Doug Macdonald Turn CD

Turn Music

List Price	$15.99 (You save $2.60)
Category	Rock/Pop Albums, Jazz CDs, Jazz Instrument, Guitar
Label	Sea Breeze
Orig Year	2003
All Time Sales Rank	366340
CD Universe Part number	6335409
Catalog number	3061
Discs	1
Release Date	Aug 16, 2005
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Doug MacDonald
Engineer	Andy Waterman
Personnel	Bob Summers - cornet, flugelhorn Dave Hill - clarinet Phil Feather - oboe, English horn Jack Coan - cornet, flugelhorn Harvey Newmark - bass Roger Bissell - trombone Bobb Carr - alto clarinet, bassoon Bobby Shulgold - flute, alto flute Jack LeCompte - drums Doug Macdonald - guitar Jimmie Dykes - piano Also: Les Benedict, Bob Carr, Robert Shulgold, David Hill, Stephanie OKeefe, David Hill

Doug Macdonald Turn Songs

	1.	Crystal Room Blues
	2.	920 Special
	3.	What Am I Here For?
	4.	Femme, La
	5.	Ghost of a Chance
	6.	It's You or No One
	7.	Turn
	8.	Strange Cheese Sandwich
	9.	Red Door, The
	10.	I Got It Bad
	11.	Reve, La
	12.	Summer Night

Turn Review

Guidelines
Remember to focus your comments on Doug Macdonald Turn CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Eddie "Lockjaw" Davis Lock, The Fox/The Fox & The Hounds CD (2001)

Turn

$13.29

Originally released on RCA (3652) & RCA (3741). Includes liner notes by Eddie "Lockjaw" Davis. This CD compilation contains the complete contents of two albums made (Lock the Fox and The Fox & the Hounds) by Eddie "Lockjaw" Davis for RCA during the mid-'60s. The first half of the disc finds the tenor saxophonist in superb form as he interacts with Les Spann, Ross Tompkins, Ray Barretto, bassist Russell George, and drummer Chuck Lampkin. Each of the ten pieces is brief and to-the-point with the focus almost exclusively on the leader. The mix is kind of strange, as Tompkins is barely audible much of the time, though any listener will automatically be drawn to the leader's powerful sax. The packaging doesn't do justice to the second part of the disc, as there is no credit given to members of the big band supporting Davis, which includes Ernie Royal, Joe Newman, Thad Jones, Urbie Green, Jimmy Cleveland,J.J. Johnson, Hank Jones, Roland Hanna, and ...

Also Bought

Teddy Edwards Smooth Sailing CD (2003)

Turn

$14.29

Although veteran tenor saxophonist Teddy Edwards was having serious health problems by 2001, he is in excellent form throughout this set, showing no signs of decline or age. Playing in New York with a top-notch quartet that includes pianist Richard Wyands, Edwards caresses some of the melodies (his long tones are impressive), he swings hard in spots, ...

Also Bought

David "Fathead" Newman I Remember Brother Ray CD (2005)

Turn

$13.85

The bluesy, distinctively hefty tenor sound of saxophonist David "Fathead" Newman has graced many recordings by many artists, but playing with Ray Charles during the 1950s and '60s is where he made a name for himself. Since then, Newman recorded numerous albums on his own, some leaning more towards jazz, others towards R&B. This versatility enables Newman to create an ideal homage to Charles, one of the most eclectic and revered musical figures in American history. I REMEMBER BROTHER RAY is a set ...

Also Bought

Kelly Joe Phelps Tap The Red Cane Whirlwind CD (2005)

Turn

$11.65

There are few artists who offer the raw sincerity and accomplished musical acumen that guitarist, singer, and songwriter Kelly Joe Phelps does. From his first offering, Lead Me On on the Burnside label, through his subsequent studio outings for Rykodisc, Phelps has done something remarkable: forged himself a solid identifying mark as a folk and blues musician of distinction in fields owing so much to the past that latter-day performers are usually crushed under the weight of them. Tap the Red Cane Whirlwind is a collection of solo live performances recorded n California in 2004. Lee Townsend, who has long been affiliated with him, produced the set. It opens with a nine-and-a-half-minute version of Skip James' "Hard Time Killin' Floor Blues." Phelps snakily moves the tune through various modes and modulations, delving deep into Delta blues tonalities and backside melodies that open up spaces inside it. His voice, smoky and sweetly raspy, is never harsh, though it often sounds like it is inhabited by ghosts. It's a stunner. The other cover here is a smoking version of the late Rev. Gary Davis' "I Am the Light of the World." Dignified, soulful, and spot-on musically, ...

Also Bought

Bob Florence Eternal Licks & Grooves CD (2007)

Turn

$13.05

Although there weren't many big bands on the jazz scene in the 2000s, being a big band leader, composer, and arranger is no retro exercise for Bob Florence. A veteran whose experience dates back to the 1950s, Florence knows how to work a large ensemble, and 2007's ETERNAL ...

Also Bought

Stan Kenton Conducts The Jazz Compositions Of Dee Barton CD (1969)

Turn

$17.35

In the 1950s, while most of the big-band leaders were scaling back due to the postwar passing of the Swing Era, pianist/bandleader/conductor ...

Everybody Likes Hampton Hawes: Volume 3, The Trio CD (1956)

Turn

$9.59

Gary Thomas Kold Kage CD (1992) (Import)

Turn

$15.25

The struggle is apparent on saxophonist and composer Gary Thomas' 1991 album, The Kold Cage, reissued in 2004 as part of label auteur Stefan Winter's remastering of his JMT label titles. Thomas is a consummate tenor man and flutist. His frustration with what had become standard jazz discourse in light of the new, influential (very narrow-minded) traditionalism ushered in a decade earlier by Wynton Marsalis and cultural conservative Stanley Crouch is obvious here. Thomas employs everything from turntables to electric guitars, synthesizers, and even rap to combat the stasis, while remaining a jazz player. From his knotty forceful compositions "Threshold" and "Gate of Faces," which open the album, Thomas engages extrapolated ...