| | Greensleeves Rhythm Album #44: Good To Go CD - Import
Recording information: Vendetta Studios, Kingston, Jamaica. Greensleeves Rhythm Album #44: Good To Go Music Greensleeves Rhythm Album #44: Good To Go Songs | 1. | Stop Hitch - Elephant Man |
| 2. | Sadda Dem - Bounty Killer |
| 3. | Why You Doin It? (Pt. 2) - Vybz Kartel/Wayne Marshall |
| 4. | Nah No Head - Predator |
| 5. | Pull Up - Assassin |
| 6. | Coochie Zone - Ward 21 |
| 7. | Are You Ready - Nicky B. |
| 8. | It's Burning - Sizzla |
| 9. | Girl for Me - Bling Dawg |
| 10. | Bun Down Dat - Elephant Man |
| 11. | In My Room - Wayne Wonder |
| 12. | Chat Tuff - Baby Cham |
| 13. | Rise & Fall - General Degree |
| 14. | Pushover - Mr. Easy |
| 15. | Tragedy (Pt. 2) - T.O.K. |
| 16. | Ghetto Youths - Frisco Kid/Cecile |
| 17. | Read & Write - Zumjay |
| 18. | Bran - Regan |
| 19. | Pop Down - Lady Saw |
| 20. | Good to Go Rhythm - Donovan "Vendetta" Bennett |
| Greensleeves Rhythm Album #44: Good To Go Music Greensleeves Rhythm Album #44: Good To Go Review
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Editor: Paul Shields.
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$13.95 The Ice series of Mighty Sparrow releases goes back to the beginnings here, with a strong collection of his prime late-'50s/early-'60s material. It was songs like "May May" that helped make Sparrow the undisputed king, the man in modern calypso in Trinidad until the soca wave arrived to challenge him in the late '70s. Musically, it's calypso coming out of big band with mellifluous horn sections prominent and a subtly propulsive rhythm section that never forces itself over the melodies. There are big horns in the background of "Jook for Jook," but it's typical of Sparrow's arrangements that all the elements fall in place so well; the music sounds full but not cluttered. And he constantly impresses as a very smooth, fluid vocalist negotiating complex melodies and rapid changes, or dropping into romantic crooner mode among the horns and harmonies of "Rose." The song, one of his early big hits, is very well-constructed period pop, although maybe a little corny so many years removed from its first release. Similarly, it's best to cut a bit of slack for the unflattering portrait of a ...
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$16.39 In Old Oklahoma was written and produced in honor of the state's centennial in 2007. It has a rich folklore because many of the characters and events happened in the past century. The outlaws, the cowboys, native Americans, actors, oil wells, the Okies, the Dust Bowl. These are all in the memory of the generation before this.The area was wild and unsettled and slowly became tamed and some of the exploits of the heroes are sung about on this cd.Pawnee Bill, Roy Rogers, Kentucky Daisey, Gene Autry, Tom Mix and Lucille Mullhaul, Will Rogers, Woody Guthrie, Jim Thorpe, OA Cargill, Pistol Pete, Belle Starr, Geronimo, Pretty Boy Floyd, The Buffalo Soldiers. All Oklahoma characters. Events include the great land rush, the migration of the Okies, The Trail of Tears, settling the treeless plains and living in dugoutsAcie Cargill has been called one of America's best songwriters. This album is contemporary folk music with a lot of Oklahoma influenced western swing. It is Family FriendlyThe last section of the album is a series of interviews with old-timers remembering the early days of Oklahoma.One of Acie's favorite songs is Mary's Dream based on an actual dream of flying in an old biplane and circling high enough to see the various parts of the state. Acie uses Oklahoma musicians and singers to help him get the effect he wants. He has captured the flavor of early Oklahoma and it's folklore. Some of the pieces are done as monologues on top of musical accompaniement. such as Okies about the many poor people fleeing the land that became uninhabitable because of drought, and Will Rogers, which is based on his actual wit.It ends with an Oklahoma tent revival song Power in the Blood with Floyd and Nadine Morgan.BiographyAcie Cargill was born into a musical family. His grandmother was Hattie Mae Tyler Cargill, a noted Kentucky singer of traditional ballads. She was the last of the Tylers, a family noted for being strict preservationists of the musical traditions passed along for many generations from Northern England /Southern Scotland. The tunes that they sung all used primitive scales. They were unique in their area in that they played instruments along with the ballads and the instruments all ...
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