| | Caribbean Jazz Project Birds Of A Feather CD Caribbean Jazz Project Discography of CDs
 |
|
Our Price: $8.19 CDFor Sale Usually ships in 1-2 days
Our Price: $9.90
|  |
The Carribean Jazz Project: Ray Vega (trumpet, flugelhorn); Dario Eskanazi (piano); Ruben Rodriguez (bass); Dave Samuels (vibraphone, marimba); Dafnis Prieto (drums, timbales); Robert Quintero (congas, percussion). Additional personnel: Randy Brecker (trumpet); Romero Lubambo (guitar); Mark Walker (drums); Cafe (percussion). Recorded at Bennett Studios, Englewood, New Jersey between March & May 2003. Includes liner notes by Peter DeVito. BIRDS OF A FEATHER was nominated for the 2004 Grammy Award for Best Latin Jazz Album. Personnel: Romero Lubambo (guitar); Ray Vega (trumpet, flugelhorn); Randy Brecker (trumpet); Dario Eskenazi (piano); Dave Samuels (vibraphone, marimba); Dafnis Prieto (drums, timbales); Mark Walker (drums); Robert Quintero (congas, percussion). Audio Mixer: Phil Magnotti. Liner Note Author: Peter Devito. Recording information: Bennett Studios, Englewood, N.J (03/29/2003-05/12/2003). The Caribbean Jazz Project has built its reputation by forging a colorful blend of Latin and Caribbean styles. Whether one references Dizzy Gillespie's pioneering work, or more recent work efforts in Afro-Cuban jazz, the Caribbean Jazz Project seems comfortable exploring and stretching the genre. Although the band's lineup has continued to evolve on Birds of a Feather, vibraphonist Dave Samuels, trumpeter Ray Vega, percussionist Robert Quintero, drummer Dafnis Prieto, and bassist Ruben Rodriguez remain from the original incarnation. A number of guests, including trumpeter Randy Brecker, guitarist Romero Lubambo, and drummer Mark Walker help fill out the arrangements. With all of the high profile talent here, it's important to remember that Birds of a Feather worries less over standout solos than the overall tapestry. Lubambo offers a lovely lead in Herbie Hancock's "Tell Me a Bed Time Story," while Samuels' vibe solo shines in "Minor Mood," but in both cases the instrumental work is carefully woven into the overall fabric that is the Caribbean Jazz Project. The Project also explore Charles Mingus' "Weird Nightmare," along with a number of Samuels' originals. While it's impossible to guess if this disc will receive the same Grammy winning attention as The Gathering, fans will nonetheless be treated to the same enticing Latin mix they've come to expect from the band. ~ Ronnie D. Lankford, Jr. The Caribbean Jazz Project, spearheaded by vibraphonist and marimba player Dave Samuels, creates unique, infectious music that explores a variety of Latin and Afro-Caribbean styles including rhumba, cha-cha, and samba. While the group has focused in the past on "Latinizing" jazz standards, reinventing them through the lens of Latin-leaning rhythmic and harmonic arrangements, BIRDS OF A FEATHER concentrates primarily on originals by Samuels, which are brought to life by the superior musicianship of the group and the album's special guests. Acclaimed trumpeter Randy Brecker's work on Samuels's bossa nova-tinged "Picture Frame" offers a perfect counterpoint to the leader's shimmering vibraphone. Romero Lubambo's sophisticated guitar leads light up his own composition, "Valencia." Guest drummer Mark Walker joins core percussionists Dafnis Preito and Robert Quintero in creating the rich rhythmic tapestry that propels the record, and Ray Vega's trumpet and Dario Eskenazi's piano weave Samuels's smartly-written melodic lines throughout. The album's two covers, Herbie Hancock's "Tell Me A Bedtime Story" and Charles Mingus' "Weird Nightmare," rewritten as a cha-cha and a bolero respectively, are surprisingly fresh in their new, groove-oriented incarnations. It is this same freshness, creativity, and Latin-soaked groove that fans of the band have come to expect, and BIRDS OF A FEATHER does not disappoint. Birds Of A Feather Music | List Price | $11.98 (You save $3.79) | | Category | Jazz Instrument Albums, Latin CDs, Latin Jazz, Jazz, Enhanced CD | | Label | Concord Picante | | Orig Year | 2003 | | All Time Sales Rank | 58268  | | CD Universe Part number | 6123288 | | Catalog number | 2199 | | Discs | 1 | | Release Date | Aug 26, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Dave Samuels | | Engineer | Phil Magnotti | | Personnel | Randy Brecker, Romero Lubambo, Mark Walker, Cafe, Ray Vega, Ray Vega |
Caribbean Jazz Project Birds Of A Feather Songs Birds Of A Feather Review
GuidelinesRemember to focus your comments on Caribbean Jazz Project Birds Of A Feather CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Buy Birds Of A Feather CD Purchase Birds Of A Feather CD To buy, Click on price to add to cart | Walter Beasley Go With The Flow CD (2003)
Birds Of A Feather
$10.95
| | Jeff Lorber Philly Style CD (2003)
Birds Of A Feather
$11.95 Live Recording
Personnel: ...
