| | Charlie Parker Bird Up - "Originals" CD - Import Charlie Parker Discography of CDs
This is the companion CD to BIRD UP: THE CHARLIE PARKER REMIX PROJECT.
Personnel includes: Charlie Parker (alto saxophone); Mile Davis, Dizzy Gillespie (trumpet); John Lewis (piano); Max Roach (drums).
Bird Up: The Originals, the companion disc to Bird Up: The Charlie Parker Remix Project, contains 11 remastered tracks recorded between 1945 and 1948. Even though the running time could be longer, this budget disc sounds great and is highly recommended to those unfamiliar with the brilliant bebop saxophonist and his equally apt cohorts, including Dizzy Gillespie, Miles Davis, Max Roach, Red Norvo, and John Lewis. While the Remix Project is interesting, this edition of Bird Up is the real thing. ~ Al Campbell Bird Up - "Originals" Music Charlie Parker Bird Up - "Originals" Songs | 1. | Salt Peanuts - Charlie Parker  | |
| 2. | Relaxin' at Camarillo - Charlie Parker | |
| 3. | Now's the Time - Charlie Parker | |
| 4. | BeBop - Charlie Parker | |
| 5. | Night in Tunisia - Charlie Parker | |
| 6. | Bird of Paradise - Charlie Parker | |
| 7. | Cheers - Charlie Parker | |
| 8. | Steeplechase - Charlie Parker | |
| 9. | Shaw 'Nuff - Charlie Parker | |
| 10. | Perhaps - Charlie Parker | |
| 11. | Constellation - Charlie Parker | |
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Bird Up - "Originals" Review
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Buy Bird Up - "Originals" CD Purchase Bird Up - "Originals" CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Bird Up - "Originals" album
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DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring one or more member of the Allman Brothers Band and solo performances by Gregg Allman and Dickey Betts.
Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of ...
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Chris McNulty is an unusually adventurous jazz vocalist -- not so much in her singing style itself, which is unique and personal without being exactly avant-garde, but in her repertoire, which on this album includes an exquisite Annie Lennox cover and a slightly less exquisite version of the Irish folk song "She Moved Through the Fair," as well as such standard material as "All of You," "Star Eyes," and "Meaning of the Blues." McNulty's voice is sultry and soft around the edges, and it sounds especially natural and comfortable in a Latin context -- check out both the subtly Latin vibe of her own "New Day" and the more assertively Brazilian feel of her arrangement of "Meaning of the Blues." She generally avoids vocal pyrotechnics, depending instead on gentle shadings of inflection to get her points across. McNulty's sidemen include drummer Billy Hart and, on several tracks, legendary pianist Mulgrew Miller, but the one who steals the show is David Budway, whose piano solo on "Star Eyes" provides one of the album's highlight moments. Recommended. ~ Rick Anderson
Recording information: Clinton Studios, New York, NY (11/23/2004-11/24/2004).
Arrangers: Chris McNulty; Paul Bollenback; John Di Martino.
Chris McNulty Bio Synopsis:Increasingly acknowledged by musicians, peers and critics alike as a jazz vocalist-composer with a unique vision and a strong individual style, Chris McNulty - a consummate musician who ...
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Booker T. & the MG's' LP dedicated to covers of much of the material on a specific Beatles album (1970's McLemore Avenue, which focused on songs from Abbey Road) was the first such project to get widespread critical attention. It's sometimes forgotten, however, that it wasn't the first effort of its sort. About four years before, a bunch of top Los Angeles session musicians got together under the name the Music Company to knock off a jazz version, track for track, of the Beatles' Rubber Soul LP. Yes, it was undoubtedly an exploitative project; the group was a temporary studio-only concoction, and the album was done to capitalize on the Beatles' success while Rubber Soul was hot. As such exploitation projects go, however, this has got to be one of the better ones, and it is certainly leagues above the likes of the Hollyridge Strings albums. For one thing, the players, though most famous primarily for their work on Hollywood pop/rock sessions, are very good, including Hal Blaine on drums, Tommy Tedesco and James Burton on guitars, and Don Randi on piano. More importantly, these really are pretty good straight jazz arrangements with a bit of pop and some playful liveliness, as well as some Latin rhythmic influences here and there. It helps, of course, that the songs are so good, but as great as the Beatles' tunes were, it wasn't true that no one could ...
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