| | Don Friedman Waltz For Debby CD Don Friedman Discography of CDs
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Personnel: Don Friedman (piano); George Mraz (bass); Lewis Nash (drums).
Recorded at Avatar Studios, New York, New York on May 28, 2002.
Personnel: Don Friedman (piano); Lewis Nash (drums).
Liner Note Author: Shohji Ichikawa.
Recording information: AVATAR Studio, NY (05/28/2002).
Photographer: John Abbott .
This trio date led by Don Friedman is comparable to a typical Bill Evans session in several ways. Joined by bassist George Mraz and drummer Lewis Nash, one hears three strong musicians interacting rather than a rhythm section playing follow-the-leader with the pianist. Secondly, Friedman, like Evans, loves playing great melodies. Finally, Friedman is a gifted composer, though his pieces are obviously not as well known as Evans' works. But the comparison ends there, as Friedman has a distinctive style of his own. The title track is obviously Evans' best-known composition, though Friedman's interpretation of it is more aggressive and features a melodic solo by Mraz as well. Friedman's lyrical side is readily apparent in his warm rendition of Michel Legrand's bittersweet ballad "You Must Believe in Spring." The pianist is at his most adventurous skirting around the theme to Johnny Mandel's lovely "The Shadow of Your Smile," propelled by Mraz's phenomenal bassline until Nash is added and the setting of the piece is modified into a brisk samba. His originals merit attention as well. "35 W. 4th St." is a catchy post-bop theme, while the furiously paced "Blues in a Hurry" seems to catch the hustle and bustle of New York City. It's not surprising to learn that Friedman composed "Flamands" as a result of visiting the West Indies. Mraz takes the lead and has a prominent role throughout this infectious piece. "From A to Z" salutes his good friend, the late guitarist Attila Zoller, and includes an excellent drum solo by Nash. Friedman's closer is a breathtaking solo of Willard Robison's sentimental ballad "Old Folks." This intimately recorded studio session is an obvious keeper. ~ Ken Dryden Don Friedman Waltz For Debby Songs Waltz For Debby Music Review Purchase Waltz For Debby CD To buy, Click on price to add to cart | Continuum Mad About Tadd: The Compositions Of Tadd Dameron CD (2004)
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Brian Lynch's 4th outing for Sharp Nine finds him in the fine company of his long time bandmate in the Phil Woods Quintet, star pianist Bill Charlap, and two of N.Y.'s first-call rhythm section players, bassist Dwayne Burno and drummer Joe Farnsworth. Th
Personnel: Brian Lynch (trumpet, flugelhorn); Bill Charlap (piano); Dwayne Bruno (bass); Joe Farnsworth (drums).
Recorded at Systems Tow, Brooklyn, New York on May 16, 2002. Includes liner notes by Phil Woods.
Personnel: Brian Lynch (trumpet, ...
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Personnel: Tony Oxley (percussion, electronics); Derek Bailey (guitar).
Recording information: Barbican, London, England; London, England.
The vast majority of The Advocate's tracks were recorded by the late Derek Bailey (guitar) and Tony Oxley (percussion and electronics) in London in 1975. John Zorn's Tzadik label is releasing this collaboration here for the first time. Oxley had recorded his sublime duo project with multi-instrumentalist Alan Davie earlier that year, and Bailey had just issued his London Concert set on Incus. Both men had been part of Barry Guy's London Jazz Composer's Orchestra and had worked together a decade before in the Joseph Holbrooke Trio with Gavin Bryars. There are three improvisations here: two of them, "Sheffield Phantoms" and "Playroom," are longer pieces clocking in at over ten minutes each, ...
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Born in new york city and raised in the island of puerto rico, this young and upcoming christian music artist has focused on reaching out to the general public to share his music, songs and passion for latin gospel. Following his father’s footsteps, whom had been a musician in new york city during the sixties and seventies, israel always showed special interest for playing music due to his father’s influence of latin music. Growing up on the east coast side of the island, in the town of humacao, israel began to work his way into the music field by enrolling in a local music school (escuela libre de musica juan ponce de leon) where he learned to play the trombone, drums, latin percussion and also became a member of the school choir. His first oportunity to join a professional band or group came with the world known salsero jerry rivera at the tender age of 16 as a timbalero for this orchestra in 1990. In the following years he toured with the band to panama and appeared on many tv, concerts ...
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