| | William Hooker / Roger Miller / Lee Ranaldo Out Trios Vol. 1: Monsoon CD William Hooker / Roger Miller / Lee Ranaldo Discography of CDs
Lee Ranaldo/William Hooker/Roger Miller. The gorgeously powerful debut release in Atavisticss Out Trios Series features Lee Ranaldo (Sonic Youth), Roger Miller (Mission Of Burma/Binary System) & NYC free jazz legend William Hooker - summating at NYC's Knitting Factory. 2003.
/Roger Miller/Lee Ranaldo.
Personnel: William Hooker (drums); Roger Miller (bass, samples, electronics); Lee Ranaldo (guitar).
Recorded at the Knitting Factory, New York, New York in May 2002.
Personnel: William Hooker (drums); Lee Ranaldo (guitar); Roger Miller (keyboards, loops).
Recording information: Knitting Factory (04/08/2003).
Author: William Hooker.
Photographers: Lynda Cohen; Jon Strymish.
Atavistic's fledgling Out Trios series places together musicians in a context where they will hopefully create something vibrant and new on the spot while the tape is running. Sometimes it works, as it does here in the series' first installment with William Hooker, Lee Ranaldo, and Roger Miller, and sometimes, as in Out Trios, Vol. 2 with Jeff Parker, Michael Zerang, and Kevin Drumm, it doesn't. Monsoon is one continuous piece of music, nearly 50 minutes in length, with a scope and breadth that offer listeners a bird's eye view of the process of aesthetic creation where all of the best elements of free improvisation can be heard: imagination, inspiration, control, and respect for one's collaborators. Hooker is clearly the leader of this ensemble and is driven by his fiercely articulate rhythmic palette. His exoticism comes from within and is easily embodied and emboldened by Ranaldo on guitar and Miller on bass and electronics. "Monsoon" is a labyrinthine work that begins with flow and assimilation and then becomes a free-falling structure of dynamics, texture, color, and uncanny perception and communication between the principals. This music is loaded with emotion; it exists outside the formal constraints of detached theory and paints the landscape with images that are not easily defined, but are readily experienced by listeners. In other words, this is a language of music that has been developed on the spot, and its articulation is so fluid and harmonious -- even in its atonality -- that it can only be regarded as a monolith of elliptical and visceral beauty. ~ Thom Jurek
The Wire (1/04, p.59) - "[P]ure abstraction" Out Trios Vol. 1: Monsoon Music William Hooker / Roger Miller / Lee Ranaldo Out Trios Vol. 1: Monsoon Songs
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| Out Trios Vol. 1: Monsoon Review
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Aside from all of the traditional obstacles one must overcome (time, money, the will of others, and forces of nature) to get something done, the most formidable obstacle is oneself. Before we make a decision, we gather our resources and marshal our forces in order to ensure its success, but there are usually too many possibilities to consider. So it comes down to faith. Faith that we already have the resources within us to handle what comes next. Faith to understand that even if we end up on a road that is not of our choosing, it can still lead us to our goal, and maybe even provide us with some views we have never seen before. It comes down to faith in oneself.The Tarrier: A few years back I was playing chess with a dear friend. On this particular occasion I was winning most of the games handily until the endgame. Turn after turn, my friend watched as I missed opportunities for checkmate as I tried to bring in more pieces and even get an extra queen. I lost a few of those games and the most embarrassing of them ended in a stalemate. He loves to bring that one up inconversation. “You did everything you needed to do, and then you tarried.” In future games, whenever we found anyone guilty of that crime, (bragging and taunting seemto be more important than the actual games with us) we labeled him “The Tarrier,” and joked that it sounded like one of those Blue Note titles, like The Sidewinder orThe Preacher. In case you are interested in the music here, The Tarrier is a blues shuffle and was partly influenced by Oliver Nelson’s Yearnin’. The ensemble trading with thedrums was inspired by Thad Jones’ "Tiptoe."Dijon Dance is dedicated to Jack DeJohnette, one of my favorite drummers. The song was inspired by Jackie McLean’s “Demon’s Dance,” a record that featured Mr. DeJohnette andsuccessfully straddles the dividing line between 50’s hard bop and the modal and freer styles popularized by Ornette Coleman and John Coltrane in the 60’s. I was trying to invoke some of that spirit here.Be Still (While I Remove the Wart) is dedicated to one of my teachers and another favorite drummer, Bill Stewart. It started with the bass line and was modeled after an amalgam of tunes written by John Scofield ...
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