| | Sister Rosetta Tharpe Gospel Of The Blues CD Sister Rosetta Tharpe Discography of CDs
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Personnel includes: Sister Rosetta Tharpe (vocals, guitar); Marie Knight (vocals); Stafford Simon (tenor saxophone); Archie Johnson, Nelson Bryant (trumpet); Clyde Hart (piano); Abe Bolar (bass); Panama Francis (drums); The Sammy Price Trio. Recorded between 1938 & 1947. Includes liner notes by Mary Katherine Aldin. With 18 Decca tracks from 1938-1948, this CD is not only a good survey of some of Tharpe's best work, but one of the best compilations of any sort to illustrate gospel's crossover into blues, R&B, and secular music in general. Admittedly that's not the busiest cross-fertilization of popular music, but it's not one that's given much attention. And if you think you might not like this because Tharpe is sometimes described as a gospel artist, think again, for this is fine stuff on any terms, mixing the devotional exuberance of gospel with first-rate accompaniment blending blues, early R&B, and at times some swing jazz. In truth, sometimes you won't think of this as gospel at all, such is its rhythmic verve, even on the half-dozen numbers with nothing but guitar in the backup. Some other tracks find her backed by the groups of Lucky Millinder and Sammy Price, and the jubilant "Shout, Sister, Shout!" comes off as a missing link between gospel, jazz, blues, and the birth of rock & roll. "Trouble in Mind," "This Train," "Down by the Riverside," and "Up Above My Head I Hear Music in the Air" are other highlights of a set with no shortage of them. ~ Richie Unterberger Gospel Of The Blues Music Sister Rosetta Tharpe Gospel Of The Blues Songs Gospel Of The Blues Music Review Purchase Gospel Of The Blues CD To buy, Click on price to add to cart | Best Of Ernest Ashworth CD (1991)
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Gospel Of The Blues
$8.85 RED HOT + BLUE is a tribute to Cole Porter, featuring cover versions of Porter songs performed by contemporary artists. Proceeds from the album benefit AIDS research and relief. Produced in 1990 to benefit AIDS research, RED HOT + BLUE features contemporary rock, pop, R&B, and electronica artists interpreting the songs of Cole Porter. A closeted homosexual whose lyrics are often provocative and thinly coded and whose tunes are infectious, melancholy, and joyful at once, Porter seems the perfect choice for this benefit album. Nearly every song here has lodged itself in the American songbook, but it is the breadth and variety in the interpretations that make RED HOT + BLUE such an interesting collection. Neneh Cherry's loose, hip-hop-inflected take on "I've Got You Under My Skin" serves notice that this will not be your ordinary standards album, while U2's pulsing, slightly ominous version of "Night and Day" proves the true malleability of Porter's tunes. The Neville Brothers tropical-flavored "In the Still of the Night" is sheer bliss, as is K.D. Lang's stirring "So In Love." And while Sinead O'Connor plays it fairly straight with "You Do Something To Me," Tom Waits's "It's All Right With Me" and the Jungle Brothers "I Get a Kick Out of You" add variety and spice to the set, which--in addition to being for a good cause--is a thoroughly engaging listen. Cole Porter did not die of AIDS, but he is generally acknowledged to have been at least bisexual, which seems to be ...
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| | Best Of Poison: 20 Years Of Rock CD (2006) Bonus DVD
Gospel Of The Blues
$15.89 The Tour Edition CD/DVD combination pack includes a bonus DVD featuring 8 top music videos. The CD includes 18 top songs by the band. Special bonus feature entitles the consumer to 2-for-1 lawn seats for the "20 Years of Rock" tour, which begins on June 16, 2006 with over 30 dates across the country.
Poison: Bret Michaels (vocals); C.C. DeVille (guitar); Bobby Dall (bass guitar); Rikki Rockett (drums). The glam metal band Poison's 20-year retrospective includes early hits like "Cry Tough," "Look What the Cat Dragged In," and "Talk Dirty to Me," as well as the old-school "Your Mama Don't Dance" and their version of Kiss's "Rock and Roll All Nite." Wide ranging in its scope and surprisingly contemporary-sounding, this collection is a worthy musical backdrop to two decades of public fist fights, car wrecks, splits and reunions. It's hard to believe that through all of the debauchery, inner turmoil, and excess, Poison is still a fully functioning rock entity with all of its original members intact. It's also surprising that when looking back over ...
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