| | All Blues'D Up! (Tribute To The Rolling Stones) CD - Import (1 Customer Review)
Import only tribute with 13 tracks from various artists including Junior Wells, Taj Mahal, Bobby Womack, Clarence 'Gatemouth' Brown & Johnny Copeland to name just a few performing bluesy versions of classic Stones' songs, including stunning ... All Blues'D Up! (Tribute To The Rolling Stones) Music All Blues'D Up! (Tribute To The Rolling Stones) Music Review Purchase All Blues'D Up! (Tribute To The Rolling Stones) CD To buy, Click on price to add to cart | Israel Iz Kamakawiwo'Ole Facing Future CD (1993)
All Blues'D Up! (Tribute To The Rolling Stones) album
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| | Greg Brown Milk Of The Moon CD (2002)
All Blues'D Up! (Tribute To The Rolling Stones) songs
$14.49 Singer-songwriter Greg Brown has ...
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| | Allman Brothers Band Instant Live: Alltel Pavilion At Walnut Creek - Raleigh, NC 8/10/03 CDs (2004)
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| | Carl Verheyen Slingshot CD (1998)
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| | Jeanne Mas Femmes D'Aujourd'Hui CD (1998) (Import) France
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$8.45 EMI. 2004.
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| | Harry Manx Wise & Otherwise CD (2002) Reissue
All Blues'D Up! (Tribute To The Rolling Stones) music CDs
$17.69 To call Harry Manx a wizard of slide guitar is perfectly true, but not the whole story. Add banjo, harmonica, and the Indian veena to that, and you're approaching the real story. On Wise and Otherwise he demonstrates the full range of his talents, which are firmly based in the blues, but extend far beyond -- all the way to Indian music, with his own "Raga Nat Bhariav," a short, but beautiful journey for the veena. As a writer he continues to improve by leaps and bounds, making songs like "Roses Given" fit well with his version of "Death Have Mercy" or his covers of "Crazy Love" and "Foxy Lady" (where his acoustic playing has all the intensity of an electric Hendrix). In some ways he mines similar territory to Kelly Joe Phelps, but by now Manx is assured enough in himself to have a remarkably distinctive sound that comes not from the Delta, but some mystic place beyond. "Coat of Mail," for example, is hardly a traditional blues, but its feeling runs somewhere deep, from some primal river. Amazingly, he even manages to make B.B. King's classic, "The Thrill Is Gone," into his own -- no mean feat. There are few performers like this around who can connect the dots between musical styles with such resonance and make themselves seem a part of them all. ~ Chris Nickson
"He's his own walking musical blaze. Don't pass this one up. You'll wake up in the middle of the night and hear it playing in y our head and slip out of bed to play it right through. ...
| | Ether Family Presents Tools For Men Who Want To Succeed CD (2007)
All Blues'D Up! (Tribute To The Rolling Stones) songs
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| | Rod Stewart Live In London CD (2007) Import
All Blues'D Up! (Tribute To The Rolling Stones) album
$12.79 This CD, which appears to have been derived from the same source as a notoriously bad concert video, represents the last performance on the final tour ever done by Rod Stewart and the Faces. In that regard, the focus is far more on Stewart than the band, certainly in terms of repertory -- they could all obviously see the handwriting on the wall, and hear the roaring of the crowds for the singer -- and the sound is not much better than fair to good. (It appears that recording the Faces in concert was a challenge that the industry and the technology were not quite up to -- no high quality documents of the group's sound have surfaced to date). The bass, and even more so the keyboards are buried fairly deeply in the mix, whereas the guitars -- which include a contribution from guest artist Keith Richards -- are way forward, and give Stewart his only real competition in center stage. That said, and aside from the shortcomings (which include a momentary jump or skip in the audio on "It's All Over Now"), the excitement of this band does come through; and Stewart does regale us with his best soul stylings of the period, if not his best work in that vein. The last night of a tour was not the point at which to capture him doing Sam Cooke's material, and the singalong on "You Send Me" may have worked better visually, or as a live moment, than as an event on a live album. Much more successful because it required little finesse is the version ...
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