| | Red Garland I Left My Heart... CD Red Garland Discography of CDs
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Recorded during pianist Red Garland's final period, this enjoyable outing (a Muse LP) has three trio numbers by Garland with bassist Chris Amberger and drummer Eddie Moore plus three selections that add altoist Leo Wright to make the group a quartet. Garland's style was unchanged from the '50s, as he shows on "Will You Still Be Mine" and "Bye Bye Blackbird." Wright's portion of the date finds him playing lyrically on two ballads (including a surprise version of "I Left My Heart in San Francisco") and swinging on "Bag's Groove." The set was recorded live at San Francisco's Keystone Korner and was clearly a happy occasion. ~ Scott Yanow
Recorded live at Keystone Korner, San Francisco, California in May 1978. Originally released on Muse (5311).
Live Recording
Personnel: Red Garland (piano); Leo Wright (alto saxophone); Chris Amberger (bass); Eddie Moore (drums).
Red Garland I Left My Heart... Songs | 1. | Will You Still Be Mine | |
| 2. | Please Send Me Someone to Love | |
| 3. | Bye Bye Blackbird | |
| 4. | Body and Soul | |
| 5. | Bag's Groove | |
| 6. | I Left My Heart in San Francisco | |
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I Left My Heart... Review
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Buy I Left My Heart... CD Purchase I Left My Heart... CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
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DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, and including enough unreleased tracks and rarities to appeal to the band's most ...
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This compilation contains 38 songs, including many new remixes from original master tapes, 6 previously unreleased songs, alternate versions of 3 others, and a comprehensive 36 page booklet, with historic liner notes and photos.
This excellent two-disc collection captures Poco's finest moments from the days when they were laying down the template for all the country-rock music that was to follow. It's hard to remember, but when the Eagles first hit the scene, they were thought by many to be a Poco-wannabe band. Listen to this set and you'll hear why. The Forgotten Trail (1969-1974) culls tracks from Poco's first eight albums, as well as unreleased cuts and singles. From the classic anthem "Pickin' Up the Pieces," which kicks things off, through ...
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Recorded between 1967 & 1983. Includes liner notes by Jim Ladd.
Released to celebrate the 40th anniversary of the release of the first Doors album, THE VERY BEST OF THE DOORS supercedes all former Doors compilations. At two discs and 34 tracks, this is quite comprehensive for a band whose key lineup released only half a dozen albums. In addition to all the expected hits like "Light My Fire," "Hello I Love You," and "Roadhouse Blues," this compilation ...
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The 2001 edition of ALL THIS USELESS BEAUTY comes with a bonus disc of rare material including demos and alternative versions of songs. Many of the tracks on the original release were written by Elvis Costello for other artists to record.
Elvis Costello & The Attractions: Elvis Costello (vocals, acoustic, electric & guitars, celesta, keyboards, bass); Pete Thomas (acoustic guitar, drums, percussion); Steve Nieve (piano, keyboards, programming, sequencing); Bruce Thomas (bass).
Additional personnel includes: Brian Eno, The Fairfield Four, The Brodsky Quartet.
Principally recorded at Windmill Lane Studios, Dublin, Ireland and Westside Studios, London, England. Includes liner notes by Elvis Costello.
After years of radical stylistic detours, Costello reunited with the Attractions for BRUTAL YOUTH, seeming to prove that Tom Wolfe was right about not being able to go home again. That album's followup, ALL THIS USELESS BEAUTY, is a logic-defying marvel, finding Costello and the Attractions at the peak of their powers. Though some of the arrangements hark back to THIS YEAR'S MODEL, EC and the boys don't really try to revisit the past. Rather, they apply the musical lessons they've learned over the years to create a new, more mature sound that still bears their unique sonic trademark.
The song selection here is a bit of a grab bag, as many of these tunes were written by Costello for other artists, but there's such a consistency and vitality to the material that it all seems to be of a piece. "Why Can't a Man Stand Alone" is an emotive soul ballad that shows ...
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