| | Peter White Confidential CD (2004)
Birds Of A Feather
$7.59
| | Marion Meadows Player's Club CD (2004)
Birds Of A Feather
$15.15 Personnel: Marion Meadows (soprano, tenor & baritone saxophones); Douglas Myers (vocals); ...
| | Caribbean Jazz Project Here And Now: Live In Concert CDs (2005)
Birds Of A Feather
$16.95
| | Blakey, Art & The Jazz Messengers Freedom Rider CD (1961)
Birds Of A Feather
$15.55 Full performer name: Art Blakey & The Jazz Messengers. Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor saxophone); Lee Morgan (trumpet); Bobby Timmons (piano); Jymie Merritt (bass). Producer: Alfred Lion. Reissue producer: Michael Cuscuna. Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on February 12 & 18 and May 27, 1961. Digitally remastered using 20-bit technology by Ron McMaster. Personnel: Art Blakey (drums); Wayne Shorter (saxophone, tenor saxophone); Lee Morgan (trumpet); Bobby Timmons (piano). Liner Note Author: Nat Hentoff. Recording information: Van Gelder Studios, Englewood Cliffs, NJ (02/12/1961-05/27/1961). Photographer: Francis Wolff. Unknown Contributor Roles: Art Blakey; Wayne Shorter; Bobby Timmons. This straight-up reissue of a 1967 Limelight album finds Art Blakey without his Jazz Messengers and in a variety of studio settings in an attempt to record a commercially viable crossover jazz record. The results are mixed, though the playing on most of the album is quite fine. Arranged by Melba Liston and Tom McIntosh and produced by Luchi DeJesus (a pseudonym?), these 11 tracks feature Blakey playing the hits of the day, such as the Lovin' Spoonful's "Day Dream," P.F. Sloan's "Secret Agent Man," Muddy Waters' "Got My Mojo Workin'," John Phillips' "Monday, Monday," and even the theme from Mame. In addition, there are a few bona fide jazz numbers such as John Hicks' "Slowly But Surely," Blakey's own "Sakeena," and Ramsey Lewis' "She Blew a Good Thing." All of these tracks are given the cheesy, souled-out boogaloo treatment. With players like Grant Green, Liston, Frank Mitchell, ...
| | Bread Essentials CD (2001) Import
Birds Of A Feather
$13.95
| | Millencolin No Cigar CD (2001) Extended Play
Birds Of A Feather
$9.55
| | Hot Summer Music CD (2001)
Birds Of A Feather
$16.05
| | Bluegrass: American Classics CD (2003) Import
Birds Of A Feather
$13.39
| | Ferretti Flavia Fuoco Veloce CD (Import)
Birds Of A Feather
$23.65
| | Hurt II CD (2007) Edited
Birds Of A Feather
$9.39 Hurt: Paul Spatola (dobro); J. Loren (banjo); Joshua Ansley (bass guitar); Evan Johns (drums). Additional personnel: Lynn Fiddmont, Machan Taylor, Williams Hines, Eyvonne, Valerie Carter, Elaine Caswell (vocals); Lenny Castro (percussion); Brian Winshell, Dave Klotz (programming). Moody alt-metal messengers Hurt continue on their offbeat, provocatively purist course with the simply titled VOL. II. While the group's sophomore album is not meant to be the next chapter in a set of concept albums, vocalist/lyricist's J. Loren's writing style does present themes that connect quite deliberately with VOL. 1--and each track plays out not unlike a short story, making the band's creative evolution all the more intriguing. Picking up precisely where Hurt's debut left off, Vol. II is the companion piece, continuation, culmination (call it what you will) of all the group began on Vol. I. In fact, early on, the band originally envisioned this musical corpus if not as a double set, at least as a pair of bookends to be released together. It wasn't to be, and so the two were recorded separately, with time to grow in between. And grow they have, with Vol. II exhibiting a greater maturity, a more coherent sound, and a more self-confident band. Even so, the two sets are closely intertwined, with themes, both lyrical and musical, from the first referenced in the second. Where Hurt go wrong is in treating their fans like idiots, foot-noting the cross-overs in the lyric sheets, whilst simultaneously parading their own superior intellect via references to Bell's Theorem and Heisenberg's Uncertainty Principal. Hey guys, nobody likes patronizing, clever clogs. But who can't feel the band's pain, so evident across this set, with their eternal doubts, manifold and manifest guilt, impatience with others foibles, and disgust at their own sins. These are wounds that never heal, because Hurt can't stop picking at the scabs, damned to relive the emotional traumas over and over in their mind, then flip them over to experience them from the opposite side. That latter technique is best seen on the twinned ...
| | Janet & Judy Little Ditties CD (2008)
Birds Of A Feather
$9.59
|
|
|