| | Art Zoyd Berlin CD - Import Art Zoyd Discography of CDs
(1 Customer Review)
Le Mariage du Ciel et de l'Enfer (1985) announced a transformation in Art Zoyd's sound, a move away from acoustic instruments, replaced by multi-layered keyboards. Two years later Berlin confirmed the new direction, establishing a sonic framework that would remain unaltered for more than a decade. Exit trumpeter Jean-Pierre Soarez and saxophonist Didier Pietton. André Mergenthaler fills the gap with his cello, alto sax, and percussion, thus bringing the group to the size of a quartet with Patricia Dallio, Gérard Hourbette, and Thierry Zaboïtzeff. Cello, violin, and saxophone still have a place in the picture, but they are constantly dominated by the keyboards, which serve as both the rhythmical and harmonic purveyors -- except for a few passages of snare drum and tom-toms, the role of percussion has been reduced considerably. Berlin is not Art Zoyd's best effort -- the film trilogy (Nosferatu, Faust, Haxan) would achieve better results with the same ingredients. Yet, even though the music has slightly ossified, it remains genuine Art Zoyd music: doom-laden, disquietingly martial, the chamber ... Art Zoyd Berlin Songs | 1. | Epithalame |
| 2. | Baboon's blood |
| 3. | Petite messe a l'usage des pharmaciens - Offertoire |
| 4. | Petite messe a l'usage des pharmaciens - Kyrie |
| 5. | A drum, a drum |
| 6. | Petite messe a l'usage des pharmaciens - Introit |
| 7. | Unsex me here |
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| | Tompall Glaser Another Log On The Fire: Hillbilly Central #2 CD (2006) (Import) Germany
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$21.19 This second volume presents more of Tompall Glaser's classic 1970s outlaw sound (Vol. 1 available as BEA #16187). Tompall not only composed some great songs, but had an unfailing ear for other great songwriters. He and his brothers gave a break to Kinky
The Great Tompall and His Outlaw Band has a bit of a similar party vibe as Songs of Shel Silverstein but it's a much looser party and probably a bit more fun, too. It's no mistake that Glaser's band gets a co-billing here: the focus isn't on a songwriter, it's on the music, which includes a lot of country standards given funky contemporary outlaw treatments. The album-opening "The Wild Side of Life" makes a bridge back to the spare, dusty original, but by the time the loose-limbed shuffle kicks on Fred Rose's "We Live in Two Different Worlds," let alone the wild groove they lay down on Tommy Duncan's "Time Changes Everything," it's clear this is a richer, fuller album than Shel Silverstein. Make no mistake, Silverstein still has a significant presence here -- as Glaser cuts the hazy, lazy "When It Goes, It's Gone Girl," trips through "Broken Down Mama" (first aired on the U.K. LP Take the Singer with the Song), and turns "If I'd Only Come and Gone" into a lament that stretches far beyond its smutty title -- but mixed in are the old standards, a good Glaser original in "I Can't Remember," a terrific take on Waylon and Willie's "Good Hearted Woman," Jack Clement's cinematic "West ...
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| | Kentucky Sassafras In My Rear View CD (2008)
Berlin songs
$17.69 When these young folks play, they play BLUEGRASS! Kentucky Sassafras is a band full of young people ages 13-18. But their music is more mature than their eldest member, Chloe Blayne at age 18. In 2001, Chloe attended a teachers' workshop with her mother, Kim, at the IBMA convention in Louisville. Chloe came home with a new banjo and started pickin' 3-finger style. The past six years have added to Chloe's skills. Chloe still plays 3-finger but has added melodic and clawhammer.or frailin" styles to her performances. But, the instrument that draws the audience's attention to Chloe is her voice. The lead singer for Kentucky Sassafras can belt out an old classic like Mule Skinner Blues or pull your heartstrings with Wayfarin' Stranger. July of 2006, the band shared a stage with the greatly respected Jean Ritchie at Kentucky Music Weekend. In reference to Chloe, Ms. Ritchie commented, "She has a lovely clear tone, and such a sweetness in her presentation". You may listen for her voice on a local radio show, see her at a festival, or listen to a sound bite from their CD. Click on "Faded Love" to the left. Chloe and her younger sister Amelia John learned bluegrass as toddlers, following their mother to local churches. Kim played guitar and sang with Curnie Lee Wilson in a group called "Meetin' House Music". Any of you hanging around the festivals during the late 70's or early 80's will remember young Curnie Lee playing gospel bluegrass with his dad, Curnie and uncle, Russell, of the Wilson Brothers. Curnie Lee Wilson later played with the Cumberland Highlanders and now picks lead guitar with Joe Isaacs. At 13, Amelia John is the youngest member of Kentucky Sassafras. When the band formed, her mother, Kim played bass for them. Amelia was just 10 and needed a step stool to reach the neck. But she started thumpin" and growin' and the bass is now her instrument. Amelia loves taking a fancy break on Foggy Mountain Special or a blues number. And the audience loves it when she does. Kim has had the girls singing harmony since they learned to talk. On stage, Amelia sings harmony with her sister Chloe or any of the other members when they sing lead. A third member also trained his ear listening to the Wilson Brothers. Tyler Mullins, age 16, picks Scruggs style banjo. His neighbor, Curnie Wilson, played music in the church Tyler grew up in. Bluegrass gospel sung Stanley Brothers style was part of their regular worship service. Tyler jokes of playing a toy rattle, shaped like a guitar, along with the church music. Tyler still loves to visit with, jam with, and pick up pointers from Curnie. Tyler also picks up great songs from Curnie. Listen to Tyler sing lead on Lonesome Old Home by clicking on it at the left. It's a great song. Curnie ...
| | Bird and Bear Into The Moon CD (2009)
Berlin album
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