross (piano); Kevin Schermerhorn, Gunzy Trevino (drums); Beer Belly Slim, Randy Ray Pope (hand claps, background vocals); Betsy Hinkle, Vickie Evans , Suzie Q, Beerbelly Slim, Kenny Traylor (background vocals).
Gave Myself The Blues Music Johnny Mack Gave Myself The Blues Songs | 1. | House Party Y'all |
| 2. | Cross Town Girl |
| 3. | Looking for an Angel |
| 4. | Go on to School |
| 5. | Cant Take It With You |
| 6. | My Baby's Got It |
| 7. | Gave Myself the Blues |
| 8. | Wait an See |
| 9. | My Baby's Out There |
| 10. | Sugar Bee |
| 11. | Quit Hounding My Dog! |
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Gave Myself The Blues Review
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Buy Gave Myself The Blues CD Purchase Gave Myself The Blues CD To buy, Click on price to add to cart | Ron Levy Voodoo Boogaloo CD (2005)
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JOHN "JUKE" LOGAN has, on multiple occasions over the past two decades, been the harmonica-player-of-choice for RY COODER, LOS LOBOS, ETTA JAMES, BO DIDDLEY, JOHN LEE HOOKER, LUCINDA WILLIAMS, DAVE ALVIN, LEON RUSSELL, films such as "CROSSROADS" (the Walter Hill feature about the blues) & "MIDNIGHT RUN", & TV shows such as "ROSEANNE" & "HOME IMPROVEMENT" & many others. LOGAN'S original compositions have been covered by many, recorded by the likes of JOHN MAYALL, The PALADINS & GARY PRIMICH, used by film & TV & honored with commentary like: "he's the Willie Dixon of the 90's & beyond... just listen to the lyrics" (-"Squrl", KMCQ Oregon). ...
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Although music like that heard on drummer Michael White's CD is marketed as "contemporary jazz," much of it sounds like Ramsey Lewis's recordings of 20 years ago. The hook-filled melodies, whiny sax by Everette Harp, the obligatory throwaway soul vocal from Phil Perry, a few pleasing but vapid melodic solos, the token jazz tune ("'Round Midnight") and fadeouts whenever the music nears the ...
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| | Little Walter Stray Dog Blues CD (2006) (Import) United Kingdom
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Ry Cooder 's opinion is that Little Walter was the single greatest blues musician ever. His revolutionary harmonica technique has earned comparisons to Charlie Parker and Jimi Hendrix in its impact, and he is generally considered the first modern 'urban' blues musician. Working odd jobs, travelling around, busking and honing his musical skills with Sonny Boy Williamson and Big Bill Broonzy, Little Walter arrived in Chicago c. 1945, and fell into the City's bustling Blues scene. Tired of being drowned out by electric guitarists, he developed a radical yet simple solution: He cupped a small microphone in his hand while he played, and plugged it into an amplifier, easily competing with any guitarist's volume, and exploring radical new timbres.
Louisiana-born Chicago blues harp legend Little Walter and British playwright Joe Orton had one nasty thing in common. Each was beaten to death with a hammer -- Orton at the age of 34 in London on August 9, 1967 and Walter at the age of 37 in Chicago on February 14, 1968. Two very different lives were both abruptly terminated with grisly violence. Both were mavericks in their field, difficult to contain, posthumously idolized. Little Walter came up working with Bluebird recording artists Big Bill Broonzy and Tampa Red. He developed his mighty chops as a regular member of the Muddy Waters band during the late '40s and early '50s. Rev-Ola records presents 20 of Little Walter's toughest early recordings, beginning with the first to appear under his name, "Juke." Sound quality is good if sometimes scratchy. This is not a problem. In fact it makes perfect sense. Walter had a lot of scars on him and so did his records. Photo inserts reproduce several of the original red and silver 78 rpm Checker record labels as well as nine vintage snapshots of Walter at ease or in action. Although the informative, insightful liner notes are not accompanied by recording dates, there are personnel listings that include Muddy Waters, Jimmy Rogers, Willie Dixon and Robert Lockwood, Jr.. Every blues harmonica ...
| | Justice Cross CD (2007)
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It could be said that electronic musicians have a tendency to obsess over sonic detail in a way that your average garage rock band may find hard to understand. The young Parisian duo Justice (Gaspard Auge and Xavier de Rosnay), seem, for the most part, unfettered by niceties such as sonic subtlety or restraint. Combining French-touch house with large doses of heavy-metal hedonism, the group's debut, CROSS, privileges rock's devil-may-care mid-range thrash over electro's low-frequency thump.
The album, in classic rave style, is all about colossal riffs. Whether through its swirling synth sweeps or pile-driving funk loops, CROSS has an insistent, torqued, vaguely druggy quality that's resolutely unsubtle. If the album embraced such high-octane thrills for its entire length, it would surely have overstayed its welcome. But Justice manages to pull out a corker of a pop-crossover hit with "D.A.N.C.E.," the album's first single. ...
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