Miguel Aceves Mejia El Gallo Colorado CD

El Gallo Colorado Music

Category	International Albums, Latin CDs, Regional Mexican, Bolero, Mexican
Label	Sony BMG Latin
Orig Year	2003
All Time Sales Rank	88313
CD Universe Part number	6262329
Catalog number	09057
Discs	1
Release Date	Sep 09, 2003
Studio/Live	Studio
Mono/Stereo	Stereo

Miguel Aceves Mejia El Gallo Colorado Songs

1.	Malaguena, La
2.	Ni el Dinero Ni Nadie
3.	Adorado Tormento	$0.99
4.	Gallo Colorado, El
5.	Homenaje a Pedro Infante
6.	Eso Merece un Trago
7.	Fiesta en el Corazon	$0.99
8.	Amor Se Dice Cantando
9.	Cecilia, La
10.	Esta Sellado
11.	Prieta Linda	$0.99
12.	Espiga, La

El Gallo Colorado Music Review

Average Rating: (5 out of 5 stars) 5 stars

5 stars i was looking for this song since i was a child
finally i founded this song, thanks very much
Submitted by ARASAMAL (lima, peru)
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5 stars I finally found it
Had this music on a cassette, sounds better on CD. Some of the best mexican music around.
Submitted by herrera.david (Anaheim, CA, USA)
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Perhaps, of all the records New Zealand guitar wizard Roy Montgomery has ever released, this is the one talked about least. Not because of its lack of quality -- it's as good as any of his other material -- but because musically it is also markedly different than his other material. While the swirl and weave of layered and knotted guitars is everywhere -- it's the man's trademark after all -- so are a number of vocal tracks that express sorrow, grief, survival, and transcendence; these are the first vocal tracks Montgomery has issued on a solo record. Also featured here are sparse, haunting piano tracks such as "No, She Never Made It to Japan," which opens the album, and "The Opportunity Passed Us By in Less Than a Minute," as well as open echo effects not hidden by other sounds. There are also more straight "rock" runes on this recording, such as "Down From That Hill and Up to the Pond," where multiple layers of guitars go striding through intricate chord progressions and engage a tape looped lead line and piano, which carry listeners deep into the track and never allow them the courtesy of leaving by a back door. Percussion, as well as found and natural sounds, is employed in the creation of other sound sculptures like the title track. Montgomery's vocals are put to improvisational effect on "Kafka Was Right." Here, his deep, plaintive tone makes sounds like a Jew's harp, while another, higher-pitched voice basically weeps throughout the song as a textural backdrop. Guitars and keyboards make the effect more tenuous; they sound as organic as bells and whistles as they flit through the mix like life fleeting before the eyes of a condemned man. The track "A Little Soundtrack for Epic," for the late Epic Soundtracks, is another grief song, albeit an unconventional one. Progressions of guitar lines enter after a solid backdrop of feedback has been established. The tension between the sweet dark melody ...