| | Ozric Tentacles Become The Other CD Ozric Tentacles Discography of CDs
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Our Price: $9.99  CDFor Sale Usually ships in 1-2 days
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A classic album recorded in 1994 - 1995, remastered and repackaged in a stunning digipack.
Audio Mixers: Ed Wynne; Seaweed; Zia; Seaweed.
Liner Note Authors: Simon Eddie Baker; Andy Garibaldi.
Recording information: Mill, Somerset, England (1994-1995); The Mill, Somerset, England (1994-1995).
Ozric Tentacles: Ed Wynne (guitars); John (flute); Zia (bass instrument); Seaweed, Rad.
Personnel: Ed Wynne (guitar, sousaphone, synthesizer, sampler); Seaweed, Seaweed (synthesizer); Rad (drums); Zia (castanets).
Additional personnel: Jim O'Roon (percussion).
Ozric Tentacles Become The Other Songs | 1. | Cat DNA |
| 2. | Ahu Belahu |
| 3. | Ghedengi |
| 4. | Wob Glass |
| 5. | Neurochasm |
| 6. | Become the Other |
| 7. | Vibuthi |
| 8. | Plurnstyle |
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Become The Other Review
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Purchase Become The Other CD To buy, Click on price to add to cart | Jethro Tull Minstrel In The Gallery CD (1975) Bonus Tracks; Remastered
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Jethro Tull was at the height of its fame in the mid-'70s. Although critics sometimes found their songs overly ornate and the lyrics too arty, the fans didn't mind, and Tull was one of the most successful live acts in the world. MINSTREL IN THE GALLERY showcases Ian Anderson's idiosyncratic vision of progressive rock, one in which he married hard-rock chords and thunderous rave-ups with gentle balladry and the earthy sounds of his flute and acoustic guitar.
MINSTREL vacillates between gentle, lilting melodies ("Requiem," the gorgeous "One White Duck") and upbeat stompers. The sprawling ...
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| | Ozric Tentacles Jurassic Shift CD (1993) Digipak
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| | Indian Songs And Dances Of The Southwest CD (2002) Import
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| | John Entwistle Rigor Mortis Sets In CD (1973)
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John Entwistle must have had a ton of material backlogged as a member of the Who in the late 1960s/early 1970s, as evidenced by the appearance of three solo albums in three years (SMASH YOUR HEAD AGAINST THE WALL, WHISTLE RHYMES, and RIGOR MORTIS SETS IN). As the latter's title suggests, Entwistle's fascination with the macabre still served as the basis for much of his work. Comparable to his first two solo releases, RIGOR MORTIS SETS IN is not unlike his few compositions that graced The Who's records around this time. The difference here is a heavier and darker edge. Standouts include a remake of his classic "My Wife" (which is one of the gems on The Who's classic WHO'S NEXT), as well as the straight forward "Gimme That Rock N' Roll."
The cover art for Rigor Mortis Sets In presents a grave for rock & roll with a tombstone that proclaims that it "didn't die, it just ran out of time." Ironically, the same could be said for this album: after establishing a singular voice on Smash Your Head Against the Wall and Whistle Rymes, John Entwistle's burgeoning solo career took a surprising nosedive with this misjudged collection of halfhearted covers and schlocky retro-rock originals. It's obvious from this album's tone that Entwistle wanted to make a commentary about how rock & roll had gone in the wrong direction, but doing tongue-in-cheek covers of classics was not the way to do it. In fact, the versions of songs like "Hound Dog" and "Lucille" are so lifelessly performed that it sounds like the band is merely attempting to imitate Sha Na Na instead of sending up the original tunes themselves. The biggest offender in this respect is "Mr. Bass Man," which replaces the enthusiasm of Johnny Cymbal's original version with a self-consciously campy production built on cutesy vocals guaranteed to make listeners grind their teeth. The original material on Rigor Mortis Sets In is better by comparison, but still ...
| | Stooges: Deluxe Edition CDs (1969) Remastered; Deluxe Edition
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The Stooges hurled themselves headfirst into 1969 with a debut so sonically ferocious that only one-time Velvet Underground member John Cale could do it justice as a producer. With a full-scale feedback punch, The Stooges' musical bite tore its way towards punk and what would later be called grunge.
Fully embracing the idioms of teenage life, THE STOOGES coined previously unmentioned terms of adolescent angst. "No Fun," "Not Right," and "I Wanna Be Your Dog" gave vocabulary to the post-hippie generation yearning to voice its dissatisfaction. The opening track, "1969," built off the teen-angst of "Summertime Blues" but offered the simplest breakdown of powerlessness to date. "Another year for me and you," says Iggy Stooge, "another year with nothing to do." The Stooges' triumph was in converting the confusion and desires of teenage life into chaotic, three-chord bliss. Often mimicked, but never equalled, THE STOOGES was the call for a new era of rock.
While the Stooges had a few obvious points of influence -- the swagger of the early Rolling Stones, the horny pound of the Troggs, the fuzztone sneer of a thousand teenage garage bands, and the Velvet Underground's experimental eagerness to leap into the void -- they didn't really sound like anyone else around when their first album hit the streets in 1969. It's hard to say if Ron Asheton, Scott Asheton, Dave Alexander, and the man then known as Iggy Stooge were capable of making anything more sophisticated than this, but if they were, they weren't letting on, and the best moments of The Stooges document the blithering and inarticulate fury of the post-adolescent id with stunning accuracy. Ron Asheton's guitar runs (fortified with bracing use of fuzz and wah-wah) are so brutal and concise they achieve a naïve genius, while Scott Asheton's proto-Bo Diddley drums and Dave Alexander's rock-solid bass stomp these tunes ...
| | Death Cab For Cutie Plans CD (2005) (Import) Bonus Track; Japan
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| | Billy Talent III CD (2009)
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Adding swampy blues-rock and down-home muscle riffs to their punk-pop template, Billy Talent's third album, aptly titled ...
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