| | N-Coded Music Presents, Vol. 4: Smooth Jazz Greatest Hits CD
N-Coded Music Presents, Vol. 4: Smooth Jazz Greatest Hits Music N-Coded Music Presents, Vol. 4: Smooth Jazz Greatest Hits Songs | 1. | Avenue - Paul Taylor |
| 2. | Song for Elizabeth - Jonathan Butler |
| 3. | Nightshift - Gregg Karukas |
| 4. | X Ray Hip - Bona Fide |
| 5. | Sax Appeal - Kim Waters |
| 6. | Got to Be Strong - Maysa |
| 7. | For the Love of You - Candy Dulfer |
| 8. | Stay - Club 1600 |
| 9. | Seryozha's Lament - Julian Coryell |
| 10. | What's in the Box - Inner Shade |
| 11. | Avenue, The - Bona Fide |
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N-Coded Music Presents, Vol. 4: Smooth Jazz Greatest Hits Review
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Purchase N-Coded Music Presents, Vol. 4: Smooth Jazz Greatest Hits CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
N-Coded Music Presents, Vol. 4: Smooth Jazz Greatest Hits album
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DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's ...
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This compilation contains 38 songs, including many new remixes from original master tapes, 6 previously unreleased songs, alternate versions of 3 others, and a comprehensive 36 page booklet, with historic liner notes and photos.
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
The legendary conguero may be known as one of the modern kings of all jazz that's Latin, but he's also an old-school soul junkie at heart, having grown up in southern California in the '60s; while he was learning to play tropical Latin music professionally, his radio was full of classic Stax and Motown. Increasingly aware that classic R&B songs adapt well to the jazzy cha cha tempos that drive his ensemble, Sanchez evolves beautifully on the new collection into a style of Latin soul that's truly compelling. The opening track, the funky, brass-driven cha cha "One Mint Julep," features not only the organ arpeggios of Billy Preston, but also two of the horn guys from the James Brown band, Fred Wesley and Pee Wee Ellis. "JB's Strut" funks out with the horniest of them, but Brown is paid even greater homage on blues/soul/big-band/Latin renderings of three of his tunes, "Saints and Sinners," "Out of Sight" (sung with a tongue-in-cheek Brown bravura by Sanchez), and "Conmigo." And while he's at it, Sanchez invites two legendary soul men to make things even more authentic. Sam Moore has a blast with the sassy "Hitch It to the Horse," while Ray Charles adds his whimsical touch to the salsified blues tune "Mary Ann." The remaining question is, just where is the Godfather of Soul himself? Hopefully, he's proud of one of the most unique tributes to him ever fashioned. ~ Jonathan Widran
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Released many years after the fact in time for the 2007 Benny Carter centennial, this swinging 1994 live encounter at Yoshi's in Oakland consists of outtakes from a Mel Martin tribute to Carter on Enja released at the time. But that's for the buffs and scholars to sort out, for these are vastly enjoyably prime cuts in their own right, going beyond the status of mere historical document. From the evidence here, as well as the gigs he played at the Hollywood Bowl during this period, Carter at 87 was still a monster of an alto player -- fluid, inventive, more unpredictable than ever. The rhythm section is headed by another jazz original, Roger Kellaway, who adds his own brand of keyboard unpredictability with one foot firmly planted inside the tradition. Carter's solo on "Perdido" is witty and imaginative, not at all ossified by time or routine, while ...
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