| | Datsuns MF From Hell-Pt. 2 CD - Import Datsuns Discography of CDs
Taken from the self-titled 2002 debut album. The title track is backed with three non-LP tracks, 'What Would I Know' (Swedish Radio P3 Sessions), 'At Your Touch' (SBN Session) & 'MF From Hell' (Live Footage From The London Astoria - Video). V2. 2003. MF From Hell-Pt. 2 Music | List Price | $10.99 (You save $4.44) | | Category | Rock/Pop Albums, Rock CDs | | Label | V2 | | All Time Sales Rank |  600839  | | CD Universe Part number | 6255858 | | Catalog number | VVR5021758 | | Discs | 1 | | Release Date | Aug 25, 2003 | | Additional Info | England |
MF From Hell-Pt. 2 Review
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Buy MF From Hell-Pt. 2 CD Purchase MF From Hell-Pt. 2 CD To buy, Click on price to add to cart | Bon Jovi Circle CDs (2009) With DVD
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Track Listing of songs: DISC 1: JANUARY 17, 1970 FIRST SHOW: Start Of Show; Roadhouse Blues; Ship Of Fools; Break On Through; Tuning/Breather; Peace Frog; Blue Sunday; Alabama Song; Back Door Man; Love Hides; Five To One; Tuning/Breather; Who Do You Love; Little Red Rooser; Money; Tuning/Breather; Light My Fire; More, More, More; Soul Kitchen; End Of Show; DISC 2: JANUARY 17, 1970 SECOND SHOW: Start Show 2; Jim "How Ya Doing?"; Roadhouse Blues; Break On Through (To The Other Side); Ship Of Fools; Crawling King Snake; Alabama Song; Back Door Man; Five To One; Pretty Neat, Pretty Good; Build Me A Woman; Tuning/Breather; Who Do You Love; Tuning/Breather; Wild Child; Cheering/Tuning; When The Music's Over; DISC 3: JANUARY 17, 1970 SECOND SHOW CONTINUED: ...
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Deluxe Edition
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Remastered reissue of 1968 album, suitable for standard & 'Super Audio' CD players. Digipak.
The Rolling Stones: Keith Richards (vocals, guitar); Mick Jagger (vocals); Brian Jones (guitar); Bill Wyman (bass); Charlie Watts (drums).
Recorded at Olympic Studios, London, England.
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Audio Mixer: Jason Lader.
If there was any flaw with Brandi Carlile's second album, THE STORY, it's that it was perhaps a touch too austere, painted in amber tones by producer T Bone Burnett. Its 2009 sequel, GIVE UP THE GHOST, opens up and breathes, perhaps partially due to swapping T Bone for Rick Rubin, who retains the spooky, serious vibe but makes things a little less chilly. This isn't sealed off; there is room for guests here, including such L.A. linchpins as Benmont Tench and Red Hot Chili Pepper Chad Smith, but also Elton John and his arranger, Paul Buckmaster. Tellingly, their presence is felt more than heard, as they never remove the spotlight from Carlile, who remains a singularly powerful singer/songwriter. When ...
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3 CD BOX
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Personnel: Will Dailey (vocals, various instruments, guitar, guitars, background vocals); Matt Pynn (guitars, background vocals); Tom Polce (guitars); Tim Obetz (pedal steel guitar); Bobby Gallegos, Timothy S. Mayer (horns); Joe McMahon (piano, harmonium, acoustic bass, bass guitar); Ken Clark (Hammond b-3 organ, Wurlitzer organ, keyboards); Glen ...
| | We Are The Pipettes CD (2006)
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The Pipettes: Riotbecki, Rosay, Gwenno.
Additional personnel: Monster Bobby (guitars); Seb (keyboards); Jon (bass guitar); Robin (drums); the Cassette.
Taking the prefabricated elements of the 1960s girl-group concept to their post-modern extreme, Brighton, England's Pipettes revel in the choreographed bubblegum-and-bouffant chic of groups like the Ronettes and the Shangri-Las, but also maintain an electro-pop sheen that places them squarely in the new millennium. The group's 2006 debut, WE ARE THE PIPETTES, could easily be called a gimmick if not for the group's mastery of what is ultimately the key element of the girl-group aesthetic--gloriously catchy pop tunes. While songs like "Pull Shapes" and "Judy" lack the palpable emotionalism of the best of the original groups, they possess a nostalgic twinkle and a cheeky attitude that are almost impossible to dismiss.
Just when you thought they didn't make 'em like that anymore, Brighton's Pipettes emerge with this debut album to prove you wrong. With hooks and looks borrowed from the golden era of Phil Spector, the Pipettes, it seems, are on an admirable mission to re-establish the concept of the girl group, and there are, undoubtedly, some true gems on We Are the Pipettes: the 2006 mid-summer single "Pull Shapes" being one. With its stop-start rhythms, sparkling near-disco strings, and a lyric celebrating the bliss of dancing your cares away ("I just wanna move/I don't care what the song's about"), it gives the listener a pretty good picture of what this record is all about. "Your Kisses Are Wasted on Me" and "Dirty Mind" are also very well-executed, upbeat girl group pop songs. But the era of girl groups, of course, was just as notorious for its highly melodramatic ballads. On "A Winter's Sky," the Pipettes come close to perfecting this art as well. It stands out from the majority of the songs by being seemingly irony-free and sincere, rather downtempo, and filled with the sweet vocal harmonies bound to melt even the iciest of hearts. Not all the tracks are equally great, of course. The theme song "We Are the Pipettes" is just plain silly, and not in a good way. Although the album does drop a little in quality towards the end, there's not much filler on We Are the Pipettes; considering that this is a ...
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