| | Switchblade Symphony Sweet Little Witches CD Switchblade Symphony Discography of CDs
This is an Enhanced CD, which contains bith regular audio tracks and multimedia computer files. Switchblade Symphony: Tina Root (vocals); Susan Wallace (keyboards, programming). Additional personnel: George Earth (guitar); Eric Gebow (trombone, drums). This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Given the darkwave scene's life-sustaining cliquishness and the importance of Switchblade Symphony to that community, it's no surprise that the Bay Area group's mystique thrived there even after it announced a hiatus in 1999. Sweet Little Witches acts as an official bootleg, collecting 14 live performances and a bonus video track for "Dirty Dog." It covers the main points of all three Switchblade studio efforts, drawing mainly from a 1997 show at the Trocadero in Philadelphia and a set at California's Ventura Theatre from 1999. The mix is incredibly pristine throughout, and the audiences prove to be quite attentive, preferring polite, fawning applause and the occasional "we love you!" to raucous hoots and hollers. Tina Root's stage chatter is beguiling and delightfully eccentric; typically, her response to the adulation is to laugh in a girlish, almost surprised way that's very disarming. The frequent call-and-response meows can be trying, but that communication also illustrates the darkwave scene's intense audience-to-artist relationship. Veterans and newcomers alike should enjoy Sweet Little Witches, as it's a greatest-hits album, a live recording, and a wonderfully weird introduction into Switchblade's kooky coven. Album highlights include "Into the Sky," "Funnel," "Dollhouse," and the Baroque drone of closer "Clown." ~ Johnny Loftus Sweet Little Witches Music Switchblade Symphony Sweet Little Witches Songs | 1. | Witches |
| 2. | Doll House |
| 3. | Rampid |
| 4. | Novacaine |
| 5. | Funnel |
| 6. | Roller Coaster |
| 7. | Into the Sky |
| 8. | Invisible |
| 9. | Wicked |
| 10. | Wrecking Yard |
| 11. | Dirty Dog |
| 12. | Dissolve |
| 13. | Soldiers |
| 14. | Crown |
| Sweet Little Witches Review
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Violent Femmes: Gordan Gano (vocals, guitar, violin, organ, baglama); Brian Ritchie (vocals, electric sitar, noseflute, piano, electric piano, organ, keyboards, theremin, acoustic & electric basses, baglama); Guy Hoffman (vocals, drums, percussion). Additional personnel: Luisa Mann (vocals). Engineers: David Vartanian, Warren A. Bruleigh, Brian Ritchie, Scott Finch. Recorded at DV's Perversion Room, Ocean O'Pus and Velvet Sky Studio, Milwaukee, Wisconsin; Kampo Audio, New York, New York. Personnel: Brian Ritchie (vocals, guitar, baglama, electric sitar, piano, electric piano, organ, reed organ, keyboards, acoustic bass, upright bass, bass guitar, 12-string bass, Theremin); Gordon Gano (vocals, guitar, baglama, violin, organ); Guy Hoffman (vocals, drums, snare drum, percussion). Audio Mixer: David Vartanian. Photographers: Francis Ford ; Donna Ranieri. Unknown Contributor Roles: Gordon Gano; Guy Hoffman; Brian Ritchie. This quirky release shows the Violent Femmes casting far afield stylistically after the comparatively consistent (and excellent) platter Why Do Birds Sing? Only the catchy "4 Seasons" and the guitar-vocal-only "I'm Nothing" are in the jittery busking style of their previous album. There are a modest number of harder-rocking selections here, ...
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This is the Japanese issue of Xavier Rudd's SOLACE featuring remastered sound, a deluxe LP-replica slipcase, and original artwork. CD contains 2 bonus tracks. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Imagine if Devendra Banhart wasn't trying so hard to be a psychedelic pixie, or if Tyrannosaurus Rex-era Marc Bolan had somehow been reincarnated into the body of Jack Johnson or John Mayer. Either way, you'll come up with something close to the intriguingly bizarre debut album by Australia's Xavier Rudd. As a songwriter, Rudd is a spiritual brother to Johnson and Mayer, not to mention the Brits Ed Harcourt and David Gray: A mellow singer/songwriter throwback to the good old days of James Taylor and Cat Stevens, with an additional fondness for reggae that leads him to introduce island rhythms into his songs and cover Bob Marley's "No Woman No Cry." As a singer, however, Rudd possesses this kind of man-child squeak of a voice that's so startling to the listener at first that you'll spend at least half of the rambling opening track, "Shelter," trying to gauge whether or not it's a put-on. The disconnect between the otherwise standard-issue and if anything slightly colorless songs and Rudd's bizarre warble of a voice is immense, and it may well be a deal-breaker for many listeners, ...
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