| | Marty Ehrlich Line On Love CD Marty Ehrlich Discography of CDs
Personnel: Marty Ehrlich (alto saxophone, bass clarinet); Craig Taborn (piano); Michael Formanek (bass); Billy Drummond (drums).
Recorded on December 15 & 16, 2002.
Personnel: Marty Ehrlich (bass clarinet, alto saxophone); Marty Ehrlich; James Weidman (melodica, piano); Howard Johnson (bass clarinet, baritone saxophone, tuba); James Zollar (trumpet, flugelhorn); Craig Taborn (piano); Greg Cohen (bass instrument); Allison Miller, Billy Drummond (drums).
Recording information: Maggie's Farm, Buck's County, PA (12/15/2002-01/20/2003).
Illustrator: Barbara Bash.
Marty Ehrlich has long been one of the most versatile horn players in the avant-garde and post-bop jazz world. On this set, Ehrlich mostly sticks to alto sax other than a few pieces on bass clarinet. None of his eight originals are destined to become standards for they lack memorable melodies, but they are effective at setting moods and challenging the players. The interplay between Ehrlich and pianist Craig Taborn is consistently impressive, and both bassist Michael Formanek and drummer Billy Drummond constantly react to Taborn's ideas. The music is complex, but due to the close communication between the players the results are fairly accessible and often stimulating. ~ Scott YanowJazzTimes (02/04, p.120) - "'Hymn' is a lyrical ballad that in his calm movement and pure, clean sound recalls Joseph Jarman's serene pieces."
Mojo (Publisher) (2/04, p.103) - 4 stars out of 5 - "[A] superb quartet set, the veritable essence of his art 30-odd years in the refining." Marty Ehrlich Line On Love Songs Line On Love Review
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Purchase Line On Love CD To buy, Click on price to add to cart | Erik Friedlander Quake CD (2003)
Line On Love
 $14.59 
Personnel: Erik Friedlander (cello); Andy Laster (alto saxophone); Stomu Takeishi (bass); Satoshi Takeishi (percussion).
Recorded at Context Studio, New York, New York on January 15 & 16, 2002.
Personnel: Erik Friedlander (cello); Andy Laster (alto saxophone); Stomu Takeishi (acoustic bass, electric bass, bass guitar); Satoshi Takeishi (percussion).
Audio Mixer: Rich Breen .
Recording information: Context Studio, New York, NY (01/15/2002/01/16/2002).
Editors: Erik Friedlander; Rich Breen .
Photographer: Lee Melen.
On Quake, downtown cello boss Erik Friedlander teams up with Japan's fraternal rhythm section the Takeishi brothers (Stomu and Satoshi on bass ...
| | Paul Brody Beyond Babylon CD (2004)
Line On Love
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Paul Brody's Sadawi: Jan Hermerschmidt (clarinet, bass clarinet); Martin Lillich (bass instrument); Eric Rosenthal (drums); Paul Brody, Brandon Seabrook.
Personnel: Brandon Seabrook (guitar, banjo, electronics); Alan Bern (accordion, melodica); Jan Hermerschmidt (clarinet, bass clarinet); Paul Brody (trumpet).
Additional ...
| | Paul Motian I Have The Room Above Her CD (2005)
Line On Love
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Personnel: Paul Motian (drums); Paul Motian; Bill Frisell (guitar); Joe Lovano (tenor saxophone).
Recording information: AVATAR Studio, NY (04/2004).
Photographer: Robert Lewis .
The sum total of the nuanced, elliptical lyricism at the heart of Paul Motian's compositional method can be heard in the opening seconds of "Osmosis Part III," the first track from I Have the Room Above Her. Recorded for ECM -- with producer Manfred ...
| | Satantango DVDs (1994) Widescreen; Black & White; Subtitled
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| | Maya Beiser Almost Human CD (2007)
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| | Mal Waldron Mal-1 CD (1956)
Line On Love
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Personnel: Mal Waldron (piano); Gigi Gryce (alto saxophone); Idrees Sulieman (trumpet); Julian Euell (bass); Arthur Edgehill (drums).
Recorded in Hackensack, New Jersey on November 9, 1956. Originally released on Prestige (7090).
Digitally remastered from the original analog master tapes by Phil De Lancie (1991, Fantasy Studios, Berkeley).
Mal Waldron's recording debut as a leader presents the pianist with his many gifts already well developed. For the 1956 quartet date, he takes charge to strike a balance between the sound of a blowing session and the refinement of a more polished date. The spontaneity is there, but the set also benefits from Waldron's thoughtful charts. At this stage of his development, Waldron was a distinctive bop pianist whose occasional sputtering, knotty phrasing revealed the acknowledged influence of Thelonious Monk, as well as similarities with contemporaries Al Haig and Bud Powell. For this set, though, the focus is not on Waldron's playing, but on his ability to lead from the piano bench. The horn players -- top-flight boppers Idrees Sulieman on trumpet and Gigi Gryce on alto sax -- contribute hot solos played with class and authority, and disciplined ensemble work supports the overall structure of Waldron's charts. Some of the arrangements seem written with a larger ensemble in mind, but they also work in the quartet setting, with Waldron's effective use of staggered horn entries, dynamics, interesting ...
| | Seamus Blake Echonomics CD (2001) (Import) Netherlands
Line On Love
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On Blake's fourth Criss Cross release, the tenor saxophonist performs a program that mixes two melody-drenched "new standards," a masterful art song, a soulful jazz original, ...
| | Count Basie August 5, 1958 CD (1995)
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| | Easy Like Sunday: Jazz CDs (2005)
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| | My Boss My Hero CD (2006) (Import) Original Soundtrack
$38.09 | | Edith Piaf L'Integrale 2007 CDs (2007) France; Reissue; Box Set
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| | Jennie Mortimer Reflection CD (2008)
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