| | Billy Butterfield Recipe For Romance CD Billy Butterfield Discography of CDs
Personnel includes: Billy Butterfield (vocals, trumpet); Pat O'Connor (vocals). Recorded live at Donohue's Club, Mountain View, New Jersey on February 2, 1947. Billy Butterfield Recipe For Romance Songs Recipe For Romance Review
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Purchase Recipe For Romance CD To buy, Click on price to add to cart | Billy Butterfield Pandora's Box: 1946-1947 CD (2000)
Recipe For Romance
$13.29
| | Billy Butterfield Issued Recordings 1944-1947 CD (1999) (Import) United Kingdom
Recipe For Romance
$15.59
| | Words And Music Of World War II CDs (1991)
Recipe For Romance
$13.55
| | Steve Tyrell Standard Time CD (2001)
Recipe For Romance
$7.15
| | Animals Retrospective CD (2004)
Recipe For Romance
$13.65
| | Ernie Watts Classic Moods CD (1998) (Import)
Recipe For Romance
$15.09
| | Bob Crosby Princess Of Africa: The Best Of Yvonne Chaka Chaka CD (1997)
Recipe For Romance
$15.95
| | Midnight Soul Volume 3 CDs (2006)
Recipe For Romance
$16.95
| | Wadada Leo Smith Compassion CD (2006)
Recipe For Romance
$12.95
| | Sun Ra & His Intergalactic-Infi Night Of The Purple Moon CD (2007)
Recipe For Romance
$12.19 Sun Ra: Sun Ra; Donny Davis (alto clarinet); John Gilmore , Stafford James. Personnel: Sun Ra (celesta, Wurlitzer organ, mini-Moog synthesizer, Moog synthesizer); John Gilmore (tenor saxophone, drums, percussion); Stafford James (electric bass). Liner Note Author: John Corbett . Recording information: New York, NY (1964-1970); Variety Recording Studio, New York, NY (1964-1970). Arranger: Sun Ra. While Sun Ra was certainly one of jazz's most bizarre and creative self-mythologizers, he was also one of it's most adventurous and talented keyboard players. THE NIGHT OF THE PURPLE MOON, reissued by Atavistic in 2007, is a relaxed small-combo affair that, interestingly, finds long-time saxophone sideman John Gilmore on drums for all but one cut (he plays tenor on "Impromptu Festival"). The focus, though, is, of course, Ra and his Rocksichord, just one of the many odd synths and keyboards the Saturn native would employ during his career. This is pure, vintage Sunny Ray, as the man grooves, struts, and gets way out on these simple takes. The reissue also includes three bonus demos of Ra jamming on his Wurlitzer, providing yet more evidence of his amazing piano skills. This one is quirky, even in the Sun Ra catalog. Ra fronts a quartet playing nothing but miniMoog and Rocksichord, along with Stafford James on electric bass, Danny Davis on alto, clarinet, flute, and bongos, and John Gilmore on drums! Gilmore has a skittering approach to the drums, which are curiously mic'ed with the hi-hat being especially prominent. Ra's playing doesn't get too far out, although the tones of the Rocksichord and miniMoog are rather humorous, and most of the tunes are quite playful. Davis provides some fine alto, clarinet, and a number of freak-outs, with James anchoring the proceedings. Davis and Gilmore switch roles for "Impromptu Festival" for a taste of Gilmore's tenor while "Dance of the Living Image" has Gilmore on drums and ...
| | Baby Face Willette Face To Face CD (1961) Bonus Tracks; Reissue; Remastered
Recipe For Romance
$9.19 FACE TO FACE contains two previously unreleased alternate takes. Personnel: Baby Face Willette (organ); Fred Jackson (tenor saxophone); Grant Green (guitar); Ben Dixin (drums). All tracks have been digitally remastered. This is part of Blue Note's Limited Edition Connoisseur series. Personnel: Baby Face Willette (organ); Grant Green (guitar); Fred Jackson (tenor saxophone); Ben Dixon (drums). Audio Remasterer: Rudy Van Gelder. Organist Roosevelt "Baby Face" Willette is both a shadowy figure and something of a legend in the 1960s jazz scene. While he played with Blue Note heavyweights Grant Green and Lou Donaldson, he had drifted into obscurity by the '70s. But while on the scene, Willette made some fine music in the soul-jazz vein, and FACE TO FACE (1961) was his debut. Willette's Jimmy Smith-inspired organ pilots a combo of Fred Jackson's tenor and the aforementioned Green's ace guitar through some earnest, tasty, blues-tinged grooves. While it's no masterpiece, fans of soul-jazz should snap up FACE TO FACE while they can. While it's true that Baby Face Willette's Stop and Listen is widely regarded as his finest recording, this, his Blue Note debut from January of 1961, should not by any means be overlooked. After all, before this session he had the same lot most of Blue Note artists did at the time; they played as sidemen on other's recordings before being allowed to headline their own dates. Willette performed on dates by Grant Green (Grant's First Stand) and Lou Donaldson (Here 'Tis). Face to Face boasts a mighty meat and potatoes soul-jazz lineup: Green on guitar, Fred Jackson on tenor, and drummer Ben Dixon. Comprised of six cuts (and two alternates on the Blue Note CD), five of them are Willette originals. The evidence of the rough and rowdy side of Willette's playing is evident from the opener, "Swinging at Sugar Ray's." His approach to the B-3 is far more percussive than Jimmy Smith's, each note is a distinct punch; not only in his solos, but in his chord and head approaches. His solo is a nasty, ...
| | Peter Yellin How Long Has This Been Going On? CD (2008)
Recipe For Romance
$13.35
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