| | Lee Konitz Toot Sweet CD Lee Konitz Discography of CDs
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Personnel: Lee Konitz (alto saxophone); Michel Petrucciani (piano).
Recorded at Centre Musical Bosendorfer, Paris, France on May 25, 1982.
This 1982 meeting between the veteran alto saxophonist Lee Konitz and the young pianist (19 at the time of the session) Michel Petrucciani is a success on all counts. Konitz's fragile alto is complemented by Petrucciani's lush backing in "I Hear a Rhapsody," while their abstract approach to "'Round Midnight" and "Lover Man" are both very refreshing. Konitz is unaccompanied for his wandering "Ode," while the pianist is featured alone on his complex portrait "To Erlinda," which is dedicated to his first wife. Petrucciani and Konitz wrote the brief closer, the lively blues "Lovelee," during which they initially play apart from one another before joining forces to close with a flourish. This was only Petrucciani's third recording, yet he plays far beyond his years; this recommended CD will be difficult to find due to the demise of the Owl label. ~ Ken Dryden Lee Konitz Toot Sweet Songs Toot Sweet Review
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Talk To Me is the title of the latest album from Philipp Fankhauser, the highly regarded blues artist based in Thun, Switzerland, and his first for Memphis International Records. Fankhauser is well known to European audiences but he is also familiar to North Americans as a result of his role as guest vocalist with the band of the late blues great Johnny "Clyde" Copeland. While the bulk of Talk To Me is comprised of l Fankhauser originals it does include two Johnny Copeland compositions and Shemekia Copeland, Johnny's daughter and a renowned star in her own right, penned the liner notes. "Philipp will always be very special to the Copeland family; his music is special for just about everyone," she ...
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Personnel: Sonny Rollins (tenor saxophone); Sonny Rollins; Clifton Anderson (trombone); Stephen Scott (piano, kalimba); Bob Cranshaw (electric bass, bass guitar); Perry Wilson (drums); Kimati Dinizulu (percussion).
Audio Remixer: Richard Corsello.
Liner Note Author: Bob Blumenthal.
Recording information: Berklee Performance Center, Boston, MA (09/15/2001).
Editor: Richard Corsello.
Photographers: Ken Franckling; John Abbott .
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Composer: Deuter.
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Pete Christlieb - A Woodwind All-starFor years, he has been heard on prime-time television shows, from Gene Roddenberry's original Star Trek to its sequel shows - Star Trek - The Next Generation, Voyager and Deep Space Nine. As part of The Tonight Show band, he performed nightly to an audience of millions. His evocative tenor saxophone sound was lauded on Natalie Cole's "Unforgettable". He began by playing in top-notch big bands and combos; his own albums have been nominated for several Grammy awards. Despite such impressive achievements, Pete Christlieb comes across as a pragmatic individual who truly enjoys music and its daily grind.Christlieb's father Don, a bassoonist and studio musician, provided him an early introduction to music of all kinds. "I started on violin when I was about 6 or 7, then got interested in jazz and tenor saxophone at 13 and started listening to records. The first records I remember were by Chet Baker and Gerry Mulligan. Then I got more interested and bought more records, things like Zoot Sims and Stan Getz. Then came John Coltrane, Cannonball Adderley, and Miles Davis. I was especially interested in Cannonball."Christlieb began to visit the Lighthouse in Hermosa Beach, one of the few places featuring bands to which a minor could gain admission. "I would sit there and listen to the Lighthouse All-stars, and Bob Cooper was the saxophonist that I remembered," Christlieb said. Shortly after, Christlieb began studying with Cooper. Soon he'd made enough progress to sit in for his mentor in the Lighthouse All-stars when Cooper had other jobs. "It was lots of fun then, playing at the Lighthouse with that group, at age 16 or 17."Christlieb finished high school, attended Valley College, and then went on the road with the Si Zentner band at age 18. After that, he began a series of jobs with musicians like Bobby Bryant, where he traded saxophone licks with veteran horn men Herman Riley and Hadley Caliman. While performing with Della Reese in Las Vegas' Flamingo Hotel, his path crossed with yet another stellar bandleader, famous for his showcasing of woodwind players - Woody Herman. Christlieb heard that Herman band member Joe Farrell was leaving: soon he was asked to join. When that job ended, he returned to Los Angeles; this time he began work with former Ellington drummer and bandleader Louis Bellson. The two formed a partnership that has strengthened and flourished for over three decades. It was the work with Bellson that led to Christlieb's appointment ...
| | Doyle Lawson Gospel Parade CD (2001)
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| | Claude Tissendier Hampton Vibrations CD (2007) (Import)
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