| | Limp Bizkit Results May Vary CD Limp Bizkit Discography of CDs
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Limp Bizkit: Fred Durst (vocals, guitar); Sam Rivers (guitar, bass); Mike Smith (guitar); Jon Otto (beats); DJ Lethal. Producers: Fred Durst, Rick Rubin, Terry Date, DJ Lethal. Personnel: Fred Durst (vocals, guitar); Mike Smith (guitar). Audio Mixers: Michael Patterson ; Brendan O'Brien. Photographers: Cory Durst; Fred Durst; Jim Marshall . It took a long, long time for Limp Bizkit to get their follow-up to Chocolate Starfish and the Hotdog Flavored Water into the stores. First, guitarist Wes Borland, generally regarded as the band's musical force, up and left the band, and it took a long, long time to find a replacement guitarist. After a national talent search performed at Guitar Center stores, where candidates had to sign contracts that gave up their rights to anything original they played at their audition, Limp Bizkit settled on former Snot guitarist Mike Smith and recorded an album. Then scrapped it. Then they recorded another album. Then scrapped it. They were going through album titles, too -- it was called Bipolar and then, charmingly, Panty Sniffer. Finally, all the sessions and the turmoil were whittled down into one very long album called Results May Vary. Without Borland on the album, Limp Bizkit turns to frontman Fred Durst, who already dominated the band's personality and now must provide direction in addition to bravado. Durst doesn't come up with any new musical ideas, apart from slight hints of Staind and emo on the ballads, and he generally runs amuck, spewing bile at targets including Britney Spears, ranting about how she broke his heart. He complains about being picked on in high school and about radio and MTV playing the same old bands, and invokes icons like Kurt Cobain. Results May Vary would have been improved if the music had a fraction of Durst's anger (no matter how misguided it is) or had energy to match the clown jumping up and down and screaming in front. ~ Stephen Thomas Erlewine It took a long, long time for Limp Bizkit to get their follow-up to Chocolate Starfish and the Hotdog Flavored Water into the stores. First, guitarist Wes Borland, generally regarded as the band's musical force, up and left the band, and it took a long, long time to find a replacement guitarist. After a national talent search performed at Guitar Center stores, where candidates had to sign contracts that gave up their rights to anything original they played at their audition, Limp Bizkit settled on former Snot guitarist Mike Smith and recorded an album. Then scrapped it. Then they recorded another album. Then scrapped it. They were going through album titles, too -- it was called Bipolar then, charmingly, Panty Sniffer. Finally, all the sessions and the turmoil was whittled down into one very long, very bad album called Results May Vary. Part of its weakness stems from two perennial Limp Bizkit problems: for a metal band they sound, well, limp, and in Fred Durst they have the worst frontman in the history of rock. These two things plagued even their hits, but Borland at least gave the band some ideas. Without him, the band is left to flounder, and Durst, who already dominated the band's personality, not only has to provide the bravado, but he has to give it direction -- which is likely why it took so long for this mess to get released. Durst doesn't come up with any new musical ideas, apart from slight hints of Staind and emo on the ballads, but the album doesn't suffer from recycled musical ideas, since they were already doing that on Chocolate Starfish. No, it suffers from an utter lack of form and direction, from the riffs to the rhythms, and a surplus of stolen ideas. "The Only One" cops the opening of Steve Miller's "Take the Money and Run," "Gimme the Mic" plagiarizes the Beastie Boys' "Pass the Mic" down to rhyming "y'all" with "y'all" (but Durst adds a whole lotta "motherf*ckers"), while "Phenomenon" borrows from several rap songs, highlighted by Durst getting lyrics wrong. And this points out tQ (12/03, p.132) - 4 stars out of 5 - "...'Gimme The Mic' and 'Head For The Barricade' are the most thrilling rap/metal car crashes in recent memory..." Limp Bizkit Results May Vary Songs Results May Vary Music Review Average Rating: (3.9 out of 5 stars)    List All Reviews its good cd Different lineup still a very good cd. Not the best but it still rocks. Submitted by anasavedme (mayfeild,usa) Was This Review Helpful? Yes No
very disappointed I was and still am very disappointed with this album, I havn't heard one song that didn't sample another song that someone else has already done furthermore I couldn't really feel limp bizkit like in the former CD's where's all the rage and feeling? it's almost like another pop album. Submitted by what (ever) Was This Review Helpful? Yes No
great cd.......recommend buying one of their best cds yet although a couple of the songs isn't the same limp we are use to but the cd rocks anyways..........well what are you waiting for go buy it. Submitted by leon (aberdeen, MD usa) Was This Review Helpful? Yes No
limp bizkit rules nation wide this is tha coolest cd i ever heard limp bizkit is tha best heavy meatal band i ever heard and he should be releashing a new abulm ever body wont conplain about if ur a true limp bizkit go buy this #1 fan ever Submitted by jamescol (north adams michigan usa) Was This Review Helpful? Yes No
3 years later and still rocking it loud! Limp Bizkits new album I have just purchased oine day after it was released on the 23rd of September, 03. I was very impressed with this album after Wes Borland left the band I myself had doubts about the future of this group, as I am sure many other fans did also. Their new guitarists Mike I forget his last name is sick, his hooks and rythms hes got going on is just absolutely awesome. Their first single "Eat You Alive" the intro the hook is unbeleivably heavy and somewhat catchy. I like that they have steered away from the somewhat shallow lyrics and songs fred has sung in the past. He has put a lot of feeling into this album, and you can feel it you can feel his anger. Yet he still maintains his signature rhymes and their cover of "MICROPHONE FIENDS" also sick I have nothing but good things to say about this album. It is definitelya significant departure from their previous sound but its still limp bizkit, and it still rocks, taking you from the most hard, and most angry to the mellow and soft all in the same song this album covers a lot of musical ground. This album wil only strengthen their credentials as real artists and musicians and smash any thoughts that Wes borland was the only good thing goign for them. I very much suggest you go uot and buy this album in stores now! Submitted by a reviewer (Portland, OR. U.S.A.) Was This Review Helpful? Yes No
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